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	<title type="text">Meredith Haggerty | Vox</title>
	<subtitle type="text">Our world has too much noise and too little context. Vox helps you understand what matters.</subtitle>

	<updated>2025-03-12T16:17:33+00:00</updated>

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		<entry>
			
			<author>
				<name>Alex Abad-Santos</name>
			</author>
			
			<author>
				<name>Kyndall Cunningham</name>
			</author>
			
			<author>
				<name>Constance Grady</name>
			</author>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<author>
				<name>Aja Romano</name>
			</author>
			
			<title type="html"><![CDATA[4 winners and 3 losers from a madcap Oscars]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/culture/402227/oscars-2025-winners-losers-anora-mikey-madison-adrien-brody" />
			<id>https://www.vox.com/?p=402227</id>
			<updated>2025-03-12T12:17:33-04:00</updated>
			<published>2025-03-03T09:17:36-05:00</published>
			<category scheme="https://www.vox.com" term="Awards Shows" /><category scheme="https://www.vox.com" term="Celebrity Culture" /><category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Oscars" />
							<summary type="html"><![CDATA[It won’t go down as the most exciting Oscars on record — there was no slap or envelope mix-up, after all — but for this year’s Academy Awards, ending an unexpectedly cacophonous awards season with a smooth, calamity-free ceremony clocking in at under four hours was arguably the best of all possible outcomes. The big [&#8230;]]]></summary>
			
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<figure>

<img alt="A large group of actors and filmmakers in formal wear crowd onto the Oscar stage." data-caption="Anora won five of its six nominations, including Best Picture, Best Director, and Best Actress for Mikey Madison. | Kevin Winter/Getty Images" data-portal-copyright="Kevin Winter/Getty Images" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/2025/03/Oscars-2025-2-.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Anora won five of its six nominations, including Best Picture, Best Director, and Best Actress for Mikey Madison. | Kevin Winter/Getty Images	</figcaption>
</figure>
<p class="has-text-align-none">It won’t go down as the most exciting Oscars on record — there was no <a href="https://www.vox.com/culture/22999328/will-smith-hit-chris-rock-oscars-best-actor">slap</a> or <a href="https://www.vox.com/culture/2017/2/27/14748228/oscar-best-picture-moonlight-la-la-land-mixup-beatty-dunaway">envelope mix-up</a>, after all — but for this year’s Academy Awards, ending an unexpectedly <a href="https://www.vox.com/culture/401947/2025-oscars-academy-awards-emilia-perez-controversy">cacophonous awards season</a> with a smooth, calamity-free ceremony clocking in at under four hours was arguably the best of all possible outcomes.</p>

<p class="has-text-align-none">The <a href="https://www.vox.com/culture/402258/anora-ocscars-mikey-madison-sean-baker-best-picture">big winner of the evening, <em>Anora</em></a>, scooped up five of its six nominations, including Best Picture, Best Director, and Best Actress for Mikey Madison (sorry, Demi!). <em>The</em> <em>Brutalist</em> also flexed several wins, including one for actor-slash-<a href="https://x.com/itsshannonburns/status/1896403897213984927">gum-thrower</a> Adrien Brody, while several more overtly political films, like Palestinian-Israeli documentary <em>No Other Land</em> and the anti-authoritarian Brazilian film <em>I’m Still Here</em>, picked up some trophies.</p>

<p class="has-text-align-none">Overall, the vibe was markedly upbeat — a series of solid comedy bits outshone politics, with amusing appearances from Adam Sandler, Bowen Yang, Ben Stiller, Amy Poehler, and June Squibb. Inside the Dolby Theatre, the atmosphere was chill, the music was decent, most of the speeches were short (no thanks to Brody), and best of all? We weren’t stuck watching until well after midnight. Can we do it like this every year?&nbsp;</p>

<p class="has-text-align-none">Still, as always, not everyone came through the night unscathed, and some attendees went home happier than others. Check out our winners and losers below!</p>

<h2 class="wp-block-heading">Winner: Conan O’Brien kept things weird</h2>

<p class="has-text-align-none">From his slightly too-gross entrance clawing his way out of Demi Moore’s back to his cheeky song-and-dance routine promising not to let the telecast go on too long, Conan O’Brien took the most thankless gig in show business this year and played it just a little weirder than you’d think he could. We, for one, are thankful.&nbsp;</p>

<p class="has-text-align-none">Over the course of his monologue, O’Brien affably roasted himself for not having had enough work done, <a href="https://www.vox.com/culture/390998/emilia-perez-selena-gomez-oscars-green-book-crash-transgender-musical">Karla Sofía Gascón</a> for her many offensive tweets, and <a href="https://www.vox.com/culture/396504/timothee-chalamet-oscars-campaign-2025-a-complete-unknown-snl">Timothée Chalamet</a> for his baby face. He also got in a truly delightful bit about showing John Lithgow’s disappointed face to anyone who took too long with their acceptance speech, plus another long shaggy-dog one with a belligerently be-hoodied Adam Sandler. (Sandler didn’t bother to put on a tux because he’s too good of a person to care about his clothes, he boasted.)&nbsp;</p>

<p class="has-text-align-none">Making the Oscars funny is a feat in and of itself, but at the end of his monologue, O’Brien one-upped himself with a genuinely heartfelt tribute to what the Oscars mean in the aftermath of&nbsp;<a href="https://www.vox.com/climate/393929/pasadena-wildfire-los-angeles-california-live-updates">the Los Angeles fires</a>. Award shows for wealthy celebrities can feel shallow after so much devastation, he acknowledged —&nbsp;but the Oscars also offer an incredible platform for the below-the-line talent that is not so famous. That the awards also lavished the nominees of the technical categories with the kind of praise they normally save for the actors? Well, that’s the icing on the cake. —<em>Constance Grady</em></p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/2025/03/Conan.jpg?quality=90&#038;strip=all&#038;crop=0.0050000000000026,0,99.99,100" alt="Conan O’Brien, in a blue suit, stands on the edge of a curved stage, grinning and gesturing to the audience." title="Conan O’Brien, in a blue suit, stands on the edge of a curved stage, grinning and gesturing to the audience." data-has-syndication-rights="1" data-caption="Conan O’Brien presenting at the Oscars. | Getty Images" data-portal-copyright="Getty Images" />
<h2 class="wp-block-heading">Loser: Karla Sofía Gascón and bad publicists&nbsp;</h2>

