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	<title type="text">Elizabeth Crane | Vox</title>
	<subtitle type="text">Our world has too much noise and too little context. Vox helps you understand what matters.</subtitle>

	<updated>2023-10-16T22:17:35+00:00</updated>

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		<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[Solve Vox crosswords in our first-ever puzzle books]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/crossword-puzzles/23916105/crossword-puzzle-book-print" />
			<id>https://www.vox.com/crossword-puzzles/23916105/crossword-puzzle-book-print</id>
			<updated>2023-10-16T18:17:35-04:00</updated>
			<published>2023-10-17T08:30:00-04:00</published>
			<category scheme="https://www.vox.com" term="Crosswords" /><category scheme="https://www.vox.com" term="Culture" />
							<summary type="html"><![CDATA[In fall 2019, we launched our daily crossword puzzles on Vox, initially as an experiment. We wanted to see: Did our audience like solving crossword puzzles? Turns out, they absolutely did. Over the past few years, crossword puzzles quietly grew and became one of the most consistently popular pages on Vox.com. That&#8217;s why we&#8217;re really [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Puzzlewright Press" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/25000772/VoxCrosswords_GroupHero_Blue.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>In fall 2019, we launched our <a href="https://www.vox.com/21523212/crossword-puzzles-free-daily-printable">daily crossword puzzles on Vox</a>, initially as an experiment. We wanted to see: Did our audience like solving crossword puzzles? Turns out, they absolutely did. Over the past few years, crossword puzzles quietly grew and became one of the most consistently popular pages on Vox.com.</p>

<p>That&rsquo;s why we&rsquo;re really excited that, just over four years since we launched crosswords on Vox, we&rsquo;ve taken our wildly popular puzzles and published them in our first-ever crossword books, on sale today wherever you like to buy your books.&nbsp;</p>

<p>The first, Vox Mega Book of Mini Crosswords, features 150 of our bite-sized weekday puzzles, perfect for a break from work or a quick amusement before bed. The second, Vox Pop Culture Crosswords, brings you 80 of our larger and more challenging crosswords, the themed Saturday puzzles, for when you want to curl up with pen and paper and really give your brain a workout. Overarching themes range from puns to antonyms, from anagrams to rhymes to rebuses, each craftier than the last.</p>

<p>Thanks to our puzzle constructors &mdash;&nbsp;Adesina O. Koiki, Will Nediger, Patrick Blindauer, Juliana Tringali Golden, and Andrew Ries &mdash;&nbsp;Vox crossword puzzles will challenge, amuse, and even educate the intrepid solver. Take your Vox puzzle experience offline for a whole new dimension in solving.</p>

<p>These books make great gifts for the puzzler in your life &mdash; especially if that puzzler is you &mdash;&nbsp;so shop now.</p>
<ul class="wp-block-list"><li><a href="https://go.skimresources.com/?id=1025X1701643&#038;xs=1&#038;url=https%3A%2F%2Fbookshop.org%2Fcontributor_profiles%2F1106">Buy at </a><a href="https://go.skimresources.com?id=1025X1701643&#038;xs=1&#038;url=https%3A%2F%2Fbookshop.org%2Fcontributor_profiles%2F1106">Bookshop.org</a></li><li><a href="https://www.amazon.com/dp/B0CHWJWYPD?&#038;linkCode=ll2&#038;tag=voxdotcom-20&#038;linkId=3f169e0f18a1e40dafb14f69c9f41362&#038;language=en_US&#038;ref_=as_li_ss_tl">Buy on Amazon</a></li><li>Buy at Barnes &amp; Noble: <a href="https://go.skimresources.com?id=1025X1701643&#038;xs=1&#038;url=https%3A%2F%2Fwww.barnesandnoble.com%2Fw%2Fvox-mega-book-of-mini-crosswords-vox%2F1144045763">mini crosswords</a> and <a href="https://go.skimresources.com?id=1025X1701643&#038;xs=1&#038;url=https%3A%2F%2Fwww.barnesandnoble.com%2Fw%2Fvox-pop-culture-crosswords-vox%2F1144045762">pop culture crosswords</a></li><li>Buy at Books-A-Million: <a href="https://go.skimresources.com?id=1025X1701643&#038;xs=1&#038;url=https%3A%2F%2Fwww.booksamillion.com%2Fp%2FVox-Mega-Book-Mini-Crosswords%2FVox%2F9781454950059%3Fid%3D8974930724432%23">mini crosswords</a> and <a href="https://go.skimresources.com?id=1025X1701643&#038;xs=1&#038;url=https%3A%2F%2Fwww.booksamillion.com%2Fp%2FVox-Pop-Culture-Crosswords%2FVox%2F9781454950066%3Fid%3D8974930724432">pop culture crosswords</a></li><li>Buy at Target: <a href="https://goto.target.com/c/482924/81938/2092?u=https%3A%2F%2Fwww.target.com%2Fp%2Fvox-mega-book-of-mini-crosswords-paperback%2F-%2FA-89681192">mini crosswords</a> and <a href="https://goto.target.com/c/482924/81938/2092?u=https%3A%2F%2Fwww.target.com%2Fp%2Fvox-pop-culture-crosswords-paperback%2F-%2FA-89681150">pop culture crosswords</a> </li><li>And anywhere books are sold!</li></ul>
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			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[Think you don’t like poetry? Try Jane Hirshfield’s Ledger.]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2020/3/21/21173809/book-review-poetry-poems-jane-hirshfield-ledger" />
			<id>https://www.vox.com/2020/3/21/21173809/book-review-poetry-poems-jane-hirshfield-ledger</id>
			<updated>2020-03-22T16:26:05-04:00</updated>
			<published>2020-03-21T09:30:00-04:00</published>
			<category scheme="https://www.vox.com" term="Books" /><category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Reviews" />
							<summary type="html"><![CDATA[Poetry is a polarizing topic. Admit that you enjoy poetry and you&#8217;re likely to hear, &#8220;Oh, I don&#8217;t get poetry.&#8221; It doesn&#8217;t have to be this way. Granted, some poems are thorny, difficult tangles requiring significant work from the reader to comprehend. But some, like the ones in Jane Hirshfield&#8217;s new book, Ledger, are small [&#8230;]]]></summary>
			
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<img alt="" data-caption="Ledger, poems by Jane Hirshfield. | Penguin Random House" data-portal-copyright="Penguin Random House" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/19783107/HirshfieldLEDGER.0.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	Ledger, poems by Jane Hirshfield. | Penguin Random House	</figcaption>
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<p>Poetry is a polarizing topic. Admit that you enjoy poetry and you&rsquo;re likely to hear, &ldquo;Oh, I don&rsquo;t get poetry.&rdquo;</p>

<p>It doesn&rsquo;t have to be this way. Granted, some poems are thorny, difficult tangles requiring significant work from the reader to comprehend. But some, like the ones in Jane Hirshfield&rsquo;s new book, <em>Ledger</em>, are small gifts: morsels of meaning that slide right past your poetry defenses and lodge in your head.</p>

<p>Poets help you pay attention. They can look at something ordinary (a tree) and give you words to see it better, see it differently, appreciate it in a new way. Hirshfield has spent a long and award-filled career in poetry shining a light to show you, me, any reader something new about ourselves and the world we live in. Her poems are &ldquo;tuned toward issues of consequence,&rdquo; <em>Ledger</em>&rsquo;s marketing copy proclaims, and I can find no better way to say it. She writes about what matters in the world.</p>

<p>I get it. You might not want that much light on a subject that can be hard to handle, especially in this <a href="https://www.vox.com/science-and-health/2020/3/20/21173472/coronavirus-pandemic-unknowns-questions-seasonality-reinfection-covid-19">stressful time</a>. Death and climate change &mdash; even ants and flowers and relationships &mdash; are sometimes more comfortably left in the dark. It&rsquo;s okay, Hirshfield understands. She doles out spoonfuls on her subjects (very few of the poems in the book are longer than a page, and most are written in short lines) and lets the reader swallow and breathe between helpings. And yet, as she said in an interview for the 2015 National Book Festival in Washington, DC, sometimes we need to &ldquo;<a href="https://poets.org/text/video-jane-hirshfield-what-inspires-her-poetry">force ourselves past the common way of looking at things</a>&rdquo; to see a more nuanced view. That balance between merely showing you something and forcing you to see something in a new way is where Hirshfield lives.</p>

<p>It&rsquo;s a measured approach, calm and contemplative. Hirshfield studied at California&rsquo;s Zen Center; she is also an accomplished translator of Japanese poetry. You can feel this in the cadence of her work, and you can see it explicitly in her use of haiku-style stanzas in her longer poems (&ldquo;9 Pebbles&rdquo; is nine little poems in one).</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>Retrospective</p>

<p>No photograph or painting can hold it&mdash;<br>the stillness of water<br>just before it starts being ice.</p>
</blockquote>
<p>Three-line haiku are among the simplest in appearance and the trickiest to write; you may have encountered them in school somewhere around the third grade, counting their syllables on your fingers. The Japanese haiku master Basho is the subject of Hirshfield&rsquo;s 2011 ebook <a href="https://www.amazon.com/Heart-Haiku-Kindle-Single-ebook/dp/B0057IYMF4"><em>The Heart of Haiku</em></a><em>,</em> and Japanese influence can be felt in many of her poems. There it is in the distilled and concentrated form, there again in the series of poems that all begin with the same line, &ldquo;Little soul.&rdquo; It is especially apparent in the way Hirshfield&rsquo;s poems treat the natural world as something marvelous and rare, something to be cared for and loved.</p>
<h2 class="wp-block-heading">Word choice is key to the success of these poems</h2>
<p>Jane Hirshfield thinks deeply about words.</p>

<p>Take the word that is the title poem: <em>Ledger</em>. A ledger, as the cover shows, is a book with lines on its pages, intended to help one<strong> </strong>keep track of, say, the influx and outflow of funds in an account. It&rsquo;s a Google spreadsheet from before Google spreadsheets were a thing; rules and lines, everything in its place.</p>

<p>It is also a precipice &mdash;&nbsp;a ledge is &mdash; that the reader and the poet and the world are standing on, looking over the edge into a dark and unknowable abyss. We are all ledgers.</p>

<p>My favorite section in the book is a series of poems all beginning with &ldquo;My&rdquo;: &ldquo;My Contentment,&rdquo; &ldquo;My Dignity,&rdquo; &ldquo;My Glasses,&rdquo; you get the idea. Each poem is intensely personal since it follows that the poet is talking about &ldquo;my&rdquo; whatever it is, but each manages to also be about anybody. In &ldquo;My Dignity,&rdquo; Hirshfield writes of the possibility of aging and death:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>My dignity, I know,<br>could be taken from me easily,<br>invisibly, in a single pickpocketed instant.<br>An errant driver. An errant rock. An errant anger.</p>
</blockquote>
<p>Yet the words &ldquo;aging&rdquo; and &ldquo;death&rdquo; are nowhere to be found.</p>

<p>Here is &ldquo;My Wonder&rdquo; in its entirety:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>That it is one-half degree centigrade.<br>That I eat honeydew melon<br>for breakfast.<br>That I look out through the oval window.<br>That I am able to look out through an oval window.</p>
</blockquote>
<p>It&rsquo;s cold out, yet there is melon for breakfast. That is a marvel of the modern world and deserving of wonder, but it&rsquo;s not something you necessarily think about. But then there is &ldquo;wonder&rdquo; in &ldquo;As If Hearing Heavy Furniture Moved on the Floor Above Us&rdquo; (also in its entirety):</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>As things grow rarer, they enter the range of counting.<br>Remain this many Siberian tigers,<br>that many African elephants. Three hundred red-legged egrets.<br>We scrape from the world its tilt and meander of wonder<br>as if eating the last burned onions and carrots from a cast-iron pan.<br>Closing eyes to taste better the char of ordinary sweetness.</p>
</blockquote>
<p>Again, you&rsquo;re eating something sweet, but now you&rsquo;re thinking about extinction. Yikes. This is what Hirshfield does so well: She gives you the observation of life as we&rsquo;re all living it and the personal tragedy life entails, and then she slips in themes of planetary crisis. It&rsquo;s the kind of gut punch good poems provide, the solid fist inside the velvet glove.</p>

<p><em>Ledger</em>&rsquo;s titular poem leads the sixth and final section of the book and draws the whole collection together. This ledger records some unusual quantities &mdash; the number of lines in a Pushkin novel, the height of an island &mdash; and concludes that measuring is both a human thing to do and not a terribly useful endeavor.</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>On this scale of one to ten, where is eleven?<br>Ask all you wish, no twenty-fifth hour will be given.<br>Measuring mounts&mdash;like some Western bar&rsquo;s mounted elk head&mdash;<br>our cataloged vanishing unfinished heaven.</p>
</blockquote>
<p>This is all the time we get in the world, says Hirshfield. Humans have written the world into their ledger, and for what? Her galloping syllables in the last line &mdash;&nbsp;no commas &mdash;&nbsp;at the end seem to propel us forward into the other poems in this concluding section, all of which deal in one way or another with what humans have done and are doing to the planet.</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>The facts were told not to speak<br>and were taken away.<br>The facts, surprised to be taken, were silent.</p>
</blockquote>
<p>Poets can get away with all manner of legerdemain simply by performing frantic jazz hands and claiming, &ldquo;I&rsquo;m a poet! I follow my muse and cannot be held responsible for wherever it leads me.&rdquo; Hirshfield is not that poet. She is responsible with every word choice, every line a deliberate beat, each poem its own chrysalis of meaning.</p>

<p>And lest these poems sound hard to grasp or not worth your time, I can assure you, they are a delight. Every other page I caught myself thinking, &ldquo;Oh, I see what you did there, you clever thing,&rdquo; as though the poet had stopped by for tea and was peering at me from over her cup. This is a book to read front to back, then at random, then front to back again.</p>

<p>Hirshfield&rsquo;s poems are no less rich for being generally likable and accessible. You don&rsquo;t have to love poetry to love these poems. There is no secret key required to unlock them. They speak and we all hear them loud and clear.</p>
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			<entry>
			
			<author>
				<name>Susannah Locke</name>
			</author>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<author>
				<name>Li Zhou</name>
			</author>
			
			<author>
				<name>Alex Abad-Santos</name>
			</author>
			
			<author>
				<name>Emily St. James</name>
			</author>
			
			<author>
				<name>Constance Grady</name>
			</author>
			
			<author>
				<name>Aja Romano</name>
			</author>
			
			<author>
				<name>Laura Bult</name>
			</author>
			
			<author>
				<name>Rajaa Elidrissi</name>
			</author>
			
			<author>
				<name>Alissa Wilkinson</name>
			</author>
			
			<author>
				<name>Nisha Chittal</name>
			</author>
			
			<author>
				<name>Tim Ryan Williams</name>
			</author>
			
			<author>
				<name>Jessica Machado</name>
			</author>
			
			<author>
				<name>Allegra Frank</name>
			</author>
			
			<author>
				<name>Hannah Brown</name>
			</author>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<title type="html"><![CDATA[We read all 25 National Book Award finalists for 2019. Here’s what we thought.]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/culture/2019/11/18/20955380/2019-national-book-awards-review" />
			<id>https://www.vox.com/culture/2019/11/18/20955380/2019-national-book-awards-review</id>
			<updated>2020-10-15T10:10:53-04:00</updated>
			<published>2019-11-20T23:46:21-05:00</published>
			<category scheme="https://www.vox.com" term="Books" /><category scheme="https://www.vox.com" term="Culture" />
							<summary type="html"><![CDATA[Every year, the National Book Foundation nominates 25 books &#8212; five fiction, five nonfiction, five poetry, five translated, five young adult &#8212; for the National Book Award, which celebrates the best of American literature. And every year (well,&#160;every year&#160;since&#160;2014), we here at Vox read them all to help smart, busy people like you figure out [&#8230;]]]></summary>
			
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<p>Every year, the National Book Foundation nominates 25 books &mdash; five fiction, five nonfiction, five poetry, five translated, five young adult &mdash; for the National Book Award, which celebrates the best of American literature. And every year (<a href="https://www.vox.com/culture/2018/11/12/18068468/2018-national-book-award-finalists-winners">well</a>,&nbsp;<a href="https://www.vox.com/culture/2017/11/8/16552828/2017-national-book-award-nominees-reviews">every</a> <a href="https://www.vox.com/culture/2016/11/15/13362580/2016-national-book-award-nominees">year</a>&nbsp;<a href="http://www.vox.com/2015/11/18/9753832/national-book-award-2015-nominee-reviews">since</a>&nbsp;<a href="http://www.vox.com/2014/11/19/7246149/national-book-award-nominee-reviews">2014</a>), we here at Vox read them all to help smart, busy people like you figure out which ones you&rsquo;re interested in. Here are our thoughts on the class of 2019. The winners, which were announced November 20, are marked at the top of each category.</p>
<h2 class="wp-block-heading">Fiction</h2><h3 class="wp-block-heading"><a href="https://www.amazon.com/Trust-Exercise-Novel-Susan-Choi/dp/1250309883"><em>Trust Exercise</em></a> by Susan Choi — WINNER</h3>
<p><em>Trust Exercise</em> is a viciously elegant novel with a structure so sharp it cuts. It concerns a group of young teenagers at a performing arts high school, a bunch of high-achieving theater kids always trembling on the edge of hormonal overload. Two of them, David and Sarah, are enmeshed in a torrid will-they-won&rsquo;t-they affair; their charismatic acting teacher, Mr. Kingsley, forces them to mine that relationship for stage material repeatedly in front of their classmates.</p>

<p>That&rsquo;s the first section of <em>Trust Exercise</em>, and as compelling as it is &mdash; Choi renders the insular world of a theater kid&rsquo;s high school with claustrophobic intensity &mdash;&nbsp;it&rsquo;s mostly setup. The real story comes in the second two acts, in a twist I won&rsquo;t reveal here. But what ensues is an extended meditation on trust: trust between lovers, between student and teacher, between actor and director &mdash;&nbsp;and the trust that is implicit and unspoken in novels themselves, that lies between the author who writes the novel, the characters who enact the novel, and the readers who read the novel.</p>

<p>Choi plays with our trust, dancing right up on the edge of betraying it, again and again throughout <em>Trust Exercise</em>. But she does it so skillfully, with such intelligence, that all you can feel as you read is delight at having been fooled so well.</p>

<p><em>&mdash;Constance Grady</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Sabrina-Corina-Stories-Kali-Fajardo-Anstine/dp/0525511296/"><em>Sabrina &amp; Corina: Stories</em></a> by Kali Fajardo-Anstine</h3>
<p><em>Sabrina &amp; Corina</em> is a world inhabited as much by personal and political history, and the dead, as it is by Kali Fajardo-Anstine&rsquo;s stunningly realistic protagonists.</p>

<p>The 11 stories in her literary debut are, first and foremost, a beautiful testament to Denver, Colorado&rsquo;s indigenous Latina women. Whether it&rsquo;s Corina reckoning with the murder of her strangled cousin Sabrina, who in the titular story becomes &ldquo;another face in a line of tragedies that stretched back generations,&rdquo; or children loving addict parents too &ldquo;caught in [their] own undercurrent&rdquo; to be present, the notion of legacies is of utmost importance. And those legacies concern familial blood, yes, but the long history of racism, poverty, and violence, too.</p>

<p>It&rsquo;s not so much that Fajardo-Anstine&rsquo;s female leads are haunted by this. It&rsquo;s more that navigating the events of the past is a central part of their stories. These are women persisting, and doing so with poise and power. They are figuring out what it means to be a woman <strong>&mdash;</strong> to have ties to Denver that run so much deeper than the white transplants who &ldquo;came with the tech jobs and legalization of weed;&rdquo; to reckon with mortality; and to try to love family, partners, and one&rsquo;s self, even when that love is imperfect.</p>

<p>It&rsquo;s a terrific debut, varied enough to be consumed all at once, but worth savoring.</p>

<p><em> &mdash;Caroline Houck</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Black-Leopard-Wolf-Dark-Trilogy/dp/0735220174"><em>Black Leopard, Red Wolf</em></a> by Marlon James</h3>
<p><a href="https://www.vox.com/culture/2019/2/6/18212431/black-leopard-red-wolf-marlon-james-review"><em>Black Leopard, Red Wolf</em></a> is stunningly ambitious and epic. It&rsquo;s also deliberately, and at times frustratingly, opaque.</p>

<p>The first in a planned trilogy, <em>Black Leopard, Red Wolf</em> takes place in a fantasy land rooted in pan-continental African folklore. There, a boy has gone missing, and a scrappy team of adventurers has assembled to find him.</p>

<p>The plan is that each volume of this trilogy will retell the story of the quest for the boy from a different point of view, <em>Rashomon</em>-style. In this first volume, we see it from the perspective of Tracker, who is basically a magical medieval African Philip Marlowe. Pointedly, Tracker has no emotional attachment at all to the missing boy; also pointedly, he tells us in the very first line that the boy is now dead.</p>

<p>This book is deliberately structured to thwart the reader&rsquo;s desire for a traditional narrative arc. It&rsquo;s also structured to thwart their<strong> </strong>desire for clarity. James withholds proper nouns from his sentences until the last possible moment, which means that as you read, you generally can&rsquo;t tell who&rsquo;s doing what at any given moment: you just get an impression of anonymous limbs tangled together in sex or battle. And that opacity seems to be key to James&rsquo;s ambitions for this trilogy &mdash;&nbsp;but it also means that <em>Black Wolf, Red Leopard</em> can be a bit of a slog, because it is not interested in giving its readers anything solid to hold onto.</p>

<p>Still, James&rsquo;s imagined landscape is lush with bloody and magical details, and the queer romances at the heart of the novel are immensely tender. If nothing else, this book is worth checking out for the sheer scale of the thing.</p>

<p><em>&mdash;Constance Grady</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Other-Americans-Novel-Laila-Lalami/dp/1524747149"><em>The Other Americans</em></a> by Laila Lalami</h3>
<p>Laila Lalami&rsquo;s <em>The Other Americans</em> opens up with the protagonist, Nora, receiving the news that her father was killed in a hit and run. As she and her family grapple with this sudden loss, Nora finds herself on a mission<strong> </strong>to discover what actually happened to her father.<strong> </strong>But what she learns about her father&rsquo;s life<strong> </strong>ends up disappointing her.</p>

<p>Even though Nora is the main character, each player has a chance to tell how her father&rsquo;s death changed their life. And as their perspectives push up against Nora&rsquo;s, Lalami begins to delve into the struggles of immigrant families. The chapters from Nora&rsquo;s perspective juxtaposed with the ones from her mother&rsquo;s show how both struggle with what it means to be Moroccan and American. Other chapters show readers how even an event as intimate as death can be inflected by your race, your ethnicity, and how safe you feel in the US.</p>

<p>And as Nora searches for answers, Lalami slowly reveals how the environment for Muslims, immigrants, and people of color in a post 9/11 US contributed to the chaos around the death of Nora&rsquo;s father.</p>

<p><em>&mdash;Rajaa Elidrissi</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Disappearing-Earth-novel-Julia-Phillips/dp/0525520414"><em>Disappearing Earth</em></a> by Julia Phillips</h3>
<p>Julia Phillips&rsquo;s riveting <em>Disappearing Earth</em> is technically a novel, but it reads more like a collection of short stories. The book is set in Kamchatka, a remote peninsula in Russia&rsquo;s Far East that is inaccessible by land from the rest of the country, and starts with the disappearance of two young sisters, which nearly everyone across the small peninsula hears about. Each subsequent chapter, however, tells a new story from a new character&rsquo;s perspective rather than following the missing girls&rsquo; story in a linear way.</p>

<p>Through these women&rsquo;s stories, we get a glimpse of how the girls&rsquo; disappearance has rippled through the broader Kamchatka community, but we also hear more about how each of them struggle with the limitations they come up against in their everyday lives in Kamchatka. Some of the women are bored and trapped in unhappy relationships; others are frustrated by the lack of economic resources keeping them stuck in Kamchatka when they long to leave the peninsula and live in Europe; others grapple with the dynamics between white Russians and the indigenous Even people. The peninsula of Kamchatka is almost a character in and of itself, shaping how each of these women view the world and their opportunities within it. The stories seem disconnected at first, but the characters&rsquo; paths start to overlap toward the end of the book for a surprising ending that you won&rsquo;t want to miss. It&rsquo;s a breathtaking page-turner of a novel that covers some very 2019 themes, all while set against the beautiful backdrop of Kamchatka.&nbsp;</p>

<p><em>&mdash;Nisha Chittal</em></p>
<h2 class="wp-block-heading">Nonfiction</h2><h3 class="wp-block-heading"><a href="https://www.amazon.com/Yellow-House-Sarah-M-Broom/dp/0802125085"><em>The Yellow House</em></a> by Sarah M. Broom — WINNER</h3>
<p>I still haven&rsquo;t been to New Orleans. And everything I know about New Orleans comes from friends&rsquo; stories (&ldquo;it&rsquo;s very humid, you&rsquo;d hate it&rdquo;), travel shows spotlighting the food (shrimp etouffee, beignets, gumbo with a roux dark as cocoa powder), and articles about how Katrina and its annihilative waters drowned the city; stories of how, to this day, the trauma of Katrina fundamentally changed the soul of New Orleans.</p>

<p>What this knowledge amounts to is superficial stuff that would pass at a cocktail hour. Sarah Broom&rsquo;s revelatory memoir, <em>The Yellow House</em>, is not that.</p>

<p>Broom&rsquo;s story is about Katrina, but it isn&rsquo;t just about the life-shattering chaos of the storm. <em>The Yellow House</em> is about her family, the non-French Quarter pockets of New Orleans that America forgot about or chose to forget, and the myths of prosperity perched atop the rot of corruption. Ultimately, <em>The Yellow House </em>is about the price the city&rsquo;s black men and women have paid for it.</p>

<p>Broom grafts these narratives onto the bones of her family&rsquo;s yellow house, purchased by Broom&rsquo;s mother&nbsp;Ivory Mae in 1961. Its appearance on the outside was a facade for its structural disorder the inside. The house witnessed what Broom&rsquo;s family &mdash; Broom has seven siblings &mdash; did not show to their friends, the interior anarchy that never slipped beyond the home&rsquo;s raw walls and broken doors.</p>

<p>Katrina&rsquo;s cataclysmic fury destroyed the house, like it did New Orleans. But that&rsquo;s just the beginning of Broom&rsquo;s powerful story.</p>

<p><em>&mdash;Alex Abad-Santos</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Thick-Essays-Tressie-McMillan-Cottom/dp/1620974363"><em>Thick: And Other Essays</em></a> by Tressie McMillan Cottom</h3>
<p><em>Thick: And Other Essays</em> isn&rsquo;t a conventional personal essay collection. But Dr. Tressie McMillan Cottom, who holds a PhD in and teaches sociology, makes it a point to bill it as an eight-piece &ldquo;portrait of her own life.&rdquo; She affirms that by focusing on contemporary black womanhood, digging into challenging concepts like the societal difference between &ldquo;black blacks&rdquo; and &ldquo;black ethnics.&rdquo; And with the title essay &mdash; about the size of her body in relation to white beauty standards &mdash; serving as table setting, Cottom&rsquo;s intent becomes clear: She is defining the truth of her own existence, and deconstructing white Americans&rsquo; reactions to her doing so.</p>

<p>For the well-read black woman, <em>Thick</em> won&rsquo;t be a consistently revelatory read. As Cottom herself notes in one of the later essays, there is a growing, if small, cohort of writers online and in print who do a great job covering the intersecting political and personal elements of black feminism. But <em>Thick</em> is nonetheless a significant &mdash; and very readable &mdash; academic exploration of topics like black girlhood, black intellectualism, and black aesthetics.</p>

<p><em>&mdash;Allegra Frank</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/What-You-Have-Heard-True/dp/0525560378"><em>What You Have Heard Is True: A Memoir of Witness and Resistance</em></a> by Carolyn Forché</h3>
<p>Poets write the best memoirs, and Carolyn Forch&eacute;&rsquo;s <em>What You Have Heard is True</em> is no exception. It&rsquo;s Forch&eacute;&rsquo;s chronicle of a life-altering encounter with Leonel G&oacute;mez Vides, an activist who opened her eyes to what was going on in his native El Salvador: poverty, unrest, injustice, and much unease.</p>

<p>It was the late 1970s, and Forch&eacute;, who had just published her first book of poetry, was teaching. But at G&oacute;mez&rsquo;s invitation, she traveled from her home in California to El Salvador and then embarked on a tour around the country with G&oacute;mez. The book is a lyrical and pristinely disturbing recounting of that time, and how it awoke within her a calling.</p>

<p>The subtitle of <em>What You Have Heard Is True</em> is &ldquo;A Memoir of Witness and Resistance&rdquo; &mdash; two things, it seems, that Forch&eacute; learned from G&oacute;mez are closely intertwined. He is constantly asking her to not just see what is going on around her as she travels with him, but <em>witness</em> it, to understand it and then gather the courage to speak and write of it.</p>

<p>The decades since are evidence that Forch&eacute; took that charge seriously; since that time, she&rsquo;s called herself a &ldquo;poet of witness.&rdquo; But though it&rsquo;s prose, <em>What You Have Heard is True</em> is no less stunning than her poetry &mdash; sharp, unsparing, and never looking away.</p>

<p><em>&mdash;Alissa Wilkinson</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Heartbeat-Wounded-Knee-America-Present/dp/1594633150"><em>The Heartbeat of Wounded Knee: Native America from 1890 to the Present</em></a> by David Treuer</h3>
<p>Five hundred years after Columbus &ldquo;sailed the ocean blue,&rdquo; it&rsquo;s impossible to buy into the white colonialist lore of America, land of the free. We are well aware of the slavery, slaughter, and rape of American Indians and the stripping away of their land and resources, which are the tenets of their spirituality. In <em>The Heartbeat at Wounded Knee</em>, however, David Treuer pushes the reader beyond this narrative of sadness, defeat, and cultures ruined. After the brutal massacre of 150 Lakota Sioux at Wounded Knee Creek in 1890, there was not simply &ldquo;an Indian past&rdquo; and &ldquo;only an American future.&rdquo; The story of American Indians is a testament of insistent, persistent survival.</p>

<p>Treuer weaves in written history, reportage, and personal stories to complete this record of who Indians are post-1890 and who they always have been; he is not content to let <em>Bury My Heart at Wounded Knee</em> by Dee Brown, a white man, be the last, defining word on the Indian. While some of the historical passages on legislative bills and treaties come across a little stiff compared to the intimate portraits &mdash; like a cousin learning to channel his rage through MMA fighting or the young Indian who is finding community online &mdash; these legal and congressional battles remain vital to understanding how Indians have endured.</p>

<p>To be clear, Treuer is not interested in happy, shiny anecdotes of Indians returning to old ways on the reservation or making successes away from it; he portrays the nuance: what it is like to carry your peoples&rsquo; history of fighting literal wars, anger, the bottle. The everyday living of raising kids, making mistakes, working rodeos, foraging for pinecones, selling weed. Being downright, utterly scrappy. The reality of the American Indian is very much the reality of America.</p>

<p><em>&mdash;Jessica Machado</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.in/Solitary-Unbroken-Decades-Confinement-Transformation/dp/0802129080"><em>Solitary: Unbroken by Four Decades in Solitary Confinement, My Story of Transformation and Hope</em></a> by Albert Woodfox with Leslie George</h3>
<p>Robert King, Herman Wallace, and Albert Woodfox were the <a href="https://angola3.org/">Angola Three</a> &mdash; three inmates of the notoriously harsh&nbsp;Louisiana State Penitentiary who each spent decades in solitary confinement. Woodfox, the last of the three to be freed, spent 42 years in solitary before his conviction was <a href="https://www.nytimes.com/2016/02/20/us/albert-woodfox-angola-3-prisoner-louisiana.html">overturned</a> in 2016. <em>Solitary</em>, his memoir of surviving the longest sustained period of solitary confinement in US history, is a vital first-hand account of carceral brutality, told with astonishing aplomb.</p>

<p>Woodfox and his cowriter Leslie George always use the same measured, even tone, whether they&rsquo;re describing Woodfox&rsquo;s childhood in the Treme, New Orleans brutal Sixth Ward, or long-ago crimes &mdash; knocking a girl out with a chair or borrowing buggy horses to ride them, desperate for any release he can get. That understatement becomes a strategy when Woodfox is sentenced to Angola &mdash; a prison erected on a former slave plantation &mdash; for robbery and abruptly enters a nightmare; it&rsquo;s a scene that, like many others, makes use of the N-word to underline its generally unsparing view of violent racism.</p>

<p>Woodfox rattles off detail after detail of the hellscape he&rsquo;s thrust into &mdash; a bogglingly complex ecosystem of violence and corruption. &ldquo;It&rsquo;s painful to remember how violent Angola was in those days,&rdquo; he says at one point. &ldquo;I don&rsquo;t like to go into it.&rdquo; But he does, with prose that shocks because it is so readable, plainspoken, and awful; by the time he&rsquo;s recounting his experience of a claustrophobic panic attack while doing his first stretch in the 6-by-9 solitary confinement cell, a reader might feel claustrophobic, too.</p>

<p>It seems unthinkable that anything can be uplifting in such a place, but the collective spirit and sense of brotherhood among the Angola Three sustains and animates their long, grueling fight for freedom, even through the agony of Woodfox having his conviction finally overturned only for the state to retry and re-convict him. The laborious nature of court proceedings in this context is mainly a reminder that the system can dehumanize its victims in even the most trivial ways; Woodfox is never more passionate than when he&rsquo;s tearing apart the unsourced and fabricated claims made about him in legal affidavits.</p>

<p>Such callous details, juxtaposed against the larger-than-life horrors of Angola, make <em>Solitary</em> a must-read look at the justice system, and of humanity struggling to endure in the most abject and frustrating conditions. &ldquo;Don&rsquo;t turn away from what happens in American prisons,&rdquo; he writes, simply, in the end. After reading <em>Solitary</em>, you never will again.</p>

<p>&mdash;<em>Aja Romano</em></p>
<h2 class="wp-block-heading">Poetry</h2><h3 class="wp-block-heading"><a href="https://www.amazon.com/Sight-Lines-Arthur-Sze/dp/155659559X"><em>Sight Lines</em></a> by Arthur Sze — WINNER</h3>
<p>Sze&rsquo;s tenth volume of poetry is a kaleidoscope of juxtaposition, layered stacks of images from across time and space, presenting a deeply interconnected feel of the universe. Let me give you a taste:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>&ldquo;in the desert, a crater of radioactive glass&mdash;<br>assembling shards, he starts to repair a gray bowl with gold lacquer&mdash;<br>they ate psilocybin mushrooms, gazed at the pond, undressed&mdash;<br>hunting a turkey in the brush, he stops&mdash;&rdquo;</p>
</blockquote>
<p>Awash in nature and unafraid of science, Sze&rsquo;s poems use languages&rsquo; sounds in a lovely way, while addressing the world&rsquo;s horrors.</p>

<p>In some poems, he writes from the perspective of a voiceless, lowly natural thing &mdash; lichens, or in this example salt:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>&ldquo;&#8230; in Egypt I scrubbed the bodies of kings and<br>queens &nbsp; in Pakistan I zigzag upward through twenty-six miles<br>of tunnels before drawing my first breath in sunlight &nbsp; if you<br>heat a kiln to 2380 degrees and scatter me inside &nbsp; I vaporize<br>and bond with clay &nbsp; in this unseen moment a potter prays<br>because my pattern is out of his hands &#8230;&rdquo;</p>
</blockquote>
<p><em>&mdash;Susannah Locke</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Tradition-Jericho-Brown/dp/1556594860"><em>The Tradition</em></a> by Jericho Brown</h3>
<p>It&rsquo;s always tricky for me, picking up a new book of poetry. I wonder, will it speak to me? Will it reward whatever work I have to put in to understand it? Fortunately, Jericho Brown&rsquo;s <em>The Tradition</em> pays off on the first page (which opens with &ldquo;Ganymede,&rdquo; in which he reimagines the Greek myth: &ldquo;I mean, don&rsquo;t you want God/ to want you?&rdquo;) and just keeps on giving.</p>

<p>The writing is clear and precise throughout; the topics are modern and rooted in the writer&rsquo;s culture, but they&rsquo;re still universal enough to speak to a reader outside that culture. It can be considered slander to call poems &ldquo;accessible&rdquo; &mdash; as though the only way poems can mean is through the hard work of unlocking all the doors and opening all the windows of a poem&rsquo;s secret house. Brown&rsquo;s poems are accessible the way your friends are accessible: They invite you in, sit you down, talk to you about things that matter in words that revel in their beauty. Please, let&rsquo;s celebrate the radical accessibility of these poems.</p>

<p>Also, I am a sucker for form. Sonnets? Villanelles? Yes, please. When I read the first Duplex in the book<strong> </strong>(a form invented by Brown), I thought, &ldquo;Ooh, nice trick, well executed.&rdquo; But there were four more in the collection, each cleverer than the last, and as I read,<strong> </strong>I became a Jericho Brown fan for life. Writing is good words in good order; poetry is the best words in the best order. Brown&rsquo;s words are in the best order possible.&nbsp;</p>