<p class="has-text-align-none">Early on in awards season, trans actress Karla Sofía Gascón was hailed as a Best Actress frontrunner for her turn as the titular character in splashy musical <em>Emilia Pérez</em>. But things <a href="https://www.vox.com/culture/397810/emilia-perez-karla-sofia-gascon-oscars-netflix">quickly spiraled</a> for the film: Not only did <a href="https://www.vox.com/culture/390998/emilia-perez-selena-gomez-oscars-green-book-crash-transgender-musical">audiences critique</a> the storyline for regressive and inauthentic storytelling, but Gasćon drew negative attention for shading her fellow nominee Fernanda Torres — and then the real mine fields detonated: Twitter users dug up Gascón’s old tweets.</p>

<p class="has-text-align-none">It turns out Gascón had a long history of making racist, Islamaphobic, antisemitic, homophobic, and other offensive comments, arguably culminating in her <a href="https://variety.com/2025/film/columns/karla-sofia-gascon-twitter-controversy-donald-trump-oscars-1236295416/">musing in public</a> that Hitler “simply had his opinion about the Jews.” Though Gascón soon apologized and deleted her Twitter account, the scandal prompted many onlookers to wonder why on Earth someone with such views had been cast to begin with, especially in a role that, for all the script’s flaws, was a groundbreaking trans character. At the <em>very</em> least, the question of why no one deleted her tweets before awards season <a href="https://www.vox.com/culture/401947/2025-oscars-academy-awards-emilia-perez-controversy">should haunt Hollywood PR staff</a> for years to come.</p>

<p class="has-text-align-none">The <em>Emilia Pérez</em> production distanced itself hard from Gascón and threw itself into supporting its other nominated actress, Zoe Saldaña, who picked up a win for Best Supporting Actress. (Saldaña did not mention Gasćon in her acceptance speech, though she did thank the cast in general.) The Academy Awards also seemed eager to distance itself from Gasćon during the ceremony; some preview clips of the film barely referenced her, and despite <em>Emilia Pérez</em> being a musical, nominated for Best Picture in a heavily musical Oscars year, the cast was absent from the stage. Ultimately, the film, which originally led the pack with 13 nominations, picked up just two wins, and Gasćon went home empty-handed. —<em>Aja Romano</em></p>

<h2 class="wp-block-heading">Winner: Non-<em>Emilia Pérez</em> musical numbers</h2>

<p class="has-text-align-none">When it was announced that this year’s Oscars ceremony wouldn’t include performances of the Best Original Song nominees, it seemed like both a blessing and curse. This musical showcase has long been a crucial part of the ceremony, punctuating the awards and keeping audiences stimulated. However, this year’s list of nominees included two songs from <em>Emilia Pérez</em>, with songs that have been <a href="https://x.com/ChloeNumberIII/status/1856694134263693571">excessively mocked</a> online. Nevertheless, one number, “El Mal,” took home Best Original Song. That was all the recognition the Academy seemingly wanted to give the film’s music during the ceremony, though, and it was ultimately a good choice.&nbsp;</p>

<p class="has-text-align-none"><em>Wicked</em> stars Cynthia Erivo and Ariana Grande opened the show, with a celebration of the cinematic legacy of <em>The Wizard of Oz</em> and a tribute to Los Angeles following the catastrophic wildfires this past January. Grande performed “Somewhere Over the Rainbow” from <em>The Wizard of Oz</em>, while Erivo sang “Home” from <em>The Wiz</em>, ending with her show-stopping “Defying Gravity” riff. Then there was a delightfully random James Bond tribute (perhaps a eulogy, given its <a href="https://variety.com/2025/film/news/james-bond-amazon-christopher-nolan-shut-out-1236321078/">recent Amazon acquisition</a>?) featuring pop stars Lisa, Doja Cat, and Raye with a slightly shaky but amusing medley of “Skyfall,” “Diamonds Are Forever,” and “Live and Let Die.” Lastly, Queen Latifah offered a spirited tribute to Quincy Jones, performing “Ease on Down the Road” from his production <em>The Wiz</em>. </p>

<p class="has-text-align-none">The Oscars seem to have taken notes from the Grammys, putting as many divas as they could onstage. In a ceremony defined by lackluster nominees, it was a welcome distraction. —<em>Kyndall Cunningham&nbsp;</em></p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/2025/03/Ariana-performance.jpg?quality=90&#038;strip=all&#038;crop=0,1.9276992596866,100,96.144601480627" alt="Ariana Grande sings into a handheld microphone with stage lighting around her and in a strapless red sequined ballgown." title="Ariana Grande sings into a handheld microphone with stage lighting around her and in a strapless red sequined ballgown." data-has-syndication-rights="1" data-caption="Ariana Grande performing at the Oscars. | Getty Images" data-portal-copyright="Getty Images" />
<h2 class="wp-block-heading">Winner: Starting at 7 pm Eastern&nbsp;</h2>

<p class="has-text-align-none">For the second year in a row, Hollywood’s Biggest Night™ was actually late afternoon — the ceremony started at 4 pm Pacific/7 pm Eastern. And you know what? Good! For Academy Award watchers on the East Coast, the show going over means getting to bed closer to midnight. It’s a school night — not everyone can stay up that late.&nbsp;</p>