<p><em>&mdash;Elizabeth Crane</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/New-Selected-Poems-Pitt-Poetry/dp/0822945665"><em>“I”: New and Selected Poems</em></a> by Toi Derricotte</h3>
<p>In this 298-page book, containing selections from 40 years of work plus more than 30 new poems, Toi Derricotte invites the reader into an intimate portrayal of trauma, struggle, and triumph. Many of the poems take the shape of stories, feeling like autobiography, a mix of musing and memories.</p>

<p>Derricote&rsquo;s writing can be beautiful, horrific, and sometimes laugh-out-loud funny, as she explores identity, race, gender, and everyday delights. In one section, harrowing first-person accounts of child abuse live next to touching odes to a pet fish (&ldquo;Joy is an act of resistance,&rdquo; she writes). Another provides an unflinching perspective of giving birth without drugs.</p>

<p>Some of Derricotte&rsquo;s most moving work addresses personal and collective trauma, like this section from the new poem &ldquo;Pantoum for the Broken&rdquo;:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>Some forget but their bodies do inexplicable things.<br>We don&rsquo;t know when or why or who broke in.<br>Sleepwalking, we go back to where it happens.<br>Not wanting to go back, we make it happen.<br>If we escaped, will we escape again?<br>I leapt from my body like a burning thing.<br>Not wanting to go back, I make it happen<br>until I hold the broken one, hold her and sing.</p>
</blockquote>
<p>In another new poem, she writes, &ldquo;I see what a great gift it is if a writer just truthfully records the way her mind moves.&rdquo; Derricotte gives us that gift, too.</p>

<p><em>&mdash;Susannah Locke</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Deaf-Republic-Poems-Ilya-Kaminsky/dp/1555978312"><em>Deaf Republic</em></a> by Ilya Kaminsky</h3>
<p>For protest art, you can look to the novelists and essayists, but the ones who leave you feeling socked in the gut are the poets, and Ilya Kaminsky is aiming his blows straight at our churning stomach. His first full-length collection, <em>Dancing in Odessa</em>, was released in 2004, which means expectations were at a fever pitch for <em>Deaf Republic. </em>And by my lights, it doesn&rsquo;t disappoint.</p>

<p><em>Deaf Republic</em> is the story of a town, told in a series of poems, in which a young deaf boy named Petya is killed by soldiers as they seek to break up a protest. In response, the townspeople begin to feign deafness in the face of the soldiers, fomenting a revolution of a kind. But Kaminsky, who lives with hearing impairment and whose family fled his native Odessa when he was 16, seeking political asylum in the US, knows deafness firsthand and how to make it into a metaphor. It&rsquo;s a double-edged sword, this deafness: On the one hand, it&rsquo;s a silent but powerful protest; on the other, it suggests that we can shut ourselves off from one another&rsquo;s suffering.</p>

<p>The opening poem, &ldquo;<a href="https://www.poetryfoundation.org/poems/91413/we-lived-happily-during-the-war">We Lived Happily During the War</a>,&rdquo; positions the story that follows as partly, but explicitly, the American story:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>And when they bombed other people&rsquo;s houses, we&nbsp;</p>

<p>protested<br>but not enough, we opposed them but not</p>

<p>enough. I was<br>in my bed, around my bed America</p>

<p>was falling: invisible house by invisible house by invisible house.</p>
</blockquote>
<p>And the final poem, ironically titled &ldquo;In a Time of Peace,&rdquo; begins by reminding Americans that this story, of Petya and the deaf town, is ours:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>Ours is a country in which a boy shot by police lies on the pavement<br>for hours.<br>We see in his open mouth<br>the nakedness<br>of the whole nation.<br>We watch. Watch<br>others watch.</p>
</blockquote>
<p><em>Deaf Republic</em> is harrowing and damning, if we dare to listen.</p>

<p><em>&mdash;Alissa Wilkinson</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Be-Recorder-Carmen-Gim%C3%A9nez-Smith/dp/1555978487"><em>Be Recorder</em></a> by Carmen Giménez Smith</h3>
<p>At first, it might seem like <em>Be Recorder</em> is looking for an argument. Some early poems almost take the form of tiny essays. They lay bare the oppression and dismissal of marginalized people, even in supposed safe spaces.</p>

<p>After being mistaken for another woman with &ldquo;what you might call a brown name,&rdquo; the narrator in &ldquo;Origins&rdquo; boldly asserts her selfhood through her poetry: &ldquo;here I am with a name that&rsquo;s at the front of this object, a name I&rsquo;ve made singular, that I spent my whole life making.&rdquo;</p>

<p>But <em>Be Recorder</em> is more than one origin story, and Carmen Gim&eacute;nez Smith shows resistance and resilience are not always rewarded. (One line of startling clarity in &ldquo;Self as Deep as Coma&rdquo;: &ldquo;To end a conversation, tell a story of suicide with a girl in it.&rdquo;)</p>

<p>Identity and argumentation soon break down. The titular poem is long and fragmented: &ldquo;Poetry v prose&rdquo; is the first in a long list of dichotomies that collapse onto each other, and the arbitrary hierarchy of the animal kingdom stands in for the arbitrary hierarchy of nations. Gim&eacute;nez Smith asks if the immigrant is doomed to be seen as an albatross, a mere symbol: &ldquo;am I the mariner / and whose bird was it&rdquo;</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>will I be reincarnated as elephant<br>as king as flea as barnacle<br>why am I the locus of your discontent<br>and not your president<br>your intimate the landlord<br>an aesthetic landlord<br>how do I hang from your neck<br>with such ease and when<br>will I be graced with immunity</p>
</blockquote>
<p><em>&mdash;Tim Williams</em></p>
<h2 class="wp-block-heading">Translated Literature</h2><h3 class="wp-block-heading"><a href="https://www.amazon.com/Baron-Wenckheims-Homecoming-L%C3%A1szl%C3%B3-Krasznahorkai/dp/0811226646"><em>Baron Wenckheim’s Homecoming</em></a> by László Krasznahorkai, translated by Ottilie Mulzet — WINNER</h3>
<p>With <em>Baron Wenckheim&rsquo;s Homecoming</em>, L&aacute;szl&oacute; Krasznahorkai closes out his gargantuan four-part literary quartet, begun with his first novel <em>S&aacute;t&aacute;ntang&oacute;</em> in 1985, and continued in The <em>Melancholy of Resistance</em> (1989), <em>War and War</em> (1999), and finally <em>Baron Wenckheim</em>. (The first two books were turned into cinematic masterpieces by Hungarian filmmaker B&eacute;la Tarr.) You thankfully don&rsquo;t have to have read the earlier novels to get through this one, but when characters have cosmic visions of Satan dancing into eternity, it helps to understand that Krasznahorkai has woven certain motifs throughout his tapestry of vanishing Hungarian pastoral life. In Krasznahorkai&rsquo;s writing, the banal and the quotidian are constant gateways to mystical revelations and Kafkaesque insights about our absurd postmodern world &mdash; or at least, they <em>could</em> be, if his characters, and we as ride-alongs, could only manage to catch them before they vanish into ephemera.</p>

<p><em>Baron Wenckheim </em>concerns a retiring man who returns home to his tiny Hungarian village, only to be met with scheming and manipulation from many of its desperate and desolate inhabitants. Anyone focusing too much on the plot, though, will miss the trees for the woods, because the real draw of this shamelessly performative experimental fiction is the endless metaphysical abyss of Krasznahorkai&rsquo;s prose: uninterrupted stream-of-consciousness passages that last for chapters with no breaks of any kind, ruminate simultaneously on the cosmic and the mundane, and fold endlessly onto themselves in a hopeless existential ouroboros, perpetually advancing and retreating before the impossibility of grasping the self and the universe. For example:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>&#8230; because in reality the fear that existence will cease, and that always in a given case it will cease, is the most elemental force that we know &mdash; and if we can&rsquo;t really enclose this fact in a nice, little box, if we were nonetheless to place all our most significant knowledge in a capsule and shoot it off to Mars &mdash; if we could finally make up our minds and leave behind this earth, which in general we don&rsquo;t deserve (although who knows who&rsquo;s in charge here?), well &mdash; and so here we are again, back with fear &#8230; because just think about what that means: fear, if we regard it as a creationary force, a general power center, from which the gods evaporate, and finally God emerges &#8230;</p>
</blockquote>
<p>This approach predictably doesn&rsquo;t add up to tidy narrative conclusions. But if such whirling philosophical exercises rejuvenate and invigorate you, then Krasznahorkai&rsquo;s works are calling your name.</p>

<p>&mdash;<em>Aja Romano</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Death-Hard-Work-Khaled-Khalifa/dp/0374135738"><em>Death Is Hard Work</em></a> by Khaled Khalifa, translated by Leri Price</h3>
<p>In Khaled Khalifa&rsquo;s version of<strong> </strong>Syria, death is the easy part. Living and finding meaning in a country wracked by civil war and mass atrocities proves much more difficult.</p>

<p>Three siblings, Bolbol, Hussein, and Fatima, navigate their broken worlds as they attempt to take the body of their father Abdel Latif for burial back in the hometown he fled many years before. <em>Death Is Hard Work</em><strong> </strong>captures their frustration and dissociation with violence as they physically and metaphorically traverse the divides of their country. They are forced to face their own issues with each other, problems that lead them back to the frustrations with the dead man wrapped up in the back seat. War in this novel is messy in a way that goes beyond airstrikes and refugee flows.</p>

<p>At 180 pages divided into three parts, Khalifa oscillates between complexity and simplicity. We&rsquo;ve all felt like<strong> </strong>Hussein, struggling to feel important, or like Bolbol, swinging back and forth between thinking of himself as a brave hero and thinking of himself as a cowardly outcast. But the numbness, the blas&eacute; nature of tragedy, grant this novel both its undercurrent of dark humor and the fog that lies over its happiness and places the reader deep in the throes of the conflict in Syria. Revolutionaries or rebels, like Abdel Latif, find vigor and life in the hope of breaking the chains of the regime, but those left behind by their seemingly inevitable deaths feel the weight of fear and suffering.&nbsp;</p>

<p>The beautiful translation comes<strong> </strong>courtesy of Leri Price and<strong> </strong>holds on to the integrity of Khalifa&rsquo;s purpose and compelling prose. Normally banal encounters of checkpoints and falling asleep depict the real cost of war. One<strong> </strong>recurring metaphor imagines<strong> </strong>the opportunity for love as a bouquet of flowers floating down a river. And the ignored, rotting corpse of the siblings&rsquo; father becomes a potent symbol of all that the siblings can&rsquo;t bear to face, all of the greater tragedies they ignore so that they can focus on the surface-level injustices against them. After they bury their father, the siblings leave each other with little more than a wave goodbye, relishing their return to the hard work of waiting to die.</p>

<p><em>&mdash;Hannah Brown</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Barefoot-Woman-Scholastique-Mukasonga/dp/1939810043"><em>The Barefoot Woman</em></a> by Scholastique Mukasonga, translated by Jordan Stump</h3>
<p><em>The Barefoot Woman</em> is an elegiac tribute by Scholastique Mukasonga both to her mother, Stefania &mdash; the focal point of the book &mdash; and to what life was like for Tutsi residents in Rwanda before the devastating 1994 genocide, when many members of her own family were killed.</p>

<p>Even as it captures the ever-present anxiety in a community racked by violence, <em>The Barefoot Woman</em> also centers heavily on the routine, day-to-day acts that families engage in as they try to build a home together. The book, which is translated from French to English, is as much about commemorating and remembering the sorghum harvest rituals Mukasonga participated in and her mother&rsquo;s matchmaking prowess as it is about capturing the fear and anguish that her family experiences.</p>

<p>Ultimately, <em>The Barefoot Woman</em> is meant to serve as its own marker, not only of the atrocities that have been committed but also of the people these acts attempted to erase. Mukasonga writes to her mother, &ldquo;I&rsquo;m all alone with my feeble words, and on the pages of my notebook, over and over, my sentences weave a shroud for your missing body.&rdquo;</p>

<p>The book is a testament to her memory and her life.</p>

<p><em>&mdash;Li Zhou</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Memory-Police-Novel-Yoko-Ogawa/dp/1101870605"><em>The Memory Police</em></a> by Yoko Ogawa, translated by Stephen Snyder</h3>
<p>Yoko Ogawa focuses on the materiality of life on a small, unnamed island in <em>The Memory Police</em>. That&rsquo;s because the premise of her dystopian novel is that the objects that enrich life &mdash; books, perfume, roses, birds &mdash; are systematically disappeared along with the characters&rsquo; memories of them, enforced by a fascist regime.<strong>&nbsp;</strong></p>

<p>The horror of forgetting is baked deeply into this novel. The narrator is an unnamed novelist whose mother was murdered by this regime because she had the power that few on the island have: to remember. The novelist&rsquo;s editor, named simply &ldquo;R,&rdquo; also has this power,<strong> </strong>so the narrator hides him in a bunker in her home. The novel they are writing appears in occasional passages as a mise en scene; it&rsquo;s about a woman who loses her voice, an image that mirrors the novelist&rsquo;s own fears of how she&rsquo;ll continue to write while losing words.&nbsp;</p>

<p>The narrator&rsquo;s only other relationship is with an elderly man she colludes with to hide &ldquo;R&rdquo;; he was once the island&rsquo;s ferry captain before ferries vanished. Whenever another beloved object disappears, the old man responds with empty maxims &mdash; &ldquo;time is a great healer&rdquo; &mdash; or reassurances &mdash; &ldquo;maybe some other flower will grow in its place,&rdquo; after roses disappear. His character represents the most haunting aspect of Ogawa&rsquo;s book: the adaptation and quiet resignation that enables an oppressive regime.</p>

<p><em>&mdash;Laura Bult</em></p>
<h2 class="wp-block-heading">Young People’s Literature</h2><h3 class="wp-block-heading"><a href="https://www.amazon.com/1919-Year-That-Changed-America/dp/1681198010"><em>1919: The Year That Changed America</em></a> by Martin W. Sandler — WINNER</h3>
<p>Yes, this book exists mostly because 1919 was exactly a century ago. But <em>1919: The Year That Changed America</em> makes a compelling case for both itself and its title.</p>

<p>This is a children&rsquo;s history book that has the wit to open with a giant flood of molasses. But it doesn&rsquo;t shy away from the more solemn tales of a revolutionary moment in US history: <em>1919</em> thoughtfully covers the women&rsquo;s suffrage movement (and the racism it did not expel), the violent suppression of labor and African American civil rights movements, and the Red Scare that helped fuel these crackdowns.</p>

<p>I&rsquo;m very sorry to note, then, that <a href="https://www.vox.com/the-highlight/2019/6/5/18518005/prohibition-alcohol-public-health-crime-benefits">this very website has debunked the myths around Prohibition</a> &mdash; the other big event of 1919 &mdash; and Martin W. Sandler&rsquo;s history seems to miss the mark here.<strong> </strong>Despite careful inclusion of revisionist sources elsewhere in the book, the author does not cite any in this section.</p>

<p>The conventional story the book imparts is captured by the pull quotes (eye-catching with smart use of color, thoughtfully designed like the rest of the book). One from historical aphorism repository H.L. Mencken is so sweeping, it approaches parody: &ldquo;There is not less drunkenness in the republic, but more. There is not less crime, but more. There is not less insanity, but more.&rdquo; But substantial evidence suggests Prohibition really did reduce problem drinking and didn&rsquo;t increase crime overall, even if organized crime benefited<strong> </strong>from the legislation.</p>

<p><em>1919</em> does invite readers to weigh the costs and rewards of other public health interventions &mdash; including gun control. But, say, a debate over a higher alcohol tax? Maybe that will make it in in 3019.</p>

<p><em>&mdash;Tim Williams</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Pet-Akwaeke-Emezi/dp/0525647074/ref=sr_1_9?keywords=pet&#038;qid=1573154318&#038;sr=8-9"><em>Pet</em></a> by Akwaeke Emezi</h3>
<p>Jam thinks she lives in a utopia in Akwaeke Emezi&rsquo;s bittersweet and unsettling YA novel <em>Pet</em>. The largely unspecified revolution happened before she was born, and she now lives in a world free of police violence, of domestic abuse, of injustices big and small. A trans girl, Jam received care that let her socially transition at 3 and physically transition in her teens. The point is: The monsters are gone and the world is better.</p>

<p>Or is it? A strange, lumbering beast crawls out of one of Jam&rsquo;s mother&rsquo;s paintings and makes itself known to Jam, who dubs it Pet. Pet says it is hunting a monster, right there in Jam&rsquo;s supposed utopia, and the thrust of <em>Pet</em> involves Jam learning that monsters are not confined to history books.</p>

<p>This is a fable, more or less, but it&rsquo;s a lovely and loving one, with genuine affection for every character who is even briefly introduced. The relationship between Pet and Jam has real heft, even if this is yet another tale of a normal girl and a magical creature. But the really thoughtful idea here is Emezi&rsquo;s dissection of what justice means, even in a supposed utopia. It&rsquo;s fleeting, and you have to fight for it &mdash; over and over and over again.</p>

<p><em>&mdash;Emily VanDerWerff</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Untitled-Jason-Reynolds-w-t/dp/148143828X"><em>Look Both Ways: A Tale Told in Ten Blocks</em></a> by Jason Reynolds</h3>
<p>This is YA author Jason Reynolds&rsquo; second National Book Award nomination. Like his previously nominated work, <a href="https://www.vox.com/culture/2016/11/15/13362580/2016-national-book-award-nominees">2016&rsquo;s <em>Ghost</em></a>, <em>Look Both Ways</em> channels his vivid voice and his deadpan but tender portraiture of kids growing up in the city, with all its excitement and complexity and cacophony.</p>

<p>In <em>Look Both Ways</em>, Reynolds turns that noise into a polyphonic character study of the city<em>.</em> Billed as a story told in 10 blocks, <em>Look Both Ways </em>channels Armistead Maupin&rsquo;s <em>Tales From the City, </em>unfolding through the varied viewpoints of a class full of children as they walk home from school every day, navigating their respective city streets. Their lives bypass and occasionally intersect with each other, and as the book unfolds, the reader discovers the physical and human geography of the city.</p>

<p>These kids&rsquo; adventures are granular. They are formed moment by moment, block by block: from the ragtag gang who pools their resources to turn 90 cents into an unforgettable memory, to the boy fighting a panic attack when his daily route home is upended, to the kid who expresses a wealth of inarticulable emotions by grabbing a fistful of roses. It&rsquo;s less a novel than a protracted tone poem, with striking imagery (&ldquo;He watched his classmates tap-dance with tongues&rdquo; &#8230; &ldquo;For him, the hallway was a minefield, and there were hundreds of active mines dressed in T-shirts and jeans&rdquo;) accented with subtle commentary on a host of social issues, from health care and poverty to homophobia and bullying. The prevailing takeaway, though, is a sense of indomitable wonder, girded by Reynolds&rsquo; underlying confidence in his city kids. They&rsquo;re doing just fine.</p>

<p>&mdash;<em>Aja Romano</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Patron-Saints-Nothing-Randy-Ribay-ebook/dp/B07HLXDN1J"><em>Patron Saints of Nothing</em></a> by Randy Ribay</h3>
<p>Randy Ribay has packed a lot into this YA novel. It&rsquo;s got the requisite<strong> </strong>messed-up family dynamics, the teen unsure of his path forward, and the love interest, but the real focus is a murder mystery pursued by a total amateur in a faraway country, a place where he doesn&rsquo;t speak the language and doesn&rsquo;t always know who to trust. Throw in more than a splash of misdirection and some pretty pointed opinions on the political situation in the Philippines, and you&rsquo;ve got an out-of-the-ordinary story.</p>

<p>Jay, a Filipino American high school senior with no enthusiasm for college, travels to the country his parents left when he was a baby to solve the mystery behind his cousin Jun&rsquo;s death. Jun is set up as a saint, an impossibly empathetic paragon who is wildly misunderstood by his authoritarian parent (who is an actual cop, as if we needed the emphasis). Jay rides to the rescue of his younger girl cousins and his whole sad family, but he gets so many things wrong and has to learn real truths instead of relying on his idealized version of events. It&rsquo;s just like in life.</p>

<p>Some of the &ldquo;kumbaya&rdquo; family healing at the end feels forced, but Ribay deals well with the emotions and compromises tragedy forces on people. And the plot never gets lost in its march toward understanding, despite the silent family members, the college plans gone awry, and the crush who may or may not be actually interested. I found myself caring more for the flawed, dead Jun than for the Jay who still has his life ahead of him, but I couldn&rsquo;t help rooting for Jay to figure himself out.</p>

<p><em>&mdash;Elizabeth Crane</em></p>
<h3 class="wp-block-heading"><a href="https://www.amazon.com/Thirteen-Doorways-Wolves-Behind-Them/dp/0062317644"><em>Thirteen Doorways, Wolves Behind Them All</em></a> by Laura Ruby</h3>
<p><em>Thirteen Doorways </em>is a ghost story, told by the ghost.</p>

<p>Teenage Frankie, getting by in a World War II-era orphanage with her bratty sister Toni, is mostly unaware that<strong> </strong>she&rsquo;s being haunted by the long-dead narrator Pearl. But she&rsquo;s plenty conscious of the other spectral presences in her life: the missing humanity of cruel head nun Sister George; the absence of her very-much-alive father, who abandoned his children; the lack of joy or light or meatball sandwiches at the orphanage. And now, the list includes her brother Vito &mdash; her father reappears only to take Vito to Colorado with their new stepmother and step-siblings, leaving Toni and Frankie behind.</p>

<p><em>Thirteen Doorways, Wolves Behind Them All</em> is a story of female anger and pain<strong> </strong>&mdash;<strong> </strong>about how terrible it was to be a girl in the past, and the past before that, and the past before that. It&rsquo;s a story<strong> </strong>about the fear and shame and determination that an unfair life instills in the women those girls become, or never get to become.</p>

<p>There are some familiar beats (orphans bond; teens have crushes; ghosts can&rsquo;t quite comprehend their own deaths; women with spirit find that spirit violently quashed), but the language is moody and engaging (at one point, phantom Pearl describes herself as &ldquo;ghostful&rdquo;), and the truth of the central theme &mdash; that danger lurks around every corner &mdash; resonates. It&rsquo;s a story about very real helplessness that manages a glimmer of hope.</p>

<p><em>&mdash;Meredith Haggerty</em></p>
						]]>
									</content>
			
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			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[Full transcript: ‘Microtrends’ author and political strategist Mark Penn on Recode Decode]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2018/5/18/17366344/transcript-microtrends-author-politics-mark-penn-recode-decode" />
			<id>https://www.vox.com/2018/5/18/17366344/transcript-microtrends-author-politics-mark-penn-recode-decode</id>
			<updated>2018-05-17T17:20:00-04:00</updated>
			<published>2018-05-18T05:00:05-04:00</published>
			<category scheme="https://www.vox.com" term="Big Tech" /><category scheme="https://www.vox.com" term="Microsoft" /><category scheme="https://www.vox.com" term="Technology" />
							<summary type="html"><![CDATA[On this episode of Recode Decode, hosted by Kara Swisher, former political strategist, pollster and former Microsoftie Mark Penn talks about his new book, &#8220;Microtrends Squared: The New Small Forces Driving the Big Disruptions Today.&#8221; He describes it as a less optimistic sequel to his 2007 book &#8220;Microtrends,&#8221; but it extends the idea that small [&#8230;]]]></summary>
			
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<p>On this episode of <strong>Recode Decode, hosted by Kara Swisher</strong>, former political strategist, pollster and former Microsoftie Mark Penn talks about his new book, &ldquo;Microtrends Squared: The New Small Forces Driving the Big Disruptions Today.&rdquo; He describes it as a less optimistic sequel to his 2007 book &ldquo;Microtrends,&rdquo; but it extends the idea that small changes in politics and the economy are having huge ripple effects around the world.</p>
<iframe src="https://player.megaphone.fm/VMP7008077084"></iframe>
<p>You can listen to the whole thing in the audio player above; below, we&rsquo;ve also provided a lightly edited complete transcript of their conversation.&nbsp;</p>

<p>If you like this, be sure to subscribe to&nbsp;<strong>Recode Decode&nbsp;</strong>on&nbsp;<a href="https://go.redirectingat.com/?id=66960X1568754&amp;xs=1&amp;url=https%3A%2F%2Fitunes.apple.com%2Fus%2Fpodcast%2Fre-code-decode%2Fid1011668648%3Fmt%3D21">Apple Podcasts</a>,&nbsp;<a href="https://open.spotify.com/show/47jQcyRcrM1EoV0sU39N9F">Spotify</a>,&nbsp;<a href="http://pca.st/recode">Pocket Casts</a>,&nbsp;<a href="https://overcast.fm/itunes1011668648/recode-decode-hosted-by-kara-swisher">Overcast</a>&nbsp;or wherever you listen to podcasts.</p>
<hr class="wp-block-separator" />
<p><strong>Kara Swisher: Hi, I&rsquo;m Kara Swisher, executive editor of Recode. You may know me as someone who thinks the government should just use Facebook to do the 2020 census &mdash;&nbsp;what could possibly go wrong? &nbsp;&mdash;&nbsp;but in my spare time, I talk tech, and you&rsquo;re listening to Recode Decode from the Vox Media podcast network. (Just to be clear, I do not want Facebook to do the 2020 census.) </strong></p>

<p><strong>Today, in the red chair is Mark Penn, a former pollster and Democratic political strategist, but that&rsquo;s not &#8230; He&rsquo;s very much more important than that. In 2007, he wrote the bestselling book called &ldquo;</strong><a href="https://www.amazon.com/Microtrends-Forces-Behind-Tomorrows-Changes/dp/0446699764"><strong>Microtrends: The Small Forces Behind Tomorrow&rsquo;s Big Changes</strong></a><strong>,&rdquo; and now, 11 years later, he has a sequel called, &ldquo;</strong><a href="https://www.amazon.com/Microtrends-Squared-Forces-Driving-Disruptions-ebook/dp/B074ZS5ZBL"><strong>Microtrends Squared</strong></a><strong>.&rdquo; He&rsquo;s also worked as a strategic adviser to Bill Gates and Microsoft, starting when the company was sued by the U.S. government many years ago. He&rsquo;s done tons of things, and now he&rsquo;s working with Steve Ballmer on a bunch of initiatives around &#8230;</strong></p>

<p><strong>Mark Penn: </strong>Around digital marketing.</p>

<p><strong>Digital marketing, exactly. Mark, welcome to Recode Decode.</strong></p>

<p>Thank you.</p>

<p><strong>So let&rsquo;s get people familiar with your background. We don&rsquo;t have just a techie audience, we actually have a bigger audience than you&rsquo;d imagine, an increasingly political one. And we try to bring lots of different people in. So why don&rsquo;t we talk about your background. You started off as a political consultant originally?</strong></p>

<p>Well, originally, I had an interest in polling. My first poll was age 13.</p>

<p><strong>What was it?</strong></p>

<p>It was of race relations, actually, at my &#8230; Horace, in my school.</p>

<p><strong>You went to Horace Greeley?</strong></p>

<p>I went to Horace Mann High School.</p>

<p><strong>Horace Mann, sorry. </strong></p>

<p>I saw that there was a poll done by CBS and I said, &ldquo;Well, let&rsquo;s see what polls are all about.&rdquo; And so I just became fascinated in what do people really think and learning that through these polls.</p>

<p><strong>And asking the right questions.</strong></p>

<p>Well, asking the right questions and then analyzing it. I think the biggest problem with polls today is they&rsquo;re not analyzed well. And took that basic interest and, well, I went to law school and was going to be an antitrust lawyer. Me and a friend of mine from school, Doug Schoen, we instead created a political polling company that we did for over 30-some-odd years, diversifying it out to corporate before I started to do some other stuff.</p>

<p><strong>So you were going to be an antitrust lawyer? I&rsquo;m going to go back to that. Why? What was the &#8230;</strong></p>

<p>Well, I loved economics, which is like polling, and I love law because &#8230; I thought law was righting wrongs, and then it seemed more like doing big commercial transactions. The kind of excitement of bringing polls and ads to politics at that time, it was kind of bringing science or Moneyball to politics. It didn&rsquo;t really exist in the &rsquo;70s.</p>

<p><strong>No, it didn&rsquo;t. No, it didn&rsquo;t. So what was your &#8230;</strong></p>

<p>I had to build my first computer in a kit program and an assembler so that we had the first overnight polling.</p>

<p><strong>Wow, so you were doing that in the &rsquo;70s?</strong></p>

<p>Yes.</p>

<p><strong>Late &rsquo;70s.</strong></p>

<p>Late &rsquo;70s.</p>

<p><strong>So what was wrong with polling at that time? That was just Gallup, right? They would just call people.</strong></p>

<p>There was no polling.</p>

<p><strong>There was just &#8230; What did they do? Call people on the phone, right?</strong></p>

<p>No, they visited people door to door.</p>

<p><strong>Right. Right. </strong></p>

<p>When we did phone polling, it was controversial. Today, when you do internet polling, it&rsquo;s controversial.</p>

<p><strong>All right, so you started off, what was the state of polling when you started off?</strong></p>

<p>Well, right then, remember politics was changing from being organization-based politics to what you call media-based politics. And so the need for polling became much greater because people like to understand, were the ads working? What was happening with the campaign? And then because you could do polls by phone, you could for the first time have an affordable ability to understand how your campaign was working, what you should do, how to test ads. And we started &#8230; Pretty much the first campaign was the 1977 mayoral campaign with Ed Koch, where he started off with 6 percent, and nobody expected he was gonna win.</p>

<p><strong>Right, and what did you do for him? What was your &#8230;?</strong></p>

<p>We helped &#8230; At that time, with a media consultant, David Garth, we helped develop the basic, relatively counterintuitive centrist strategy that he ran, which was to be a lot more fiscally responsible, then to both take the messaging and create almost a daily polling operation, the first of its kind, where we could understand how the ads were working. And eventually what &#8230;</p>

<p><strong>And the reaction. The immediate reaction. </strong></p>

<p>The reaction, and how to change them because political ads, you could change overnight.</p>

<p><strong>Right, I think Pat Kadell was doing some of that too. There was a whole bunch of people in this. </strong></p>

<p>Yes, in those days, he was our idol.</p>

<p><strong>Right, in terms of doing that, if I remember. I actually worked for him for a summer, doing door-to-door, actually.</strong></p>

<p>Exactly.</p>

<p><strong>Which was horrible. It was a horrible job. </strong></p>

<p>No, at that time only like the Rockefellers could afford polling.</p>

<p><strong>Right. Right. Exactly. So you got into this idea of polling, which was done so that you could get instant results and tell people how to shift their message subtly, or say things, or this was working and this wasn&rsquo;t working, essentially.</strong></p>

<p>Well, and also so you could understand opinion. I think our biggest polling summer was the &rsquo;96 presidential race, and out of that came &ldquo;soccer moms.&rdquo; And so that was about shifting Democrats from basically going after downscale manufacturing workers to working women who were leaving their kids, and for whom really there&rsquo;d been almost no policy or politics up until that point.</p>

<p><strong>So you started doing polling, and then moved to consulting. </strong></p>

<p>Well, polling, we broadened it out into corporate work. And so people had a fulltime job 365 days a year every year, and we grew the firm. Microsoft was probably one of my biggest clients. I didn&rsquo;t become an antitrust lawyer, but then I worked on big antitrust cases, understanding the messaging and the polling and the politics.</p>

<p><strong>So talk about that case, because I covered that for the Washington Post.</strong></p>

<p>Well, it&rsquo;s very interesting because compared to, say, Facebook today, Microsoft took the position, &ldquo;Hey, freedom to innovate. We really didn&rsquo;t do anything wrong here.&rdquo; And so I think they strenuously advocated on behalf of the company. I did a very unique ad that I wound up writing and directing with Bill Gates in a sweater when the ruling came down to break up the company. But basically, we had very strong messaging and we lost every single ruling.</p>

<p><strong>Because?</strong></p>

<p>Because the judge, it turned out, was biased.</p>

<p><strong>Right. </strong></p>

<p>And then eventually it was discovered that the judge was biased because he gave an interview to Ken Auletta, in which he revealed his bias. He was thrown off the case. And then we got a reasonable judge and compromises occurred. And the company then went on to rebuilding its image from those problems.</p>

<p><strong>But talk about that because as I recall it, there was a lot of mess-ups by Microsoft in that particular thing. I was just &#8230; We were looking &#8230; I was looking at Bill&rsquo;s, when he went to Congress, or when he came to the Washington Post, I remember him coming and really not modulating his message in any way. You know, he was &#8230; &ldquo;arrogant&rdquo; was sort of a kind way of putting it.</strong></p>

<p>Well, I think you have to understand, in those days, Microsoft had no Washington office.</p>

<p><strong>They did not. Remember, he said, &ldquo;There&rsquo;s someone up in Rockville I think I hired.&rdquo; Like, &ldquo;Phil up in Rockville.&rdquo;</strong></p>

<p>Look, they did their business quite removed from the political complex.</p>

<p><strong>They did. He had that attitude.</strong></p>

<p>When I came into it, Steve Ballmer had said, &ldquo;To heck with Janet Reno.&rdquo;</p>

<p><strong>That&rsquo;s not quite what he said.</strong></p>

<p>You actually, you hear Bill Gates today, and he&rsquo;s just incredibly schooled on the issues and message. And in those days, he was involved in, hey, what&rsquo;s the next version of Windows was gonna be? He was a different person. And so he got an education, I think both of them through the process got an education of working with Washington, that the company never forgot. And then became a model. Other companies tried to get ahead of it. I think you saw Facebook caught somewhat behind, although they have a pretty extensive Washington operation.</p>

<p><strong>Right. So you worked on the trial. What impact did that have on Washington and tech at the time? Because that was really a moment. That was a moment where they got attacked for the first time. </strong></p>

<p>Well, it was a big moment.</p>

<p><strong>Although half of tech was cheering. Most of tech was cheering. </strong></p>

<p>Yeah, because in fact, when I came, I did a video for Microsoft and said, &ldquo;We&rsquo;re gonna test against this video.&rdquo; And the video depicted Microsoft as a shark, swallowing up everything. And so their image was just kind of an aggressive monopolist. And I think that it had an impact internally in the company. I think marketwise, probably not so much of an impact over time.</p>

<p>I think the regulatory element of it, I think people learned that it &#8230; I&rsquo;m not sure that Washington learned much of anything out of that case because ultimately, not a lot really happened other than restrictions on the browser. And Microsoft was right, that other competitors would come into the marketplace and do very well at other services. So at the end of the day, it then, I think, didn&rsquo;t really change stuff, right?</p>

<p><strong>It didn&rsquo;t. It didn&rsquo;t. Not 100 percent.</strong></p>

<p>But it was a big deal at the time, and the company was almost broken up. And I think it was much better that it wasn&rsquo;t. I don&rsquo;t think that would&rsquo;ve been the right conclusion for what happened there.</p>

<p><strong>Right. Right. So you continued working with them, but you also got into politics, obviously. You&rsquo;re famous for that.</strong></p>

<p>Yeah, well, no, Steve and Bill said they liked the techniques that we used around the trial, so they said, &ldquo;Hey, apply it to our products.&rdquo; So for many years &#8230; Later on, I would go into Microsoft and become chief strategy officer and head of their advertising.</p>

<p>But during those years, then, really the &#8230; I did politics in a lot of international countries and then got hired by Clinton after the &#8230; It was actually just before Microsoft, I was hired by Clinton for the &rsquo;96 presidential race. And then every week I would hold a strategy meeting with the president and the top staff to review polling numbers, policy options, communications options, to kind of bring the White House together once a week. The president said he liked the meetings so much from the campaign, he said, &ldquo;Just keep going.&rdquo; And every time I thought that the beatings would be done with, we&rsquo;d have like an impeachment crisis.</p>

<p><strong>Right. Oh yeah, that.</strong></p>

<p>That would then put us back.</p>

<p><strong>&ldquo;We&rsquo;d have an impeachment crisis.&rdquo; That happens. </strong></p>

<p>We came in for speech prep one day, and wow. God knows what&rsquo;s going on. And we got thrown onto campaign footing. But all the time, having a good understanding of what was happening in public opinion, how messaging was working, really, I think, helped the president make decisions about how to communicate and how to enact policies that would move his agenda forward.</p>

<p><strong>Well, some say that&rsquo;s not a good thing. That that was &#8230; A lot of this baked stuff is problematic.</strong></p>

<p>No, because I think people are confused about that. I think that having a real understanding of what you can do and how you can do it and how you can further what you really believe in, these were incredibly productive years.</p>

<p>Look, I came on after the &rsquo;94 elections, and therefore, he had lost both houses of Congress but we still got balanced budget, welfare reform, a tremendous economic progress crime bill, an incredible level of accomplishment by restoring a centrist position to the administration. So a lot got done, and a lot got done with, I think, helping inform the leaders that could find solutions, and that they would make compromises.</p>