<p class="has-text-align-none">Starting an hour earlier also makes the viewing experience more pleasurable. The time cushion makes everything feel a little less stressful (especially when the acceptance speeches go long) because there’s essentially an extra hour. Host Conan O’Brien even had an entire musical number/a promise that he “<a href="https://www.youtube.com/watch?v=mSqNbzuE1jo&amp;list=PLDe0CguuqcMDoU040lJF9_hL6rLeIAm5T&amp;index=32">won’t waste time</a>.”&nbsp;</p>

<p class="has-text-align-none">Praise ABC and the powers that be, Sunday’s show ended before 11! —<em>Alex Abad-Santos</em></p>

<h2 class="wp-block-heading">Loser: Actors talking about their private business in public</h2>

<p class="has-text-align-none">Blame it on the vibe shift, blame it on the Los Angeles fires shaking up Hollywood, blame it on who knows what, but there was, frankly, a <em>lot</em> of people’s private business happening in front of the cameras on Hollywood’s biggest night. Kieran Culkin, accepting his Best Supporting Actor Oscar, told a long and admittedly funny story about his wife whose punchline was that she only agreed to have a third and a fourth child if he won an Emmy and an Oscar, respectively — because she didn’t think he ever would. Meanwhile, Andrew Garfield tried to make an unimpressed Goldie Hawn cry by telling her impromptu that she was his recently deceased mother’s favorite actor while they were supposed to be presenting the awards in the two animated categories.&nbsp;</p>

<p class="has-text-align-none">None of this is necessarily bad, but it is traditionally the sort of thing you take care of when you are not being broadcast live across the world. Hollywood decided to tear down the boundaries tonight.&nbsp; —<em>Constance Grady</em></p>

<h2 class="wp-block-heading">Winner: <em>No Other Land</em></h2>

<p class="has-text-align-none">The winner for Best Documentary Feature — the result of a collaboration between Israeli and Palestinian activists — was something of an upset, if only because its <a href="https://variety.com/2025/film/news/no-other-land-palestinian-israeli-directors-no-us-distribution-1236270651/">lack of a US distributor</a> hurt it at some Oscar-predicting awards, including both the <a href="https://www.indiewire.com/awards/predictions/2025-oscars-best-documentary-feature-predictions-1235034356/">Producers and Directors Guild Awards</a>. The film’s creators are also its subjects: Basel Adra, a displaced Palestinian activist, navigates the destruction of the West Bank, while his friend and creative partner Yuval Abraham, an Israeli journalist, lives in relative security and stability.</p>

<p class="has-text-align-none">While the Oscars largely skirted political speech (no one referenced President Donald Trump by name), these directors succeeded in making an unusually direct address. In an uncompromising speech, Adra said, “We call on the world to take serious actions to stop the injustice and to stop the ethnic cleansing of Palestinian people.” Abraham echoed this sentiment, saying, “We see each other, the destruction of Gaza and its people, which must end, the Israeli hostages, brutally taken in the crime of October 7, which must be freed,” before pointing directly to US foreign policy as blocking the path to peace. —<em>Meredith Haggerty&nbsp;</em></p>

<h2 class="wp-block-heading">Loser: The revamped “Fab Five” presentation&nbsp;</h2>

<p class="has-text-align-none">One of the <a href="https://www.billboard.com/music/awards/oscars-creative-team-press-conference-fab-5-presenters-format-1235625336/">most beloved</a> recurring features at the Oscars is what’s known as the <a href="https://www.vox.com/culture/2024/3/11/24096929/2024-oscars-winners-losers-jimmy-kimmel-poor-things-ryan-gosling-cillian-red-pins">“Fab Five” format</a> in the acting categories. The gist: Five previous winners of each category — Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress — are brought onstage to present and praise the nominees and announce the winner. It’s a touching way to honor the history and importance of the award.</p>

<p class="has-text-align-none">The Fab Five <a href="https://x.com/FilmUpdates/status/1882167811960963526">was supposed to be used</a> again this year but, likely due to the impossibly thorny optics of introducing Best Actress nominee <a href="https://www.vox.com/culture/397810/emilia-perez-karla-sofia-gascon-oscars-netflix">Karla Sofía Gascón and the controversy surrounding her Islamophobic and anti-Black tweets,</a> the format was nixed. Instead, the Oscars consolidated. Three of last year’s winners — Robert Downey Jr., Da’Vine Joy Randolph, Cillian Murphy — said something about each of the nominees in their respective categories. Meanwhile, Emma Stone, who presented Best Actress, more or less just introduced the category and didn’t say anything specific about the actresses nominated, who besides Gascón included Demi Moore, Fernanda Torres, Cynthia Erivo, and winner Mikey Madison.&nbsp;</p>

<p class="has-text-align-none">The result felt a little less personal and a bit more awkward. Downey’s casual glibness wasn’t a really good fit for giving other actors their moment in the sun, and there was no way for Stone to elegantly avoid the elephant in the room. Just one more way the Gascón blowup impacted the vibe at this year’s show. —<em>Alex Abad-Santos</em></p>

<p class="has-text-align-none"><em><strong>Correction, March 3, 9:15 am ET: </strong>This story, originally published March 2, has been updated to correct the title and location of the film </em>No Other Land<em>.</em></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<author>
				<name>Dylan Scott</name>
			</author>
			