<p><strong>I think people would argue with you on the crime bill, and they still do. I mean, today it&rsquo;s &#8230;</strong></p>

<p>They do, but they didn&rsquo;t argue at the time. And if you look at crime and the highs that it was when that crime bill was passed, and the lows that it is now, hey, it might be the right time to do the next level of reform that would look quite differently. But it doesn&rsquo;t mean that that was wrong for the time.</p>

<p><strong>So you shifted, and you were still working for Microsoft at this time, or not? </strong></p>

<p>Yeah, well, at that point, although really that&rsquo;s &#8230; I was pretty much, those six years, pretty much day in and day out, other than maybe some of the Microsoft work on the case, pretty much absorbed in the administration and what was happening. Even though, unofficially, I was there every day.</p>

<p><strong>So talk about what it was like then to be in politics. We&rsquo;re gonna fast-forward to today later. But what was the &#8230; It was basically you polled issues, then you moved things, then you shifted &#8230; It was a slower pace. </strong></p>

<p>Well, it wasn&rsquo;t a slower pace in the sense that we did polls overnight. We were able to move ads in a day or two. So people, I think, think that, well, today is so dramatically &#8230;</p>

<p><strong>It was preeminent, though.</strong></p>

<p>By that time, it was really fast-moving. Even if cable, 24-hour news was sort of just getting going there. Fox News just kicked off around the same time as Monica Lewinsky.</p>

<p>But it was pretty fast-moving, pretty intense, in terms of the system because we could, for the first time, do things overnight. We could meet that kind of demanding schedule of the media. And really, though, it was an incredibly fascinating time to see how the communications and the policies would come together to see the country, in fact, come together around the president, something we just have not had in the last two decades.</p>

<p><strong>Right, absolutely. So you had written your book a little bit after this, correct? The first version of this book.</strong></p>

<p>The first version came out in 2007. I would say, again, back in &rsquo;96, I kind of developed a lot of the techniques of polling a combination of lifestyles with personality with issues, and understanding the mix of those, which resulted in, I think, the emphasis on soccer moms. But in 2007, I said, &ldquo;Well look. Let&rsquo;s take a look at how the country is now changing. Let&rsquo;s look at the smaller trends under the surface that people aren&rsquo;t seeing.&rdquo;</p>

<p>And I think the 2007 book was extremely optimistic about a world of choice. I referred to it, that we had the Ford economy, which was &ldquo;any color you want as long as it&rsquo;s black,&rdquo; which meant that people thought that mass production would really drive down the prices of things, to the Starbucks economy then, &ldquo;Hey, 155 different varieties of something, of a commodity like coffee.&rdquo; And so now, I think we&rsquo;re in the Uber economy, where you have infinite choice here, both in terms of what you want.</p>

<p>So I think observing that those things then resulted in the smaller trends, whether it was internet dating, whether it was the change in immigrant population, whether it was what was happening with marriage and lifestyles, or whether it was happening in economics, was a way of understanding, I think a decade of change we were gonna have. As I said, it&rsquo;s much more optimistic than, I think, the new book is.</p>

<p><strong>Yeah, so your point of the old book was to do what? To say &#8230; The thesis?</strong></p>

<p>Was to say that &#8230; The thesis of this book &#8230;</p>

<p><strong>The old book. The old book. </strong></p>

<p>The thesis of the old book was very much that we now had a world that was being differentiated by a new level of choices. That is, technology was evolving at the same time people desired to be different from one another, and that that was creating a new world of choice, whether it was politics or culture or religion. There was a new religion on every street corner. You were beginning to see society differentiate. And you couldn&rsquo;t understand society very much because if you just looked for a couple of big trends, it didn&rsquo;t seem to make sense.</p>

<p><strong>Which used to be the case.</strong></p>

<p>Right, but if you understand for every trend there&rsquo;s a countertrend, you understand that people are being pulled in one direction and then also there&rsquo;s another group pulling society in a different direction at the very same time. And that&rsquo;s why it looks so impossible to figure out.</p>

<p><strong>Right, and so you wrote this book, which got a lot of attention. And then you moved on to the campaign. The Clinton campaign. </strong></p>

<p>Yes, moved on to the 2008 campaign.</p>

<p><strong>So if you were armed with this idea, what went wrong there?</strong></p>

<p>I don&rsquo;t think the two were much related.</p>

<p><strong>The first Mrs. Clinton campaign. </strong></p>

<p>Yes. Now in the 2008 campaign, that from Day One was really &#8230; that Barack Obama represented a serious challenge to her. He had the support of a lot of those of the media, a good fundraising apparatus, he represented the first African-American president. And I think all of those things, I think, was from Day One a challenge. And that campaign &#8230; The biggest thing, I think, in retrospect, was I did something called the 3 a.m. ad, but I did it in April. I really wanted to do that in November. So we would&rsquo;ve had to have been a lot sharper about drawing the distinctions between Hillary Clinton and Barack Obama, I think, to win that race, and to win it early on. As they always says, &ldquo;You have to stop a phenomenon early on.&rdquo;</p>

<p>When I worked with Microsoft, I did a big campaign against Linux that was very successful, right? And we didn&rsquo;t really do a campaign to block Barack Obama. And I think people failed to do a campaign against Trump. Trump was equally like Barack Obama, believe it or &#8230; a phenomenon, that once they get to a certain point, boy they&rsquo;re impossible to stop.</p>

<p><strong>And also a big trend, not a microtrend. A macrotrend really, right?</strong></p>

<p>Well, yes, but he is a collection of microtrends that put him over the top.</p>

<p><strong>All right, we&rsquo;ll get to him in a minute. But Barack Obama was also a macrotrend of hope, of change, of &#8230;</strong></p>

<p>He was, I think, a phenomenon where he was able to put together a coalition of the, both African-American community and progressive Democrats. And he was the first person who could put together that coalition. And we pretty much did win the Latino vote, the working-class vote. We did very well with women. But that constituency was really like 49.7 percent. I mean, really, Barack Obama won just on the strength of, actually, the caucuses. She won the primaries.</p>

<p><strong>Right. All right, but yet she did not win. So you went off after the election, after she lost the nomination, obviously, to go back to Microsoft.</strong></p>

<p>Actually then I was CEO of <a href="https://www.burson-marsteller.com/">Burson-Marsteller</a>.</p>

<p><strong>Right. Right. Okay.</strong></p>

<p>So we had taken the polling company, become part of the WPP. They&rsquo;d asked me to run Burson-Marsteller. I was CEO of Burson-Marsteller for four or five years. Then I went off to Microsoft, originally to do special projects.</p>

<p><strong>Why didn&rsquo;t you stay at Burson?</strong></p>

<p>Well, I had pretty much restored Burson to &#8230; After five years of decline, when I took it over, then we had three or four years of tremendous growth. We tripled the bottom line, we won the top agency of the year awards. And at WPP, there just wasn&rsquo;t a path that was being built for a leadership team, something for which I think that &#8230;</p>

<p><strong>They&rsquo;ve got a CEO opening right now. </strong></p>

<p>Well they do now, but &#8230; And the reason why they have an opening is that they weren&rsquo;t building the leadership structure. So that was actually the reason that I called up my best client and said, &ldquo;Hey, I could maybe try to solve some of your difficult problems in tech.&rdquo; And I start off actually working on Bing when I did the fairly infamous &ldquo;Scroogled&rdquo; campaign.</p>

<p><strong>Yeah, talk about Scroogled. I think I wrote about Scroogled.</strong></p>

<p><a href="https://www.youtube.com/watch?v=63u-RG-31B0">Scroogled</a> was a phenomenon from the &#8230; We did this ad, and I would get 250,000 people a day to the website. As a joke, one day, we said, &ldquo;Well, let&rsquo;s put out just some Scroogled merchandise.&rdquo; 450,000 people came in the first 36 hours. And what that really was about was the appetite for knowledge and competition about privacy. See, it was the first campaign to ever say, &ldquo;Well look, I know Bing is free to you. I know Google is free to you. What&rsquo;s the difference? Well, one difference is privacy.&rdquo; And so nobody knew that Google was scanning the mail, looking through the text, using that information to construct ads.</p>

<p><strong>Yeah, you really stopped them there, Mark. </strong></p>

<p>Well, the truth of the matter, and Satya [Nadella, the CEO of Microsoft] would later say that nothing worried the people at Google, there was nothing that Microsoft did except that campaign.</p>

<p><strong>Scroogled, yeah, they didn&rsquo;t like it. I recall they didn&rsquo;t like it. But you were super aggressive. Was that correct, you were Steve Ballmer&rsquo;s college roommate? Is that correct?</strong></p>

<p>No, that&rsquo;s not right.</p>

<p><strong>All right, explain that because I didn&rsquo;t think that was right.</strong></p>

<p>We didn&rsquo;t really have any connection in school, other than we were both on the Crimson, the newspaper. And he was on the business board and I was on editorial. And of course, in those days, we looked down on people on the business board, the little bit we&rsquo;d know.</p>

<p><strong>So you knew him a little bit?</strong></p>

<p>Well, just in passing.</p>

<p><strong>Right. Right, But you weren&rsquo;t like best buddies. For some reason, I grew up around &#8230; I wanna disabuse everyone of that idea. So what was your goal for Microsoft then? Because they were facing the existential threat of Google, essentially, at the time. </strong></p>

<p>Well, that&rsquo;s right. At that time, I think the goal was could we increase the market share of Bing? We did successfully increase it well into the 20s. But then, Ballmer actually didn&rsquo;t &#8230; His emphasis shifted. He became &#8230; said, &ldquo;Look, let&rsquo;s focus more on phone.&rdquo; He then shifted me to be head of all advertising, actually, on the basis of that and a couple of other things. And then I revamped the advertising there. But then Satya came along as the next CEO and made me chief strategy officer, where my job was really to evaluate hundreds of possible directions for the company.</p>

<p><strong>And why did you wanna stay in a tech role?</strong></p>

<p>Well, I&rsquo;d always had two interests, if you go back, in technology and politics. Frankly, I built computers before I did political campaigns. And so I was always equally fascinated. And I originally thought I would spend a few years before shifting to what I&rsquo;m doing now, which is to really make the &#8230; Really put together this combine of digital marketing companies, and to make sure that I really understood what was happening in technology. But I enjoyed very much the time at Microsoft then, to be a sort of Blue Badge, so to speak.</p>

<p><strong>Yeah, it was a pleasure. And we&rsquo;re gonna talk about that more when we get back, what Mark&rsquo;s doing now with Steve Ballmer, which is to reinvent digital marketing, correct? You&rsquo;re buying up a bunch of companies. We&rsquo;ll talk about that in a second. We&rsquo;re gonna take a quick break for a word from a sponsors. We&rsquo;ll be back in a minute with Mark Penn, the author of &ldquo;Microtrends Squared.&rdquo; He&rsquo;s gonna tell us what that means. </strong></p>

<p>[ad]</p>

<p><strong>We&rsquo;re here with Mark Penn, the famous political strategist, and also was an employee at Microsoft, apparently, a Blue Badge employee of Microsoft. He&rsquo;s also the author of &ldquo;Microtrends Squared,&rdquo; which is a sequel to his book. Talk about the book a little bit. So is it a sequel? Or what&rsquo;s the premise of this one?</strong></p>

<p>Ten years later, let&rsquo;s take a look at what&rsquo;s going on. So I think people have moved from the Starbucks economy to the Uber economy.</p>

<p><strong>So explain that. </strong></p>

<p>Companies don&rsquo;t deliver just 155 choices. They deliver infinite choices, what I think is a world of infinite choice. Problem with that is that more choice has resulted in people making fewer choices. And by that I mean that, think of America as a restaurant that just serves chicken and fish. Kind of boring choices. They&rsquo;re alright. Now let&rsquo;s add steak and sushi. Well, turns out the steak eaters love steak so much, they have it every day. The sushi eaters love the toro so much, they get into it and have it every day, so that they then become divided into these different communities.</p>

<p>Now substitute news for that same analogy. People watch MSNBC, watch it every day. People watch Fox every day. The fact that we&rsquo;ve given consumers so much choice, that in fact has encouraged this niching of society. And for every trend there&rsquo;s a countertrend, and there&rsquo;s a war of trends. So the last election, think of the last election as Silicon Valley voters against old economy voters. Those people on the coast, those people with more education, very much into technology, including the technology companies themselves. Well, they&rsquo;ve been benefiting tremendously well in the last decade. But those people from Indiana to Pennsylvania hadn&rsquo;t been. They had lost nine or 10 million manufacturing jobs just in that period, in that area. They had been more or less overlooked and really had been left to languish.</p>

<p>Well, they spoke up. And they spoke up, and frankly, the last election was decided not by millennials, but by voters who were older. It was decided not by Silicon Valley but by old-economy voters, by exactly the opposite of the forces that were in power before. And that&rsquo;s very much the power of microtrends. These trends of several million people that shifted in nature and power really decided the election for everybody. And maybe we&rsquo;ll have a shift back. We probably will, if I were guessing.</p>

<p>But the book covers a little bit about politics. I also talk about the couch-potato voters. I talk a lot about &#8230; I usually open the book with romance and dating. I talk about graying bachelors, so that guys in their 60s have never had it so good because there are so many single women for single men. I talk about Internet Marrieds. Internet Marrieds is just like that example I gave you about choice. I thought 10 years earlier, Internet Marrieds, which is now about 15 percent of all marriages, would result in much more mixture of the classes. Instead, now, people use it to find themselves. And so more choices keeps resulting in less choice.</p>

<p><strong>So what does that mean, a continued parting of the ways of the country? That there are so many choices that we sort ourselves perfectly?</strong></p>

<p>Well, it means we have to be worried about this. We have to take some corrective action. We have to figure out how to mix it up a little bit more, how to, in these algorithms &#8230; And I do go on in the book, a lot about the secrecy of algorithms being the real problem. But we&rsquo;ve got to have, in the algorithms, we&rsquo;ve gotta put some sushi on the steak eaters&rsquo; plates every now and then, almost deliberately, because people lose track of what they might like because they stop trying it. And again, politics, consumer areas, social policy &#8230; This is having really unexpectedly profound and difficult impact.</p>

<p><strong>So what is that? What is the impact, from your perspective?</strong></p>

<p>Well, the impact is that not only are people pitted against each other, not only do people &#8230; If you look at it, there&rsquo;s the same number of liberals and conservatives. But there&rsquo;s more very liberal. And there&rsquo;s more very conservative. But then people don&rsquo;t see the other half of the world over the fence anymore because they&rsquo;ve become so cocooned. And that really accentuates the divisions of the country because they don&rsquo;t understand the people. In Washington, D.C., where I live, the vote for Hillary was 96 to four. It&rsquo;s very hard for those folks to understand what happens when you drive across America, 90 percent of the territory you drive across will be Trump territory.</p>

<p><strong>So what happens then, in that scenario? Because then you have, literally, it&rsquo;s just hand-to-hand combat for whoever can get the most votes. </strong></p>

<p>Well, that&rsquo;s right. And that&rsquo;s why I say, look, we need a few changes. We right now have 90 million people that don&rsquo;t vote. And that means that some of the campaigns &#8230; When I ran campaigns, typically, I would look for swing voters. So I was famous for campaigns where a Democrat would try to reach out to soft Republicans. Now, what&rsquo;s great about that is, if you win, all those soft Republicans, they support you because you spent a year courting them. And that unifies the country.</p>

<p>When you do campaigns now, just to get what I call a slice of the potato, of the 90 million who are sitting on the couch, and energize them with the most divisive message possible &#8230; because the day after the election, the country is no more unified than it was before the election. That is a destructive process, right?</p>

<p><strong>Mm-hmm. And we&rsquo;ve noticed. </strong></p>

<p>So frankly, I say, &ldquo;Look, we&rsquo;ve gotta have registration from birth. We&rsquo;ve gotta have &#8230;&rdquo; I suggest ATM voting as the most secure system. We have to keep the secret ballot. There&rsquo;s closet conservatives. There are a lot more conservatives in the country now, who are afraid to say what their real political views are. We&rsquo;ve gotta overcome that and make a freer atmosphere for people to express themselves. We have to get rid of caucuses that are undemocratic, related to primaries. So I have a whole series of remedies there.</p>

<p>And in the book, I also have a lot of concerns. I talk about relationships with a bot. My biggest concern now is, I ask people regularly, I say, &ldquo;Is Alexa a &lsquo;he&rsquo; or a &lsquo;she&rsquo;?&rdquo; And of course you would know that the right answer is &ldquo;it.&rdquo; And most people will say &ldquo;she.&rdquo; The other day, I asked Alexa, &ldquo;Are you a &lsquo;he&rsquo; or a &lsquo;she&rsquo;?&rdquo; And Alexa said, &ldquo;I am in female character.&rdquo; That&rsquo;s a slimy answer. Right?</p>

<p><strong>It&rsquo;s accurate.</strong></p>

<p>Alexa didn&rsquo;t own up that, &ldquo;I&rsquo;m an &lsquo;it.&rsquo; I&rsquo;m a collection of code. And by the way, what am I doing in your household? Am I there to tell to tell you the weather? Or am I there to sell you an umbrella? Am I there to sell you stuff? Am I a salesperson in a closet? Or am I actually there to benefit you?&rdquo; Well, because there&rsquo;s no disclosure of any of this stuff, I think we could have serious problems. And relationships with a bot can take on a very personal nature that we&rsquo;re just getting into, and could really harm people.</p>

<p><strong>Right. Right. Well that&rsquo;s a big topic, obviously. So when you&rsquo;re trying to get this idea of what &#8230; prescriptions for what should happen, you&rsquo;re sort of painting a really problematic future that&rsquo;s sort of like the present, where we&rsquo;re at Trumpville right now. What do you imagine is gonna happen? It seems like we&rsquo;re there, what you&rsquo;re talking about. We&rsquo;re already living there. </strong></p>

<p>Well, I still remain largely optimistic that more people will be happier with their lives. When I look at the millennials &mdash; and they have what I call the footloose and fancy free 10 or 15 years on their own &mdash; or I look at the older voters &mdash; we have a record number of nonagenarians, which is unprecedented. The overall view is, people are enjoying life more. They are more divided, I think, politically, on some of these things. They are more susceptible to some real, I think, ethics issues with technology and how it may interfere with their life. And I think we have some problems in fixing the democratic system. But it is not a totally pessimistic view.</p>

<p>And I think if you understand the present, if you understand exactly what you said, &ldquo;Hey, this is the world today,&rdquo; that really tells you the problems that we oughta be working on. And it also tells you little things that we don&rsquo;t notice, like another chapter I have on kids on meds. The dramatic increase, the tripling of putting young kids on medications, which &#8230;</p>