			<title type="html"><![CDATA[The Luka Dončić trade controversy, explained for people who simply love mess]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/culture/398321/luka-doncic-trade-controversy-mavericks-lakers-explained" />
			<id>https://www.vox.com/?p=398321</id>
			<updated>2025-02-05T11:42:24-05:00</updated>
			<published>2025-02-05T11:35:00-05:00</published>
			<category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Sports" />
							<summary type="html"><![CDATA[Welcome to Know-It-All. In the age of information overload and so many things to care about, Vox experts explain what you need to know to get into a particular corner of culture. I don’t want to sound like too much of an expert, but this past weekend, something big and weird happened in the world [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="a man, flanked by two other men, holds a yellow jersey, smiling weakly." data-caption="Luka Dončić holds his new LA Lakers jersey alongside general manager Rob Pelinka, left, and head coach JJ Redick. | Harry How/Getty Images" data-portal-copyright="Harry How/Getty Images" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/2025/02/GettyImages-2197631981_7ed279.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Luka Dončić holds his new LA Lakers jersey alongside general manager Rob Pelinka, left, and head coach JJ Redick. | Harry How/Getty Images	</figcaption>
</figure>
<p class="has-text-align-none"><span id="docs-internal-guid-a0625c63-7fff-870f-4a62-3d80139bc1aa"></span><em>Welcome to Know-It-All. In the age of information overload and so many things to care about, Vox experts explain what you need to know to get into a particular corner of culture.</em></p>

<p class="has-text-align-none">I don’t want to sound like too much of an expert, but this past weekend, something big and <em>weird</em> happened in the world of basketball.&nbsp;</p>

<p class="has-text-align-none">As someone who doesn’t pay all that much attention to sports, stories from that world only cross my radar when no one can stop talking about them. But as a gossip, I really love mess. If you’re like me, you might notice that the discussion you’re overhearing about the Dallas Mavericks trading star Luka Dončić to the Los Angeles Lakers on February 1 has been confusing, emotional, and seemingly very, very juicy. Angry fans? Bad business deals? What is going on here?</p>

<p class="has-text-align-none">To better understand why so many people have strong opinions and wild theories about a tall Slovenian man and a billionaire power broker named Miriam, I asked a self-made expert, Vox senior correspondent and big, big basketball fan Dylan Scott to break it all down for us.&nbsp;</p>

<p class="has-text-align-none"><strong>Dylan, why are all our coworkers talking about someone named Luka?</strong></p>

<p class="has-text-align-none">Luka Dončić, one of the best young professional basketball players in the world, was <a href="https://www.sbnation.com/nba/2025/2/2/24357066/luka-doncic-anthony-davis-trade-grades-lakers-mavericks-jazz">traded from the Dallas Mavericks</a>, where he had been a star player for six seasons, to the Los Angeles Lakers. It is hard to capture in words how shocking this was even for people who follow the league closely. Hell, even for people <em>in</em> the league. I can send you <a href="https://nypost.com/2025/02/02/sports/knicks-stars-stunned-by-luka-doncic-anthony-davis-trade/">multiple</a> <a href="https://www.cbssports.com/nba/news/anthony-edwards-reacts-to-shocking-luka-doncic-trade-theres-digging-somebodys-gotta-do-to-find-out-why/">quotes</a> of <a href="https://www.si.com/nba/nuggets/news/denver-nuggets-star-calls-out-strange-luka-doncic-trade-to-lakers-01jk9b06s4z0">players</a> <a href="https://www.wjhl.com/sports/sports-illustrated/a0afdd67/at-least-one-nba-player-lost-multiple-bets-over-whether-the-luka-trade-was-real/">saying</a> they don’t understand how this could have happened.&nbsp;</p>

<p class="has-text-align-none">We’re all prone to hyperbole after a big story breaks, but you could easily make the argument that it’s <a href="https://www.foxsports.com/stories/nba/what-10-most-shocking-trades-all-time">the most surprising transaction in the history of the NBA</a>. I saw the news when I was about to go to bed on Saturday night and stayed up for another two hours scrolling Reddit — and I don’t even root for these teams!</p>

<p class="has-text-align-none"><strong>Is it really all that weird to trade a player?</strong></p>

<p class="has-text-align-none">It’s not weird to trade a player. That happens all the time. It’s weird to trade a <em>player</em> <em>like Luka Dončić</em>.</p>

<p class="has-text-align-none">Okay, speed round: <a href="https://talksport.com/basketball/1850048/young-luka-doncic-real-madrid-debut-16-euroleague-mavericks/">Luka was a teenage phenomenon</a> in Europe’s professional league before he came to the NBA. Dallas acquired him with the third pick in the 2018 draft. (That is <a href="https://www.givemesport.com/2018-nba-draft-revisited-dallas-mavericks-mavericks-luka-doncic/">a whole other story</a>, but we can’t get into it now.)</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/2025/02/GettyImages-2190769065.jpg?quality=90&#038;strip=all&#038;crop=2.4111156518186,0,95.177768696363,100" alt="Luka Dončić" title="Luka Dončić" data-has-syndication-rights="1" data-caption="Luka Dončić, playing for the Mavs. | Getty Images" data-portal-copyright="Getty Images" />
<p class="has-text-align-none">He quickly became one of the best offensive players in the league and is now probably the second-best. He won Rookie of the Year in his first season. Every year after that, he has made the All-NBA First Team, meaning he was one of the five best players in the league. Last year, he averaged the most points per game of any player.</p>

<p class="has-text-align-none">But wait, there’s more. He is especially good in the playoffs. Last year, even with an injury, he <a href="https://www.mavsmoneyball.com/2024/6/1/24169144/sb-reacts-luka-doncic-is-the-western-conference-finals-mvp">led the Mavericks to the NBA Finals</a>. They lost, but Luka is still only 25 years old. Most NBA players reach the peak of their powers in their late 20s.&nbsp;</p>

<p class="has-text-align-none">The future looked so bright. Most other teams are desperately searching for their own Luka Dončić. So it was and remains mystifying why the Mavericks would give him up.</p>

<p class="has-text-align-none"><strong>What is the team leadership doing here?</strong></p>

<p class="has-text-align-none">Okay, you want to trade Luka Dončić. Weird choice, but okay. So you’re definitely going to get as many good players and/or draft picks as you can for him, right? If you’re giving up your best player, you want to give yourself the tools to be good again in the future.</p>

<p class="has-text-align-none">Instead, the Mavericks got one excellent player who is seven years older than Luka and may not have too many great seasons left (Anthony Davis), one somewhat promising young player, and one draft pick. That is not much <a href="https://fadeawayworld.net/nba-trade-rumors/dallas-mavericks/luka-doncics-trade-package-looks-horrible-compared-rudy-gobert-mikal-bridges-paul-george">compared to previous blockbuster NBA trades</a>. The Mavericks leadership has openly admitted they did <em>not</em> ask a bunch of teams for their best offers. They talked to the Lakers. This is not how you do business in the NBA or, uh, anywhere else.</p>

<p class="has-text-align-none">It’s very confusing and lends itself to all kinds of speculation. Some people think the Mavs were sincerely worried about Luka’s health because <a href="https://www.cbssports.com/nba/news/luka-doncic-injury-update-timeline-for-lakers-debut-coming-into-focus-as-star-plans-return-from-calf-strain/">he got hurt this year</a> (though he has been a very durable player up until now). Some think he had a personality clash with the coach or other senior officials. A select few even think the Mavs could be better without him.</p>

<p class="has-text-align-none">But the most interesting explanations that I’ve read have come from <a href="https://www.truehoop.com/p/miriam-adelsons-luka-trade">people like long-time NBA reporter Henry Abbott</a>, who covers the league with a scrutiny that corporate outlets often don’t. It’s still hard to be sure — we’re all guessing here — but it seems to me the basic story would be: The Mavericks ownership didn’t want to keep paying Luka hundreds of millions of dollars, because they don’t really care that much if the team is good. But they also knew the fans would be furious if they openly shopped their best player.&nbsp;</p>

<p class="has-text-align-none">So they did a deal quickly and quietly to minimize any blowback that could stop it before it was completed and, frankly, they just don’t mind that <a href="https://www.fox4news.com/sports/luka-doncic-trade-dallas-mavericks-fans-aac">a bunch of fans are mad</a> and say they will never watch again now that the trade is done, especially if the blame ends up being placed primarily on the general manager, <a href="https://sports.yahoo.com/mavericks-gm-nico-harrison-defends-luka-doncic-trade-we-got-ahead-of-what-was-going-to-be-a-tumultuous-summer-172418304.html">Nico Harrison</a>. They’re not really that interested in keeping Mavs fans happy or trying to win a championship. That’s not why the franchise is valuable to them. (Again, this is the theory.)</p>

<p class="has-text-align-none"><strong>Why wouldn&#8217;t the Mavericks owners care if the team is good or if the fans disavowed them?</strong></p>

<p class="has-text-align-none">Sports fans may think rich people buy sports teams for love of the game. But for the billionaires, these are business transactions and they primarily want to make money.</p>

<p class="has-text-align-none">The Mavericks owner is Miriam Adelson, widow of Sheldon Adelson, who presides over a massive gambling empire. It is a matter of public record, as Abbott put it, that the Adelsons <a href="https://www.truehoop.com/p/whos-purchasing-mark-cubans-mavericks">would really like to build an enormous sports arena/casino gambling complex</a>. (I am envisioning a sportsbook on the mezzanine level, such synergy.) They have been trying to build one in Dallas, but local politics have <a href="https://www.wfaa.com/article/news/politics/yall-itics/texas-casino-gambling-betting-law-bill-dan-patrick-legislature/287-7e4f4449-0339-4f78-9315-d127179ea714">gummed it up</a>.</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/2025/02/GettyImages-2194442034.jpg?quality=90&#038;strip=all&#038;crop=0,0.063594560219158,100,99.872810879562" alt="A woman in white giving a thumbs up" title="A woman in white giving a thumbs up" data-has-syndication-rights="1" data-caption="Miriam Adelson attends the inauguration of President Donald Trump. | Julia Demaree Nikhinson/Pool/Getty Images" data-portal-copyright="Julia Demaree Nikhinson/Pool/Getty Images" />
<p class="has-text-align-none">There is a <em>theory</em> that the Adelsons don’t care if the Mavs are bad, because if the Mavs are bad and the fans abandon them, then the Adelsons could threaten to move the team to Las Vegas (which does not have an NBA team, which the <a href="https://frontofficesports.com/vegas-positioned-for-nba-expansion-team-but-where-will-it-play/">league is already eyeing for expansion</a>, and where the Adelson’s business interests are already <a href="https://www.forbes.com/profile/miriam-adelson/">concentrated</a>). </p>

<p class="has-text-align-none">So maybe it comes down to: Either Dallas ponies up the money for the arena-casino hybrid or they follow through on their threat and head to Vegas. Again, in theory.</p>

<p class="has-text-align-none"><strong>Who exactly are the fans mad at?</strong></p>

<p class="has-text-align-none">Look, I cannot emphasize enough that nobody knows for sure what happened behind the scenes. There are a lot of leaks right now, and it’s hard to know who to trust.&nbsp;</p>

<p class="has-text-align-none">Whatever the leaks might say, it seems inevitable Adelson and her son-in-law who more directly oversees the Mavs had a say. They own the team. You have Harrison, who is the general manager and ostensibly the one making personnel decisions. You have head coach <a href="https://www.si.com/nba/mavericks-hc-jason-kidd-reveals-reaction-to-learning-about-luka-doncic-trade">Jason Kidd</a>, who has clashed with Luka at times, though they also had great success together. Some people think Kidd must be pissed; others think he was in on it. That’s how confused things are.</p>