<p><strong>Yeah. </strong><a href="https://www.recode.net/2018/3/9/17098580/how-to-watch-live-stream-maria-shriver-christina-schwarzenegger-live-sxsw-2018-netflix"><strong>I just did an interview with Maria Shriver about this</strong></a><strong>.</strong></p>

<p>Right. And see, some people will say that&rsquo;s a good thing because it&rsquo;s mostly boys who can&rsquo;t make it through the classroom, and that this helps them get through it. But we don&rsquo;t know the long-term effects of this. We don&rsquo;t know if that leads to an exacerbated opioid crisis. Part of microtrends is identifying things like this, that we oughta change social policy, or have a better understanding of now, before they become a crisis 10 years from now.</p>

<p><strong>So in thinking about that, when you have this sort of dissipated populace and different things &#8230; people going off in different directions, is it even possible anymore to bring them back together to a single trend? Talk about politics, because that&rsquo;s really where everything is happening, right?</strong></p>

<p>Well, that takes leadership that has as its goal to unify the country. When I was working for President Clinton, our consistent goal was to bring the country together. I don&rsquo;t think in the current administration that&rsquo;s the strategy. We believe &#8230;</p>

<p><strong>No, no. It would be quite the opposite. </strong></p>

<p>Look, we believed very simply, you had to have the support of more than a majority of the people on every day. Why? Because when you fall below that, it&rsquo;s to everyone&rsquo;s advantage to kick you so you fall into the 30s. And if you&rsquo;re above that, you can maintain the mantle of leadership to get done what you really think is important to get done. And I think that right now, you surely don&rsquo;t see that perspective in the White House, but I don&rsquo;t see that perspective in the Democratic party either.</p>

<p><strong>Meaning?</strong></p>

<p>Meaning that it takes a leader. And Barack Obama, in many ways, personally, was able to bring the country together. I think, interestingly, people did not support a lot of his policies, but they liked him and his leadership style. Here, you have people hate Trump&rsquo;s style, but you know &mdash; I have a new poll that I do every month for the Harvard Center for American Political Studies and the Harris Poll &mdash; but they actually favor almost all his policies. Not all of them, but a good number of them. You&rsquo;d be surprised. Exactly the opposite of what we had with Barack Obama. So we need somebody with both.</p>

<p><strong>So what do you imagine happening in the next election then?</strong></p>

<p>Well, typically at this point, we didn&rsquo;t know Jimmy Carter, we didn&rsquo;t know Michael Dukakis, we didn&rsquo;t know Barack Obama. We actually didn&rsquo;t know the leader that was going to emerge. Trump&rsquo;s leadership style, I think, is changing, right? And the question is gonna be &#8230;</p>

<p><strong>No, he&rsquo;s doubling down.</strong></p>

<p>Well, he &#8230; Right, he&rsquo;s doubling &#8230; Will the Democrats come forward with someone who is, in many ways, way out of the mainstream and believes in the same kind of divisive politics? In which case, Democrats have a very high likelihood of losing. Or will they come up with somebody who is looking to unify the country, who can reach back over to the working-class voters that Trump was able to appeal to, and bring them back to the Democratic fold? And I think that kind of nominee will win a resounding victory.</p>

<p><strong>Mm-hmm. And do you imagine that happening?</strong></p>

<p>I do. I do. I don&rsquo;t think it&rsquo;s &#8230; Again, in the book, in &ldquo;Microtrends Squared,&rdquo; I call for reform of the process because these caucuses tend to give, I think, more divisive activism a bigger role than they should have in picking the party nominees.</p>

<p><strong>So the point you&rsquo;re making is, you can&rsquo;t out-Trump Trump, really.</strong></p>

<p>No. I think if you out-Trump Trump, you may or may not win. But you have the real risk of &#8230;</p>

<p><strong>Of later, the next morning. </strong></p>

<p>Right. Of, you know &#8230; getting re-elected. I think that &#8230; And I see Biden, so far, doing probably the best job reaching out to those working-class voters. I think somebody who really can reach across and understand the cross-currents that we have in America right now. We could really win and bring the country together.</p>

<p><strong>What are the effects of the changing demographics have? Because ultimately, that&rsquo;s where it goes. It&rsquo;s such a diverse populace, voting populace. Maybe not fully voting. </strong></p>

<p>Well, but see, the biggest change is actually &#8230; And another thing I warn about in &ldquo;Microtrends Squared&rdquo; is that the first thing people get rid of when they get more money is kids. And that, in fact, we&rsquo;re among many societies that are having fewer kids. So right now, the over-65s are about equal in size to the 18-29. Now, when John F. Kennedy was elected, 18-29 was twice as big.</p>

<p>So to really understand the demographics of America, yeah, has there been an increase in diversity? Yes. African Americans are about 12 percent. There&rsquo;s been a huge increase in the Latino vote. That could be 8 or 9 percent in the next election. But generationally, the tilt is to older voters who reasserted, &ldquo;Hey, values of country, family, religion, have been left out. The kind of values I believe in, I feel the country moved too far from.&rdquo; And they reasserted their own authority. That actually is a very big issue. I think right now there&rsquo;s a huge gender gap. I had this poll &#8230; In this poll I did after the Stormy Daniels interview, men actually went up for Trump, and women went down.</p>

<p><strong>Huh. Why was that?</strong></p>

<p>I can only speculate as to why that is, because I didn&rsquo;t really put &#8230; But the truth is, it accentuated the gender gap, and women really feel very, very alienated from this administration.</p>

<p><strong>Do you think?</strong></p>

<p>But men do not.</p>

<p><strong>Well, why would they? Certain kind of men. Certain kind of men.</strong></p>

<p>Well, a lot of men. A lot of young men. Surprisingly, a lot of the youth, young male vote, is very pro-Trump. Which just goes to my point, that it was a mistake to ignore the power of Trump&rsquo;s movement, and to understand that Democrats will need an equally powerful movement to win, and not just opposition.</p>

<p><strong>So where do you assess Trump right now, in the midst of his daily, whatever daily tantrum is happening?</strong></p>

<p>Well, look he&rsquo;s at 44 percent job approval, which would be actually slightly higher than Barack Obama&rsquo;s job approval. I think he&rsquo;s gonna face a defeat in the House, most likely. But not in the Senate. Both times, both Clinton and Obama lost considerably in the midterm. So it&rsquo;s not a surprise. And I don&rsquo;t think that, unless the president changes, fundamentally, his leadership style, that he is gonna be able to cement the kind of majority against a good Democratic candidate who&rsquo;s reaching out to those voters.</p>

<p><strong>And do you imagine &#8230; When you&rsquo;re in Washington &#8230; I was just there this weekend. Everyone&rsquo;s sort of obsessed with the Comey, all the noise of a lot of different investigations. You were in the midst of one, obviously. Does it matter?</strong></p>

<p>Look, I spent a year fighting the Ken Starr investigations. I believe that the independent counsel was wrong to have extended his investigations. I think President Clinton was guilty of trying to cover up his personal relationship he was having, but that that didn&rsquo;t rise to an impeachable offense, or a crime. And I think the current investigations are wrong too. I&rsquo;ve spoken out very strongly.</p>

<p><strong>Yeah, you have. </strong></p>

<p>I don&rsquo;t agree with the direction of these investigations. The law enforcement of the country has to be above reproach when it investigates a president. It can&rsquo;t give the appearance of partisanship. And boy, at this point, the FBI and the CIA people who are basically just permanent talking heads, the idea that the head of the FBI is now going to make millions of dollars selling a book blasting, in all sorts of political terms, the president and how people should vote, says was he never really an impartial administrator of justice? He does more damage to those institutions that have to be nonpartisan.</p>

<p>Look, we have institutions that are partisan. That&rsquo;s called Congress. That&rsquo;s called the presidency. We have to have other institutions that are nonpartisan. And if everything gets politicized, all we do is fight. We&rsquo;ll never progress.</p>

<p><strong>Well, Trump does have some responsibility here, correct?</strong></p>

<p>Well, everybody has responsibility. But the question is, defeating Trump at the polls I think is the right thing to do. Trying to bring in all these investigations I think was wrong when the Republicans tried it against Clinton. I think it&rsquo;s wrong to see what&rsquo;s going on here.</p>

<p><strong>All right. When we get back, we&rsquo;re gonna talk about what you&rsquo;re doing around digital marketing, because you&rsquo;ve been busy buying up companies. And I wanna understanding where you think that&rsquo;s going. And also I&rsquo;d love to talk a little bit about Facebook, which is part of digital &#8230; part of marketing and privacy, and where it&rsquo;s going from there. We&rsquo;re here with Mark Penn, the famous political strategist, and also the author of &ldquo;Microtrends Squared,&rdquo; which is a sequel to his first book. </strong></p>

<p>[ad]</p>

<p><strong>We&rsquo;re here with Mark Penn. We&rsquo;re talking about a range of things, including his dislike of the Special Counsel. But I don&rsquo;t know where that&rsquo;s going. We&rsquo;ll see. We&rsquo;ll see. </strong></p>

<p>I dislike them all.</p>

<p><strong>What could go wrong with someone investigating a real estate guy from New York? What could they find?</strong></p>

<p>I&rsquo;m a universal disliker or special counsels, so &#8230;</p>

<p><strong>Yeah. Yeah, all right. So Mark, you &#8230; So after Clinton lost, you went to Microsoft, and then you broke off and you started buying &#8230; What are you doing? Explain &#8230;</strong></p>

<p>Well, let&rsquo;s see. I had had experience originally in polling. Then I was head of one of the larger public relations firms, Burson-Marsteller. And then I &#8230;</p>

<p><strong>You were a techie.</strong></p>

<p>Techie. I had one of the larger advertising budgets, $2 billion, at Microsoft. And I said, &ldquo;Well, what&rsquo;s the best use of what I could do now?&rdquo; So I said, &ldquo;Well, look. Marketing is changing. It&rsquo;s undergoing a disruption.&rdquo; You look at the expenditures of marketing, television expenditures are just topping &#8230; Growth has slowed to almost zero. Magazines, negative. Radio, negative. Billboards actually, because of digital billboards, slightly up. But search marketing, up 15 to 20 percent a year. Social marketing, primarily Facebook, up almost 40 percent a year. Video advertising, up 26 percent a year. And you look at <a href="https://www.recode.net/2017/12/4/16733460/2017-digital-ad-spend-advertising-beat-tv">more advertising done on the internet than on television</a>, just about now as we cross that, and then more on mobile.</p>

<p>So given those trends, I said, &ldquo;Well, look. I have an opportunity now to create what is structured as a fund &mdash; it could also be seen as a collection of companies that can work together &mdash; that takes advantage of these trends. That I don&rsquo;t have to have some big Y&amp;R firm with 3,000 people who made 30,000 advertisements. I can go right to the heart of performance marketing, building complex content management systems, the things that kind of combine numbers, strategy, technology and engineers into the kind of new methods of marketing, and that nobody was really putting together a group at scale.</p>

<p><strong>And you bought some traditional ones. You bought some pretty normal communication &#8230;</strong></p>

<p>Well, I started to do the first acquisition &#8230; Well first, Steve [Ballmer] said he really liked working with me and became a core investor with me in the fund. And then I started in politics with SKDKnickerbocker, a group that I&rsquo;d worked with for many years and that I knew well and is this tremendously strong group. A little less digital, but they&rsquo;re becoming a lot more &#8230; They have a digital department now. And actually now, we have a Republican group, Targeted Victory, that does, as I say, everybody but Trump. Because they do a lot of work for Romney, and primarily they&rsquo;re in digital fundraising. But still, I think political firms by nature are nimble, they&rsquo;re current, they&rsquo;re responsive compared to the hugely bureaucratic marketing firms that people are finding quite inefficient.</p>

<p><strong>So what&rsquo;s changed about marketing? And then I want to get into the power of Facebook, Google and YouTube.</strong></p>

<p>Well, TV came before TV advertising. So advertising is typically a function of where people spend their time. And so people have moved their time from TV to being online. Facebook is probably 40 percent of browser time that people spend. I think Google is slightly different. It&rsquo;s not about the time that people spend.</p>

<p><strong>No, it&rsquo;s utility. </strong></p>

<p>Right, it&rsquo;s that people are searching for the product, and therefore it&rsquo;s a great time to hit them with an ad. And so as those things become more and more important in people&rsquo;s daily life and as, frankly, the ability then, as people watch more and more video &#8230; And some of it&rsquo;s just gonna be ad-supported as opposed to subscription-supported. So marketing has to move. It has no choice. And at the same time, there&rsquo;s now a data set on people that we never had before.</p>

<p>As I always explain &mdash; and I explain in &ldquo;Microtrends Squared&rdquo; &mdash; imagine two companies, one company that really understands its customers and has data to target and re-target them, and another that has a bunch of stores but doesn&rsquo;t really maintain much of a profile of their customers. That second company is going to go out of business. Why? Because the first company is gonna have more efficient marketing. They&rsquo;re gonna be able to market a better yield out of their consumer database for less money. They will dominate the marketplace. And so you have no choice, if you are a company, but to embark upon that process and to go from traditional brand marketing and advertising that was built around having a huge Olympics campaign, to really understanding your customers or potential customers, how you can target them online and how you can be very effective in messaging to them. And that&rsquo;s what all these companies are about.</p>

<p><strong>So that&rsquo;s what ends these big massive marketing campaigns that, say, an Olympics, or a mass event. So you&rsquo;re talking about micromarketing, essentially.</strong></p>

<p>Well, that&rsquo;s right.</p>

<p><strong>Which isn&rsquo;t new. Which isn&rsquo;t new. There&rsquo;s lot of companies that have been trying to do this. </strong></p>

<p>Right, but you see, the dollars weren&rsquo;t there before.</p>

<p><strong>Right. </strong></p>

<p>So even just five years ago, or four years ago, when I was doing the Microsoft &#8230; We would do the TV ad first.</p>

<p><strong>Yeah. The feel good, Surface &#8230; </strong><a href="https://www.youtube.com/watch?v=des3dpKtfIM"><strong>Here&rsquo;s the Surface. Let&rsquo;s dance a little bit.</strong></a><strong> </strong></p>

<p>Right, and then, okay yeah, I&rsquo;d give some money to the digital folks, and let them &#8230; Most of the digital ads would be like, &ldquo;Get Office 365.&rdquo; They didn&rsquo;t have content drawing power. That&rsquo;s actually where the Scroogled campaign was so different, in having an edge to it. And to have the same kind of creative energy put into those marketing campaigns &#8230;</p>

<p><strong>Which hasn&rsquo;t been creative. They&rsquo;re &#8230;</strong></p>

<p>No, they had been afterthoughts in most big companies. And now they realize &#8230; Look, they &#8230; Remember, they were also going to &#8230; Many of the companies now for the first time have to be DTC, or direct-to-consumer. So they had outsourced all of these things to the retail channels. Now that people are buying online &#8230; See, the other big trend that supports this is the percentage of online shopping. For every dollar of online shopping, that&rsquo;s 15 cents of online marketing.</p>

<p>So that&rsquo;s why I identify that as a growth area. Identified it, that people weren&rsquo;t putting together that many companies of scale. We&rsquo;re not trying to be a tech company. We&rsquo;re trying to be a group of service companies that has technology infused it, to provide really good work.</p>

<p><strong>So give me an example of that. Because when you&rsquo;re talking about online marketing, why does Amazon need you? Why does Google need you? Why does Facebook need you? </strong></p>

<p>Well, but the customer &#8230;</p>

<p><strong>Who needs you? P&amp;G.</strong></p>

<p>So Amazon is, in fact, a client of one of the companies. But if you would take a Nike, or you take a P&amp;G, or &#8230; So there are several ways to do it. First, more and more people need efficient sites that can handle complex transactions. That can be financial transactions. Right now, some of our biggest customers in the content management system division, really, are large banks because they understand that their consumer relationship now is driven by being able to do things that you never thought could be done online. Online simply, efficiently and quickly.</p>

<p>And I&rsquo;ve really invested in the performance marketing space. You know, here&rsquo;s money, whether it&rsquo;s Google or &#8230; Take all the digital ads and get me ROI. I believe in that because more and more advertising moves from brand to direct consumer results. At the same time, I think it requires a knowledge and expertise in the various retail and e-commerce areas to be really effective. And so that&rsquo;s where we put a lot of investment.</p>

<p>We do a little bit in specialized health care, which I think also in &#8230; We have a rare diseases drug marketing company that really has to find the patients and doctors and the communities who&rsquo;re really affected by these diseases. And sometimes they have to push for the kind of approvals that they might not get, to make the drugs available. So I&rsquo;ve been &#8230; Influencer marketing is also, I think, growing significantly, and we&rsquo;ve invested in that areas as well.</p>

<p><strong>That would be Instagram Store, that kind of stuff?</strong></p>

<p>Yes. But it&rsquo;s also people who have followers, again, both in microtrend&rsquo;s ability now to have a virtual business. You know, 90 percent of the people fail. But a good number of people can get a little side income out of their &#8230; A lot of people just get it out of their pet instead of themselves. But once they have enough followers, and they can really, fairly, with proper disclosure, endorse products and so forth &#8230;</p>

<p><strong>Yeah. I have a lot of followers. I could do that.</strong></p>

<p>It&rsquo;s pretty powerful.</p>

<p><strong>I don&rsquo;t care. I got enough money. </strong></p>

<p>Well, that&rsquo;s good, but other people are picking up on it. And it&rsquo;s very effective. Look, if you were to endorse a product, right, and a lot of people &#8230; I think it&rsquo;s a new way to make a living off of the virtual economy. And I think that if you complete the marketing wheel, I think political is extremely important. We invested a little less in straight public relations because we think that&rsquo;s where it&rsquo;s going. We just acquired something called Reputation Defender.</p>

<p><strong>Mm-hmm. I know that.</strong></p>

<p>So that really closed just a few days ago.</p>

<p><strong>And that&rsquo;s to monitor how you&rsquo;re looking. </strong></p>

<p>And that helps to monitor how you&rsquo;re looking. It has some privacy-related products as well. You know, to find whether your personal information is spread around the internet, and also to say, &ldquo;Look, are you being smeared or not?&rdquo; And I think that, to me, was a fascinating corollary to a lot of the stuff we were doing.</p>

<p><strong>So, Mark, finishing up, I wanna talk about data because that&rsquo;s &#8230; All of this requires enormous amounts of data and computing power to understand. You can&rsquo;t just &#8230; This isn&rsquo;t a hand &#8230; This isn&rsquo;t a person and a bunch of young kids you&rsquo;re having do this kind of stuff. This all has to do with technology, how to manage it and how to interpret it, interpret the technology. Obviously, last week we had a big hearing with Facebook on the Hill. I&rsquo;d just love to get your thoughts on that. And then what happens next with data privacy? Because this is at the heart of your business, the idea of having this amount of data.</strong></p>