<p class="has-text-align-none">One person who does <em>not</em> seem to be involved is Mark Cuban, the former majority owner of the Mavs. He sold his majority stake to the Adelsons and while he was supposed to continue to have a role in basketball decisions, he apparently was <a href="https://www.si.com/nba/mark-cuban-reveals-when-he-learned-mavericks-luka-doncic-trade">not consulted</a> in the deal.</p>

<p class="has-text-align-none"><strong>Okay so I get why people are mad at the Mavs. Why are people so mad at the Lakers?</strong></p>

<p class="has-text-align-none">Let’s be clear: People always hate the Lakers. They are Hollywood, the most famous and (second) most successful franchise in league history.</p>

<p class="has-text-align-none">They also have a long history of acquiring star players in their primes — like Luka Dončić. Even non-sports fans know a lot of these names: Wilt Chamberlain, Kareem Abdul-Jabbar, Shaquille O’Neal, LeBron James.</p>

<p class="has-text-align-none">So when people saw the trade and saw what the Lakers gave up, there was a collective feeling of: Are you fucking serious? <em>Again</em>? Sure, nobody blames them for taking such a deal. But the trade has uncorked more Lakers resentment.</p>

<p class="has-text-align-none">The Lakers general manager, Rob Pelinka, also has <a href="https://hoopshype.com/rumor/3450732/">a deep friendship</a> with the Mavs’ GM Harrison, so you have all the ingredients for people to think something is rigged. Maybe the league is just trying to get another young star to the Lakers, its most iconic team, right before LeBron retires for good. (He’s 40!)</p>

<p class="has-text-align-none">I’m not endorsing these conspiracies. I’m not sure we will ever know with certainty why the trade happened. I lean toward the Dallas ownership’s non-sports reasons for doing this. I could certainly see it being a combination of factors.<br><br>But as drama, this was really the perfect storm: a young basketball star, traded to the Lakers, in a deal that sure looks fishy for one reason or another. I still can’t believe it.<br><strong><br></strong></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<title type="html"><![CDATA[Say Nothing’s Gerry Adams disclaimer, explained]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/culture/387180/say-nothing-gerry-adams-disclaimer-ira-denial" />
			<id>https://www.vox.com/?p=387180</id>
			<updated>2024-11-22T16:01:48-05:00</updated>
			<published>2024-11-21T17:40:00-05:00</published>
			<category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="TV" />
							<summary type="html"><![CDATA[Every episode of Say Nothing, the FX/Hulu show based on the nonfiction book of the same name, ends with a disclaimer: “Gerry Adams has always denied being a member of the IRA or participating in any IRA-related violence.”&#160; Disclaimers aren’t unusual in film and television (arguably even more shows should employ them) but the Adams [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="Josh Finan as young Gerry Adams in FX’s Say Nothing." data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/2024/11/Ep-101_04-05-23_0468R.JPG.webp?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Josh Finan as young Gerry Adams in FX’s Say Nothing.	</figcaption>
</figure>
<p class="has-text-align-none">Every episode of <em>Say Nothing</em>, the FX/Hulu show based on the nonfiction book of the same name, ends with a disclaimer: “Gerry Adams has always denied being a member of the IRA or participating in any IRA-related violence.”&nbsp;</p>

<p class="has-text-align-none">Disclaimers aren’t unusual in film and television (arguably <a href="https://www.vox.com/culture/24147537/baby-reindeer-who-is-martha-stalking">even more shows</a> should employ them) but the Adams disclaimer still stands out.</p>

<p class="has-text-align-none"><em>Say Nothing</em> takes place across and beyond the 30-year period in late 20th-century Ireland known as “The Troubles.” Viewers experience this time and its fallout largely through the eyes of Catholic combatants in the Irish Republican Army (IRA), Dolours Price (played on the show by Lola Petticrew, and later Maxine Peake), and to a lesser extent Brendan “The Dark” Hughes (played by Anthony Boyle as a youth, Tom Vaughan-Lawlor as the elder Hughes), along with those affected by their actions. It was an era marked by bloodshed and fear, with political and psychological ramifications that can still be felt by many in the country today.&nbsp;</p>

<p class="has-text-align-none">The problem? If this disclaimer is accurate, it would negate or at least undermine nearly everything the <em>Say Nothing </em>viewer has just witnessed. So what’s going on here? And what’s the real effect of this repeated legal language? Let’s break it down, piece by piece.&nbsp;</p>

<h2 class="wp-block-heading has-text-align-none"><strong>Who is Gerry Adams?</strong></h2>

<p class="has-text-align-none">Officially, today, Gerry Adams is a retired Irish politician. He’s played in <em>Say Nothing</em> by Josh Finan as a young radical, and Michael Colgan as an older statesman.&nbsp;</p>

<p class="has-text-align-none">In 1998, Adams was integral to and present for the signing of the Good Friday Agreement, a <a href="https://www.bbc.com/news/uk-northern-ireland-65294128">peace deal</a> brokered by US President Bill Clinton that brought an end to the everyday violence in Northern Ireland. Adams did this in his capacity as the president of the Sinn Féin party, a position he held from 1983 to 2018.&nbsp;</p>

<p class="has-text-align-none">Throughout The Troubles, Sinn Féin was widely <a href="https://www.britannica.com/topic/Sinn-Fein">understood</a> to be the political wing of the IRA.&nbsp;</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/2024/11/GettyImages-627729924.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A man in glasses stares forward." title="A man in glasses stares forward." data-has-syndication-rights="1" data-caption="The real Gerry Adams, circa the 1980s. | Sygma via Getty Images" data-portal-copyright="Sygma via Getty Images" />
<h2 class="wp-block-heading has-text-align-none"><strong>And what is the IRA?</strong></h2>

<p class="has-text-align-none">The IRA stands for the <a href="https://www.britannica.com/topic/Irish-Republican-Army">Irish Republican Army</a>, a paramilitary association that was first founded under that name in 1919, although it grew out of a long history of Irish resistance to British rule. The purpose of the IRA was to reunite Ireland by reclaiming the whole of the island, specifically the area that became known after the partition of Ireland in 1921 as Northern Ireland.&nbsp;</p>

<p class="has-text-align-none">The Irish Republican Army was known in particular for its use of guerrilla warfare tactics, from <a href="https://www.bbc.co.uk/programmes/articles/3gBpB1kl43kMQkGg4bxhMZ7/the-mystery-behind-northern-ireland-s-26-5m-bank-heist">bank robberies</a> to <a href="https://www.britannica.com/event/Omagh-bombing">car bombs</a>, as well as the practice of <a href="https://www.iclvr.ie/en/iclvr/pages/thedisappeared">disappearing</a> accused informers, known as “touts,” and turncoats. The US labeled the IRA a terrorist group in the <a href="https://www.ojp.gov/ncjrs/virtual-library/abstracts/terrorism-under-democratic-conditions-case-ira-irish-republican">1980s</a>.</p>

<h2 class="wp-block-heading has-text-align-none"><strong>What were the British doing in Ireland?</strong></h2>

<p class="has-text-align-none">The British had been politically and militarily involved with their Irish neighbors to the west since the Anglo-Norman Invasion in 1169. That conquest kicked off 800 years of dispossession, bloodshed, and strife across the region and usually along religious lines — with the majority Catholics on one side, and the Protestant minority aligned with British forces.&nbsp;</p>

<p class="has-text-align-none">This timeline is briefly mentioned at the very top of the TV series <em>Say Nothing</em>. What’s less explored on screen, but takes up a good chunk of the meticulously reported nonfiction book of the same name — written by journalist Patrick Radden Keefe, who also the show’s executive producer — is the history of the conflict. Let’s go back, if not quite to the beginning.&nbsp;</p>

<p class="has-text-align-none">In 1914, after centuries of rebellion and retaliation, “<a href="https://www.parliament.uk/about/living-heritage/evolutionofparliament/legislativescrutiny/parliamentandireland/collections/home-rule-1914/gov-of-ireland-act-1914/">Home Rule</a>” — under which the Irish would be in charge of themselves — was set to become law. Shortly before it was to be enacted, however, the British made the change contingent on military conscription, right at the start of the first World War.&nbsp;</p>

<p class="has-text-align-none">In 1916, Irish Republicans fought back, in a rebellion known as the <a href="https://www.irishtimes.com/history/1916/">Easter Rising</a>. This operation was a resounding failure that would nonetheless endear the nascent IRA to the Irish public, after the resulting British occupation of Dublin saw the jailing of 1,400 Republicans and the execution of 16 of their leaders. Following the brutal War of Independence and the Anglo-Irish Treaty, the Partition of Ireland was established in 1921, dividing the country into two self-governing entities, and a year later the Irish Free State was established in the south.</p>

<p class="has-text-align-none">By the late 1960s, things weren’t great for the Catholics of Northern Ireland. There was clear evidence of <a href="https://www.bbc.co.uk/bitesize/articles/zs2ncxs">discrimination</a> against Catholics in the north in hiring, housing, voting, and policing.&nbsp;</p>

<p class="has-text-align-none">At this time, the IRA was by most accounts not engaged in armed struggle, but a bombing on the 50th anniversary of the Easter Rising helped inspire the formation of the “<a href="https://bbc.com/news/uk-northern-ireland-11313364">Ulster Volunteer Force</a>” — another paramilitary group, but this time with British loyalties and, as per <em>Say Nothing</em>, occasionally government support, whose operations were largely marked by gun violence against Catholic civilians. This was the approximate start of what is known as The Troubles.</p>

<p class="has-text-align-none"><em>Say Nothing</em>, both book and show, depicts the resumed violence among the IRA, British forces, and loyalist paramilitary groups, which lasted from around 1968 to the signing of the Good Friday Agreement in 1998, as well as the fallout for Irish families that, in many ways, persist today.&nbsp;</p>

<h2 class="wp-block-heading has-text-align-none"><strong>Okay, Gerry Adams is a politician with a group affiliated with the IRA. But does that mean he’s responsible for the violence?</strong></h2>

<p class="has-text-align-none">That might be a complicated question, were it not for the fact that <a href="https://www.irishtimes.com/news/ireland/irish-news/gerry-adams-ira-denial-a-lie-veteran-republican-says-in-tv-series-1.4020604">pretty</a> <a href="https://www.britannica.com/summary/Gerry-Adams">much</a> <a href="https://www.amazon.com/Secret-History-Ira-Gerry-Thirty/dp/0141028769">everyone</a> <a href="https://www.bbc.com/news/uk-northern-ireland-68028109">agrees</a> that Adams not only participated in the Irish Republican Army and violent attacks the group carried out, but personally orchestrated much of it. This is exactly what we see on screen throughout <em>Say Nothing</em>.&nbsp;</p>

<p class="has-text-align-none">Keefe’s book carefully details<em> </em>Adams’s history in the movement, including the conception and execution of robberies and bombings, such as the Old Bailey bombing in London that saw Dolours Price and her sister Marian arrested and jailed for eight years. Among other sources and interviews, that book used the first-person accounts collected for the Belfast Project, an oral history of The Troubles compiled by researchers at Boston College from 2000 to 2006.&nbsp;</p>

<p class="has-text-align-none">In other words, many, many IRA members are on the record saying that Gerry Adams was among them. Dolours Price has said he was her “<a href="https://www.telegraph.co.uk/news/uknews/1326593/Gerry-Adams-was-my-commander-says-IRA-bomber.html">commander</a>.” Brendan Hughes has <a href="https://www.newyorker.com/magazine/2015/03/16/where-the-bodies-are-buried">said</a> he never did anything without Adams’s say-so. (Additionally, <a href="https://www.goodreads.com/book/show/114076.A_Secret_History_of_the_IRA">historians</a> and contemporaneous media accounts link Adams to IRA violence.)</p>