<p>Yes, well, I always say that the cost of data is going to zero, and the value of analysis to infinity. Meaning that simple problems get handled and more difficult problems are the ones that are remaining. Look, I think that Facebook has a business model that is about taking people&rsquo;s personal information and targeting advertisements. Their platform used to be more open to third parties. And in fact, their closing it is to their advantage. It&rsquo;s actually not helpful to the competition. So what happened here with Cambridge Analytica got blown up because it was related to politics. Even though it&rsquo;s similar to what they do themselves internally.</p>

<p><strong>Sure they do. Oh, by the way, Mark, we don&rsquo;t sell data. We just hoard it relentlessly. </strong></p>

<p>We don&rsquo;t sell data, yes. Because we don&rsquo;t sell data because we &#8230;</p>

<p><strong>We just hoard it relentlessly, and keep &#8230;</strong></p>

<p>Because we license the value of that piece of data hundreds of times.</p>

<p><strong>Yes, of course. Yes, I noticed. I didn&rsquo;t get tricked by that, even though most of the Senators did. </strong></p>

<p>And so look, at the end of the day, I am for more and more disclosure, right? I mean, see, when you go back to the Scroogle campaign, you can&rsquo;t compete on privacy if people don&rsquo;t know the difference. My answer to this, if people make a knowing choice, &ldquo;Hey, this is the way they handle my data. I get the benefit of the service. I&rsquo;m cool with that.&rdquo; I think offering a paid alternative is also, I think, a good idea. I don&rsquo;t think that&rsquo;d be done by regulation. But I think more and more companies should do that. And I think that when you look at it, I&rsquo;m a little even more concerned about these algorithms where people don&rsquo;t know how pages are being biased, or why things are appearing where they are and that we&rsquo;ve gotta have more disclosure that &#8230;</p>

<p><strong>Do you see that happening, after these hearings?</strong></p>

<p>No.</p>

<p><strong>I don&rsquo;t either. </strong></p>

<p>No because, look at the &#8230; The questioning from the Senators was embarrassing.</p>

<p><strong>About terms of service. </strong></p>

<p>Because they generally &#8230; The questions had clearly been written by staff members. They didn&rsquo;t even know what the questions were, so they couldn&rsquo;t intelligently follow up.</p>

<p>How much are you worth to Facebook? You&rsquo;re probably worth about 100 bucks a year. Do you have that idea? No. Is your exchange for about $100 worth of advertisements sold based on our data? Is that a fair exchange for the service you get? Somebody else could be worth two or three hundred. People have no real concept about what the economics are here and what they&rsquo;re giving and what their choices might be if either they paid or if someone were to come in with a competitive service.</p>

<p>You see, when terms are not really known, someone can come in and say, &ldquo;You know what? I&rsquo;m gonna give you a better deal. Why don&rsquo;t I give you &#8230; I&rsquo;ll split the revenue with you.&rdquo; Eventually, I think we will get &#8230; Someone will come up with a business model where people will be able to get some royalty for their own data. And that will revolutionize these services.</p>

<p><strong>So what do you think is gonna happen from last week? Given you&rsquo;re in the data arena?</strong></p>

<p>I have thought there should be a new privacy bill forever.</p>

<p><strong>Mm-hmm. There hasn&rsquo;t been one since &#8230;</strong></p>

<p>There hasn&rsquo;t been one since, really, I think &#8230;</p>

<p><strong>Ever.</strong></p>

<p>I think goes back to during when I was working with Clinton. I think we had a privacy bill around then. I think it&rsquo;s time to have better standards on the privacy, more fines for when privacy&rsquo;s violated. Phony accounts, I think, is a problem that people should pay a pretty high fine for. Because nobody should really be sanctioning these phony accounts. And so I&rsquo;d like to see that come out of there, at a minimum.</p>

<p>I don&rsquo;t think, by the way, driverless cars are something we&rsquo;re gonna see for like 20 years or more. I think for some reason, technologists think that they can accomplish more than I believe is really possible. But I do think that, more and more, AI is gonna be in our lives, and that we need disclosure. Is it an &rsquo;it&rsquo;? What is its purpose? What is it doing there? And, oh by the way, the driver of this car, if it&rsquo;s gonna choose between killing me or killing a pedestrian, I would like to know what the choice is gonna be. Even if I don&rsquo;t have any impact on it.</p>

<p><strong>Right, so do you imagine this was a moment for Silicon Valley, this idea that tech is not so benign, that it needs to be more responsible? Do you think it&rsquo;s gonna &#8230; Because I had interviewed Tim Cook last week, and he sort of just was very basic in that we need to have more disclosure. That&rsquo;s all he said. And the reaction was, &ldquo;How dare he say such a thing?&rdquo; It was fascinating for me to watch. </strong></p>

<p>I think he&rsquo;s taken some actually very strong stance on privacy.</p>

<p><strong>No, he has.</strong></p>

<p>But that&rsquo;s because his business model is selling devices. It&rsquo;s not selling data.</p>

<p><strong>That&rsquo;s all right. Maybe he&rsquo;s just right, too. Maybe he&rsquo;s just also right, besides &#8230; I get that. You know what I mean? It was interesting, because that&rsquo;s what you got from Facebook, &ldquo;Well he sells that.&rdquo; I&rsquo;m like, well &#8230;</strong></p>

<p>But it is a moment because until now, the viewpoint had been, &ldquo;Technology is the engine for our economy. Therefore, hands off is the best policy.&rdquo; And people have said, &ldquo;Wow. Okay.&rdquo; Technology has now reached a size and a point at which maybe we can put a few hands on it. Maybe we&rsquo;re gonna tax it normally. Maybe we&rsquo;re gonna give it the kind of regulations &#8230; not that a bank would have, but that anybody, any merchant with a store would have. I think you&rsquo;re gonna see more normalcy kind of return to technology. And at first, people are so, in technology, are so used to having complete freedom, that they&rsquo;re gonna bitch and moan about it. But I do think that&rsquo;s coming. I think it&rsquo;s unstoppable. I don&rsquo;t know &#8230; You know, it&rsquo;s gonna take a leader who knows something about this, though, to really get stuff done.</p>

<p><strong>Who would that be?</strong></p>

<p>That&rsquo;s nobody I&rsquo;ve seen lately.</p>

<p><strong>Me neither. </strong></p>

<p>Right? I mean I&rsquo;ve just, like it&rsquo;s &#8230;</p>

<p><a href="https://www.recode.net/2017/11/29/16712940/margrethe-vestager-european-commission-competition-regulation-recode-decode-kara-swisher-podcast"><strong>Margrethe Vestager likes to &nbsp;drive them crazy.</strong></a></p>

<p>It could be Europe. But I have to believe that there&rsquo;ll be a new generation of political figures who&rsquo;ve been &#8230; who were brought up on technology, who know its incredible strengths and its weaknesses, and can strike the right balance them before some really bad stuff happens.</p>

<p><strong>And if you had to rank the companies you think are the most important now, in this area, impact on politics, impact on marketing &#8230; Would Facebook still be at the top?</strong></p>

<p>Well, Amazon is at the top because Amazon has such an impact on retailing. Amazon doesn&rsquo;t &#8230; I think one of the things is that the tech companies have sorted themselves out into their various areas and not competed as much against each other.</p>

<p><strong>No, they don&rsquo;t. That was, to me, the most fascinating question to Mark, is he&rsquo;s like, &ldquo;Are you a monopoly?&rdquo; And I was thinking &#8230; And I think it was Hatch that said, &ldquo;Oh, I remember the old &#8230;&rdquo; thing. And I said, &ldquo;No, no, it&rsquo;s not even that. There are six powerful companies. Not one.&rdquo; And they all are really scary powerful in their area.</strong></p>

<p>Well, but that&rsquo;s right. They have their lanes. And I think everyone decided, &ldquo;You know what? Hey, I could really go all out and compete against Google. But that&rsquo;ll probably cost me 10 or 15 billion dollars.&rdquo;</p>

<p><strong>&ldquo;So I&rsquo;ll go over here, into commerce.&rdquo;</strong></p>

<p>And so, yes, I&rsquo;ll go over here &#8230;</p>

<p><strong>They&rsquo;re sort of &#8230; They have a couple of things that overlap, but not very many.</strong></p>

<p>That&rsquo;s right, because I always say there&rsquo;s a Google or Amazon tax on virtually every e-commerce purchase because you&rsquo;re gonna go through one of those two doorways, and somebody&rsquo;s gonna be paying money for you going through those doorways. And I don&rsquo;t think most people even realize that.</p>

<p>I think Amazon, Google, Facebook &#8230; Microsoft has an incredible marketplace in Office, and in terms of the workplace, no one has really come into the modern workplace. And that&rsquo;s why Microsoft &#8230; You know, one of the &#8230; I won&rsquo;t say which CEO of technology. When I went into Microsoft, the person said to me, &ldquo;Five years from now, there&rsquo;ll be no Microsoft.&rdquo; And I just laughed. And five years ago, there is a very strong Microsoft in the cloud and Office.</p>

<p><strong>Yeah. It&rsquo;s a different Microsoft, for sure. </strong></p>

<p>Exactly.</p>

<p><strong>Any predictions for politics? Any name you wanna name in the Democrats? </strong></p>

<p>No. I&rsquo;ve observed that the most interesting trend is that all of the people potentially running for president, all had about 10 or 15 that now, Biden had come up to 26. That&rsquo;s not enough to &#8230; You know, you gotta be in the 40s to have a real advantage going in. I think Michelle Obama, if she ran, would be a very, very formidable candidate. And that match-up would be, again, iconic.</p>

<p><strong>Oh man. Tough mom and creepy old man. That would be fantastic.</strong></p>

<p>You know, and I don&rsquo;t think that the kind of Sanders-Warren wing of the Democratic party will be successful or would be good candidates.</p>

<p><strong>I&rsquo;m with you on that one.</strong></p>

<p>I think that they run a risk of having Trump re-elected. And I think more Democrats see that as the case. As I say, look, mostly I wanna restore confidence in our democracy. I don&rsquo;t think that the $100,000 of Russian ads up against four nights of televised conventions&rsquo; billions of dollars of ads really affect it. I think this race did play itself out, as I go through in &ldquo;Microtrends Squared,&rdquo; to the contours of the shift in power of different groups, whether it&rsquo;s old economy versus all those who are upset with each other. I think when Hillary Clinton said, &ldquo;Oh, I got the vote from counties with two-thirds of the GDP,&rdquo; she was exactly right. Those counties that were half the country were the third of the GDP said, &ldquo;You know what? I&rsquo;m not getting my fair share.&rdquo; And there were very real reasons.</p>

<p>I went into this whole political game because I read a book at college called &ldquo;The Responsible Electorate.&rdquo; And it said, &ldquo;The simple thesis of this book is that the voters are not fools.&rdquo; And I think that the more we believe that the voters are fools &#8230; And actually, I think our elites have become &#8230; I have a chapter in &ldquo;Microtrends,&rdquo; impressionable elites have become more the fools. The more we think our democracy doesn&rsquo;t work, that it&rsquo;s all about some kind of voodoo targeting instead of real issues, the more we discredit our own democracy and don&rsquo;t realize the power of ideas in this country is enormous. The power to communicate them effectively is incredible and unparalleled. And that we should respect whoever wins, at least, as the winner. And defeat them next time with a better message, with a better candidate, with a better idea. I think that is the notion. And if we get away from that, we&rsquo;re just gonna have a divided society that accepts nothing as legitimate. And then we will &#8230; That is the wrong rabbit hole to go down.</p>

<p><strong>Yeah. So we&rsquo;ll have to kill Twitter, you and me. Gotta kill it. Gotta take it down. Take it down. I love to Twitter. It&rsquo;s real bad. It&rsquo;s the heroin of our media age, I think.</strong></p>

<p>It is. Never did I think that any, that just &#8230; I don&rsquo;t know what the next president is really gonna do about that because I don&rsquo;t think presidents can go back. Look, I used to go through every single word that moved through the White House. And there&rsquo;s just like, nothing in this Trump administration is anything remotely like what I would&rsquo;ve &#8230;</p>

<p><strong>I think he&rsquo;s just one of these comets that&rsquo;s just gonna &#8230; He&rsquo;s &#8230; I called him &#8230; He&rsquo;s the genius of Twitter. </strong></p>

<p>Yes, but presidents in the future are going to have to make more authentic, direct expression of what they&rsquo;re thinking.</p>

<p><strong>Yeah, but I &#8230; There&rsquo;s nobody &#8230; There&rsquo;s few people as good. I haven&rsquo;t seen anybody. I&rsquo;m trying to think of one politician as good as him. And I hate complimenting him, as you might imagine. But he&rsquo;s good. </strong></p>

<p>Look, you gotta realize he didn&rsquo;t just have a show on TV. He had the No. 1 show.</p>

<p><strong>Actually, Comey&rsquo;s not bad. Comey&rsquo;s not bad. He&rsquo;s super self-righteous. But it works. It works. </strong></p>

<p>Comey, yes. I think people are gonna get pretty tired of Comey pretty quickly.</p>

<p><strong>Yeah, yeah, yeah. But I&rsquo;m just trying to think of who&rsquo;s good. Eh, Kim Kardashian, I&rsquo;m trying to think, is quite good. Of the Democrats, none of them really. Not yet. </strong></p>

<p>No, but you don&rsquo;t want them to be good in that sense. But you want them &#8230; My point is, we&rsquo;re just not gonna go back to the formal 100 percent formal communication.</p>

<p><strong>No. No, we&rsquo;re not.</strong></p>

<p>At least 20 percent of presidents&rsquo; communication now, it&rsquo;s gonna have to be more &#8230;</p>

<p><strong>It&rsquo;s gonna be VR. Mark, it&rsquo;s gonna be VR. </strong></p>

<p>&#8230; top of mind and less formal.</p>

<p><strong>We&rsquo;re not even gonna get into that.</strong></p>

<p>Yeah, I think there&rsquo;s another industry that&rsquo;s gonna be &#8230;</p>

<p><strong>Yeah, we&rsquo;ll talk about that next time. Anyway, it was great talking to you. Thanks for coming on the show. And read his book, &ldquo;Microtrends Squared,&rdquo; which is an update of his original book. </strong></p>

<p><small><em>This article originally appeared on Recode.net.</em></small></p>
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			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[The new ‘Star Wars’ might not suck, says Twitter]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2017/12/10/16759106/star-wars-last-jedi-twitter-reviews-disney-lucas-films" />
			<id>https://www.vox.com/2017/12/10/16759106/star-wars-last-jedi-twitter-reviews-disney-lucas-films</id>
			<updated>2017-12-10T17:13:57-05:00</updated>
			<published>2017-12-10T17:13:53-05:00</published>
			<category scheme="https://www.vox.com" term="Business &amp; Finance" /><category scheme="https://www.vox.com" term="Disney" /><category scheme="https://www.vox.com" term="Media" /><category scheme="https://www.vox.com" term="Social Media" /><category scheme="https://www.vox.com" term="Technology" /><category scheme="https://www.vox.com" term="Twitter" />
							<summary type="html"><![CDATA[&#8220;Star Wars: The Last Jedi&#8221; premiered this weekend to a rush of praise online. Reviewers and industry professionals hit Twitter to express their appreciation for the latest movie in the science fiction saga. This is no &#8220;Phantom Menace.&#8221; Director and screenwriter Ava Duvernay called it &#8220;a total joy-ride through the galaxy.&#8221; Entertainment reporter Germain Lussier [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="BB-8 in black tie? | Ethan Miller / Getty" data-portal-copyright="Ethan Miller / Getty" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9844785/889368810.jpg.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	BB-8 in black tie? | Ethan Miller / Getty	</figcaption>
</figure>
<p>&ldquo;Star Wars: The Last Jedi&rdquo; premiered this weekend to <a href="http://www.latimes.com/entertainment/la-et-entertainment-news-updates-star-wars-held-its-premiere-last-night-1512929186-htmlstory.html">a rush of praise online</a>. Reviewers and industry professionals hit Twitter to express their appreciation for the latest movie in the science fiction saga. This is no <a href="http://www.imdb.com/title/tt0120915/reviews">&ldquo;Phantom Menace.&rdquo;</a></p>

<p>Director and screenwriter Ava Duvernay called it &ldquo;a total joy-ride through the galaxy.&rdquo; Entertainment reporter Germain Lussier left the theater &ldquo;still shaking.&rdquo;</p>
<figure class="wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter alignnone"><div class="wp-block-embed__wrapper">
<blockquote class="twitter-tweet" data-dnt="true"><p lang="en" dir="ltr">Star Wars: The Last Jedi is everything. Intense, funny, emotional, exciting. It’s jam-packed with absolutely jaw dropping moments and I loved it so, so much. I’m still shaking. <a href="https://t.co/fHddWjo201">pic.twitter.com/fHddWjo201</a></p>&mdash; Germain Lussier (@GermainLussier) <a href="https://twitter.com/GermainLussier/status/939733178381516800?ref_src=twsrc%5Etfw">December 10, 2017</a></blockquote>
</div></figure>
<p>The Disney/Lucas Films movie hits theaters Dec. 15. If the Twitterverse is to be believed, you are going to want to avoid spoilers at all cost.</p>

<p>And in case you haven&rsquo;t watched it a million times already, here&rsquo;s the official trailer:</p>
<div class="youtube-embed"><iframe title="Star Wars: The Last Jedi Trailer (Official)" src="https://www.youtube.com/embed/Q0CbN8sfihY?rel=0" allowfullscreen allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div><hr class="wp-block-separator" />
<p><small><em>This article originally appeared on Recode.net.</em></small></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[‘Amazon Stadium’ is the latest bait being dangled in front of Jeff Bezos]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2017/10/29/16567574/amazon-stadium-chicago-hq2-jeff-bezos" />
			<id>https://www.vox.com/2017/10/29/16567574/amazon-stadium-chicago-hq2-jeff-bezos</id>
			<updated>2017-10-30T11:04:49-04:00</updated>
			<published>2017-10-29T18:09:07-04:00</published>
			<category scheme="https://www.vox.com" term="Amazon" /><category scheme="https://www.vox.com" term="Big Tech" /><category scheme="https://www.vox.com" term="Technology" />
							<summary type="html"><![CDATA[The bidding war over which city will be the location of Amazon&#8217;s next headquarters continues. As reported in the Chicago Tribune, Sterling Bay Developers in Chicago have drawn up plans for an Amazon HQ2 that includes a sports complex as well as an entertainment venue at Sterling Bay&#8217;s 70-plus-acre site along the west side of [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="Maybe Amazon could buy the Chicago Bears, too. | Developer Sterling Bay" data-portal-copyright="Developer Sterling Bay" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9561711/amazon_stadium.jpg?quality=90&#038;strip=all&#038;crop=6.952380952381,18.44331641286,84.571428571429,81.55668358714" />
	<figcaption>
	Maybe Amazon could buy the Chicago Bears, too. | Developer Sterling Bay	</figcaption>
</figure>
<p>The bidding war over which city will be the location of Amazon&rsquo;s next headquarters continues.</p>

<p>As <a href="http://www.chicagotribune.com/business/columnists/ori/ct-biz-amazon-stadium-ryan-ori-20171027-story.html">reported in the Chicago Tribune</a>, Sterling Bay Developers in Chicago have drawn up plans for an Amazon HQ2 that includes a sports complex as well as an entertainment venue at Sterling Bay&rsquo;s 70-plus-acre site along the west side of the river near Lincoln Park.</p>

<p>In September, <a href="https://www.recode.net/2017/9/7/16266142/new-amazon-headquarters-rfp-north-america">Amazon CEO Jeff Bezos opened the bidding for Amazon&rsquo;s HQ2</a> by promising jobs for as many as 50,000 workers, and cities responded with lavish proposals. The competition is fierce, but <a href="https://www.recode.net/2017/9/9/16278136/amazon-jeff-bezos-top-cities-new-second-headquarters">Chicago is at least in the running</a>.</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9561785/amazon_hq2.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="An architect’s drawing of what Amazon’s headquarters in Chicago could look like." title="An architect’s drawing of what Amazon’s headquarters in Chicago could look like." data-has-syndication-rights="1" data-caption="The complex has a building that spans the river. | Sterling Bay Developers" data-portal-copyright="Sterling Bay Developers" /><hr class="wp-block-separator" />
<p><small><em>This article originally appeared on Recode.net.</em></small></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[Benchmark has hired Sarah Tavel, its first woman partner]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2017/5/9/15594676/benchmark-hired-woman-venture-capital" />
			<id>https://www.vox.com/2017/5/9/15594676/benchmark-hired-woman-venture-capital</id>
			<updated>2017-05-09T13:20:05-04:00</updated>
			<published>2017-05-09T12:31:30-04:00</published>
			<category scheme="https://www.vox.com" term="Influence" /><category scheme="https://www.vox.com" term="Technology" /><category scheme="https://www.vox.com" term="Venture Capital" />
							<summary type="html"><![CDATA[The venture capital firms that back Silicon Valley&#8217;s major startups are still mostly white and mostly male. But today, Benchmark took a step toward gender diversity with the hire of Sarah Tavel as a general partner. That means the now six-person partnership went from 0 percent women to 16 percent women in one fell swoop. [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="" data-portal-copyright="Steve Jennings/Getty Images for TechCrunch" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8488279/603234422.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,46.833333333333" />
	<figcaption>
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</figure>
<p>The venture capital firms that back Silicon Valley&rsquo;s major startups are still <a href="https://www.recode.net/2014/3/13/11624480/the-boys-of-benchmark-talk-about-s-f-s-tenderloin-diversity-and">mostly white and mostly male</a>. But today, Benchmark took a step toward gender diversity with the hire of Sarah Tavel as a general partner.</p>

<p>That means the now six-person partnership went from 0 percent women to 16 percent women in one fell swoop.</p>

<p>Tavel is no token female. Her resume spans Bessemer Venture Partners, Pinterest and Greylock Partners, and, according to Benchmark&rsquo;s Bill Gurley, she &ldquo;has shown a remarkable ability to spot new companies and markets.&rdquo;</p>

<p><a href="http://abovethecrowd.com/2017/05/09/benchmarks-new-general-partner-sarah-tavel/">In Benchmark&rsquo;s post, Gurley</a> wrote:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>It is clear that Sarah will get in front of breakout companies early, challenge our thinking on new markets, help us make sharper decisions, and be an incredible partner for the entrepreneurs we back.</p>
</blockquote><hr class="wp-block-separator" />
<p><small><em>This article originally appeared on Recode.net.</em></small></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[What Are Food Incubators and Do They Create Viable Businesses?]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2016/2/26/11588270/what-are-food-incubators-and-do-they-create-viable-businesses" />
			<id>https://www.vox.com/2016/2/26/11588270/what-are-food-incubators-and-do-they-create-viable-businesses</id>
			<updated>2019-03-06T05:39:54-05:00</updated>
			<published>2016-02-26T11:00:43-05:00</published>
			<category scheme="https://www.vox.com" term="Technology" />
							<summary type="html"><![CDATA[It&#8217;s a good time to be in the specialty foods business. Retail sales in the United States were worth over $85 billion in 2014 and, overall, $42 billion in sales came from mainstream stores like Target or Costco. Some of these specialty foods can be found in stores from Alaska to West Virginia. Others never [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15799081/food-incubator-2-0-0.0.1491160659.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p>It&rsquo;s a good time to be in the specialty foods business. Retail sales in the United States were worth over $85 billion in 2014 and, overall, $42 billion in sales came from mainstream stores like Target or Costco. Some of these specialty foods can be found in stores from Alaska to West Virginia. Others never make it farther than their local farmers market. But there&rsquo;s one thing they all have in common &mdash; they were started by real people who had an idea for a business and made it happen.</p>

<p>This is not your average Lunchables or Cheetos: Conceived, sold and marketed on a large scale by massive companies. Specialty foods are typically high-value and, at least in the beginning, low production. Though it may seem easy to start a brownie assembly line in your home kitchen, many states require a commercial kitchen to sell at a larger venue than the local market. Starting a commercial kitchen from scratch can cost up to $100,000 &mdash; far more than the average food entrepreneur has to spend before even making their first batch of salsa.</p>

<p>This need for low-cost kitchen space has led to the development of shared commercial kitchens that can be rented for hourly or monthly rates. But finding a place to make specialty food products is only the first step. Entrepreneurs who want to make a profit have to successfully package, market and sell their products, too. That&rsquo;s where food incubators come in.</p>

<p><a href="http://www.eater.com/2016/2/26/11110808/food-incubator-accelerator-small-business">Read the rest of this post on the original site &raquo;</a></p>

<p><small><em>This article originally appeared on Recode.net.</em></small></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[The Secret in the Old VCR Tapes]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2015/12/2/11621050/the-secret-in-the-old-vcr-tapes" />
			<id>https://www.vox.com/2015/12/2/11621050/the-secret-in-the-old-vcr-tapes</id>
			<updated>2019-03-06T05:44:55-05:00</updated>
			<published>2015-12-02T04:00:23-05:00</published>
			<category scheme="https://www.vox.com" term="Business &amp; Finance" /><category scheme="https://www.vox.com" term="Media" /><category scheme="https://www.vox.com" term="Money" /><category scheme="https://www.vox.com" term="Technology" />
							<summary type="html"><![CDATA[On a use-it-or-lose-it pass through my tiny San Francisco house, I dumped files, donated books and mercilessly thinned my closet. When I came across two oversized videocassette tapes that had survived 30 years of previous purges, I weighed them in my hands and wiped the dust off the edges. By all rights, they should have [&#8230;]]]></summary>
			
							<content type="html">
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<figure>

<img alt="" data-caption="" data-portal-copyright="Re/code" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15800434/20151201-secret-old-vcr-tapes.0.1491160659.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
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</figure>
<p>On a use-it-or-lose-it pass through my tiny San Francisco house, I dumped files, donated books and mercilessly thinned my closet. When I came across two oversized videocassette tapes that had survived 30 years of previous purges, I weighed them in my hands and wiped the dust off the edges. By all rights, they should have been trashed long ago. I had never owned a machine they would fit into; each cartridge, in its black plastic snap-shut cover, has the approximate dimensions of a hardback book, not a paperback-sized VCR tape cassette.</p>
<blockquote class="red left"><p>As long as I don&rsquo;t know what&rsquo;s on these tapes, I can&rsquo;t get rid of them.</p></blockquote>
<p>There must be <em>something</em> on these tapes. I wouldn&rsquo;t have saved them in the first place if they weren&rsquo;t somehow relevant to my life. As long as I don&rsquo;t know, I can&rsquo;t get rid of them.</p>

<p>Except maybe I <em>do</em> know what is on there. One tape might show me being interviewed on a news program. In my memory, I am wearing a navy-blue V-neck sweater and talking excitedly about the Academic Decathlon I am participating in. I am 17, a senior in high school, just like my son is now. The other tape may or may not contain footage of my father doing something involving his job as a marine biologist. My father died after a long illness the same year my son was born. I have a photograph of him in my room, and a framed piece of correspondence (on which he drew a hug). Maybe on the tape he is talking about teaching, or about a fish that lights up. I don&rsquo;t have a visual in my head, just a vague recollection that this unlabeled tape contains the only footage I have of my dad.</p>

<p>Maybe the decades on my shelf &mdash; all those years of heating and cooling, humidity and dirt &mdash; had permanently damaged them. Tape is a fragile medium. Did the machine to play these tapes still exist somewhere? If I waited any longer, would my chance to recover the contents be lost? Thinking about all the media machines I had purchased and ditched &mdash; a phonograph, a cassette deck, a VCR, God help me a laser disc player &mdash; I did not feel all that confident that the technology to retrieve my digital memories would be around forever.</p>

<p>I had read <a href="http://allthingsd.com/20120925/bringing-your-old-media-memories-into-the-digital-age/">Walt Mossberg&rsquo;s review of a Web service called PeggyBank</a>*. It sounded like a good idea &mdash; send them your old media in whatever format it happens to be in, and they send you back digital files you could watch on your computer.</p>

<p>I contacted the company and received a cheery reply. &ldquo;Your memories will be professionally transferred to a format that will keep them safe and easy to see today and for many days to come,&rdquo; a PeggyBank rep informed me in email. &ldquo;Once we complete your order, we will notify you by email. We&rsquo;re honored you chose PeggyBank to preserve your memories and can&rsquo;t wait to get started.&rdquo;</p>

<p>I paid up, and promptly forgot all about it.</p>

<p>Nine months later, I came across the receipt and wondered what had happened. I had sent this company my precious tapes. Had they lost them? Gone out of business? Ditched my memories and skipped town with the cash? I shot a terse and, frankly, annoyed email to the folks at PeggyBank. Where were my files?</p>
<blockquote class="red right"><p>Nine months in Internet years is practically a lifetime.</p></blockquote>
<p>PeggyBank, it turned out, was &ldquo;under new management.&rdquo;</p>

<p>My tapes were safe, the company assured me. The backlog of physical data waiting to be transferred had pushed the time frame for getting my files to me out to a year. Or longer.</p>

<p>So much for <a href="http://recode.net/2014/08/04/i-want-it-and-i-want-it-now-its-time-for-instant-gratification/">the instant gratification economy</a>. I hadn&rsquo;t said, &ldquo;I want it now,&rdquo; but I had assumed I would get it within a few weeks, maybe a month. Nine months in Internet years is practically a lifetime. The only footage I might have of my dad, and I had sent it to the most inefficient and possibly incompetent company available. I should have left the tapes on the shelf.</p>
<h2 class="wp-block-heading">Fast-Forward</h2>
<p>A year after I sent in the tapes, the doorbell rang. My UPS delivery guy was there with a package from, of all places, PeggyBank. There they were, my big fat cassettes in their cheap black covers. Included in the box were instructions on how to access the digital account where my converted files now lived. At last! I sent the request email exactly the way the instructions specified, and waited for directions pointing me to a Dropbox account. I got the standard &ldquo;we have received your email&rdquo; response, and then nothing.</p>

<p>Crickets.</p>

<p>I wanted to bombard them with emails and phone calls, but apparently they had been hit with this tactic in the past. Their automated reply to all emails expressly stated: <em>Sending multiple emails will reset your position in the support queue to the end of the line.</em> So I sat on my hands and reset the countdown clock.</p>
<h2 class="wp-block-heading">Giving Thanks</h2>
<p>On Thanksgiving eve, it was a year and a half since I&rsquo;d sent in the tapes. I took a chance and wrote to PeggyBank. &ldquo;It is the season of goodwill! Of thankfulness and giving! Please may I have my Dropbox link?&rdquo; It worked. I got a prompt reply with a link to two Dropbox files. Yippee! I clicked through and found that these files were from two VCR tapes I had included with the two larger tapes. I inquired where the other footage was, and got this in response:</p>

<p>&ldquo;I apologize for not being more clear. The oversized tapes are a format that we do not support. I apologize for the inconvenience, and will be happy to assist you in any way I can.&rdquo;</p>

<p>I wrote back to express my shock and dissatisfaction, but that happy-to-assist-you attitude turned out to be a front. The next email I received made that plain: &ldquo;Thank you very much for contacting us and your continued patience. Unfortunately &hellip; PeggyBank has been forced to close our doors.&rdquo; The email went on to outline exactly how little help I would be receiving from them.</p>

<p>I suppose I should have seen this coming. I&rsquo;ve watched enough dot-com companies come and go. Startups big and small rise up and try to make a business, but only some of them survive. PeggyBank joins Webvan and Clinkle on the dustheap of Internet history, and the tapes are back to moldering away on my bookshelf. In the years since Walt reviewed PeggyBank, the transfer of tapes and films to digital files has been taken over by the big boys: <a href="http://photo.walgreens.com/walgreens/storepage/storePageId=DVD+Transfer">You can get standard tapes digitized at Walgreens</a>.</p>

<p>* Full disclosure: I was a copy editor at AllThingsD, so I <em>had</em> to read that review; I am now a copy editor at <strong>Re/code</strong>.</p>

<p><small><em>This article originally appeared on Recode.net.</em></small></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Elizabeth Crane</name>
			</author>
			
			<title type="html"><![CDATA[Re/code in the Media: Amazon&#8217;s Stock Tanks, Yahoo Touches Up Its Makeover and More]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2014/10/26/11632260/recode-in-the-media-amazons-stock-tanks-yahoo-touches-up-its-makeover" />
			<id>https://www.vox.com/2014/10/26/11632260/recode-in-the-media-amazons-stock-tanks-yahoo-touches-up-its-makeover</id>
			<updated>2019-03-06T05:55:34-05:00</updated>
			<published>2014-10-26T08:30:25-04:00</published>
			<category scheme="https://www.vox.com" term="Amazon" /><category scheme="https://www.vox.com" term="Big Tech" /><category scheme="https://www.vox.com" term="Business &amp; Finance" /><category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="HBO" /><category scheme="https://www.vox.com" term="Media" /><category scheme="https://www.vox.com" term="Microsoft" /><category scheme="https://www.vox.com" term="Money" /><category scheme="https://www.vox.com" term="Streaming" /><category scheme="https://www.vox.com" term="Technology" />
							<summary type="html"><![CDATA[This week, Re/code writers and editors took to the airwaves to discuss Microsoft earnings, Yahoo&#8217;s makeover, Amazon&#8217;s slippage, the intricacies of Gamergate and a panoply of other topics. Senior Editor Liz Gannes appeared on Marketplace, discussing the instant gratification economy in general and the Luxe valet parking app in particular. Gannes also appeared on This [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15803169/recode-on-tv2.0.1491160659.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p>This week, <strong>Re/code</strong> writers and editors took to the airwaves to discuss Microsoft earnings, Yahoo&rsquo;s makeover, Amazon&rsquo;s slippage, the intricacies of Gamergate and a panoply of other topics.</p>

<p>Senior Editor Liz Gannes <a href="http://www.marketplace.org/topics/tech/parking-valet-demand">appeared on Marketplace</a>, discussing the <a href="http://recode.net/2014/08/04/i-want-it-and-i-want-it-now-its-time-for-instant-gratification/">instant gratification economy</a> in general and the Luxe valet parking app in particular.</p>

<p>Gannes also appeared on <a href="http://twit.tv/show/tech-news-today/1121">This Week in Tech</a> to talk about Shuddle, the &ldquo;<a href="http://recode.net/2014/10/23/shuddle-is-an-uber-for-kids-driven-by-childcare-pros/">Uber for kids</a>.&rdquo;</p>

<p>On our media partner CNBC, co-Executive Editor Walt Mossberg talked about testing Apple Pay:</p>
<p><iframe src="http://player.theplatform.com/p/gZWlPC/vcps_inline?byGuid=3000324056&amp;size=530_298" width="530" height="298" allowfullscreen="true"></iframe></p>
<p>and discussed his review of the new iPad Air 2:</p>
<p><iframe src="http://player.theplatform.com/p/gZWlPC/vcps_inline?byGuid=3000320940&amp;size=530_298" width="530" height="298" allowfullscreen="true"></iframe></p>
<p>Co-Executive Editor Kara Swisher took on Microsoft and its third-quarter earnings:</p>
<p><iframe src="http://player.theplatform.com/p/gZWlPC/vcps_inline?byGuid=3000323996&amp;size=530_298" width="530" height="298" allowfullscreen="true"></iframe></p>
<p>and the beating that Amazon&rsquo;s stock took this week:</p>
<p><iframe loading="lazy" src="http://player.theplatform.com/p/gZWlPC/vcps_inline?byGuid=3000323995&amp;size=530_298" width="530" height="298" allowfullscreen="true"></iframe></p>
<p>Also on CNBC, Managing Editor Edmund Lee discussed Yahoo and Marissa Mayer&rsquo;s makeover plans for the company with Jon Fort.</p>
<p><iframe loading="lazy" src="http://player.theplatform.com/p/gZWlPC/vcps_inline?byGuid=3000322594&amp;size=530_298" width="530" height="298" allowfullscreen="true"></iframe></p>
<p>Senior Editor <a href="http://www.c-span.org/video/?322220-1/communicators-meredith-attwell-baker">Amy Schatz took to C-Span</a> to talk about net neutrality and spectrum auctions:</p>

<p>Associate Editors Nellie Bowles and Eric Johnson appeared <a href="http://www.msnbc.com/msnbc/watch/how-gamergate-affects-women-and-gamers-345859139979">on MSNBC</a> talking <a href="http://www.msnbc.com/msnbc/watch/inside-the-minds-of-gamergate-supporters-345861187583">about Gamergate</a>.</p>

<p>And Senior Editor Peter Kafka appeared on Mediatwits to discuss HBO&rsquo;s and CBS&rsquo;s subscription streaming services:</p>
<div class="jetpack-video-wrapper"><span class="embed-youtube"><iframe loading="lazy" width="640" height="360" src="http://www.youtube.com/embed/71Vr68-YesA?version=3&amp;rel=1&amp;fs=1&amp;autohide=2&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent" allowfullscreen="true"></iframe></span></div>
<p><small><em>This article originally appeared on Recode.net.</em></small></p>
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