<h2 class="wp-block-heading has-text-align-none"><strong>If all that’s true, how did Gerry Adams get elected to political office?&nbsp;</strong></h2>

<p class="has-text-align-none">Adams’s status as an IRA leader didn’t hurt his political life; if anything, it helped! Adams’s political persona has always been, knowingly, built on his <a href="https://www.bbc.com/news/uk-northern-ireland-27238602">Republican bona fides</a>. In the book, Keefe details the way Adams would deny membership in the IRA out of one side of his mouth and raise the specter of violence out of the other, but you don’t need to decode his speeches to see the connections.&nbsp;</p>

<p class="has-text-align-none">In 1972, Adams was released from prison — where he was being held without charge, although he claims only as a political activist — to participate in ceasefire talks at the request of the IRA. He was 24. Nine years later, he played a “key role,” as per the BBC, in encouraging IRA hunger strikes, which saw 27-year-old IRA leader <a href="https://www.bbc.com/news/stories-56937259">Bobby Sands</a> starve himself to death in prison, just one month after Sands was elected MP.&nbsp;</p>

<p class="has-text-align-none">Adams was himself elected as a Belfast West MP two years later, but refused to sit in the House of Commons, a Sinn Féin policy. That same year, 1983, he became the head of the party. A decade later, secret peace talks well underway, he carried the coffin of Thomas Begley, an IRA bomber who died in the Shankill bombing, after a premature explosion.&nbsp;</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/2024/11/Ep-7_23-10-23_0028R.jpg.webp?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A young man in glasses and a blazer" title="A young man in glasses and a blazer" data-has-syndication-rights="1" data-caption="Josh Finan as young Gerry Adams. | FX" data-portal-copyright="FX" />
<p class="has-text-align-none">During the approximately five-year talks, Adams was meeting with more moderate Irish political parties, representing the promise of bringing the IRA to the table. His status as IRA leadership was key to his stewardship of Sinn Féin — not just at the outset, but throughout his entire career.&nbsp;</p>

<h2 class="wp-block-heading has-text-align-none"><strong>So if this is all such an open secret, why is the disclaimer included?</strong></h2>

<p class="has-text-align-none">In an interview with <a href="https://www.townandcountrymag.com/leisure/arts-and-culture/a62764745/say-nothing-hulu-gerry-adams-ira-disclaimer-explained/">Town &amp; Country</a>, author and executive producer Keefe explained, “It was ultimately FX legal that determined that we needed that disclaimer.&#8221; The reason why is simple: Adams himself. As Keefe told T&amp;C, &#8220;It&#8217;s not that he will take issue with little bits and pieces of what we show. He takes issue with the whole premise of the series, which is that he was in the IRA.&#8221;&nbsp;&nbsp;</p>

<p class="has-text-align-none">While the show’s disclaimer seems to be more corporate necessity than rhetorical flourish, it ends up being a bit of a gift to the <em>Say Nothing</em> producers. It would be hard to find a more succinct way to communicate the doublethink necessary for life during The Troubles. It puts a darkly comic, increasingly absurd stinger on each episode of a show that sees only occasional lightness and crackles of Irish wit, while also giving a sense of the unspeakability of what you’re watching unfold.&nbsp;</p>

<p class="has-text-align-none">It’s what Irish poet Seamus Heaney calls “the tight gag of place and times” in “<a href="https://www.blueridgejournal.com/poems/sh-what.htm">Whatever you say, say nothing</a>,” the poem from which the book and show take their name. This is the omertà that comes with the existence of the IRA. It’s a policy that, in this setting, makes intuitive if not entirely practical sense. Of course an insurgent political group can’t go shouting in the streets, and your friends and neighbors had better stay quiet, too. </p>

<p class="has-text-align-none">In the book and show, we see Gerry Adams employing his own baroque version of it early on: denying to arresting officers not just his role in the IRA but himself. He’s not Gerry Adams, he claims, but a man named John.</p>

<p class="has-text-align-none">Price, on the other hand, doesn’t deny her name nor that she supports the goals of the IRA. She declares herself not guilty for the London bombing simply because she doesn’t recognize English authority.&nbsp;</p>

<p class="has-text-align-none">Later in the show, as in real life, Price and Hughes definitively break this code of silence, speaking to the Belfast Project — and in Price&#8217;s case, some notable others — about the things they did and the little good they felt it accomplished. The Boston College tapes weren&#8217;t intended to be distributed until after the participants’ deaths, but some were later subpoenaed in the renewed investigation into the death of Jean McConville, the IRA disappearance that frames <em>Say Nothing</em>.</p>

<p class="has-text-align-none">Adams never cracks, though, in the show or reality. But Adams <em>isn’t</em> saying nothing. His persistent denial works as an admission that the methods of the Irish Republican Army violate some part of the collective moral consciousness (not to mention the law), while hinting that obscuring the facts doesn’t violate Adams’s own. It’s worth noting that Adams had real-life political colleagues, including eventual deputy first minister <a href="https://www.theguardian.com/politics/2017/dec/02/martin-mcguinness-biography-divides-irish-opinion-as-he-did-in-life">Martin McGuinness</a>, who did not disavow their time in the IRA.&nbsp;</p>

<p class="has-text-align-none">For some of Adams’s former compatriots, Price and Hughes among them, his public ascent was not about peacemaking, but little more than the fulfillment of his political aspirations. For those IRA members, even the signing of the Good Friday agreement was not something to be heralded; it leaves Northern Ireland as part of the United Kingdom — for as long as its majority Protestant citizenry chooses.</p>

<p class="has-text-align-none">The episode disclaimers, along with this tension, effectively make Gerry Adams the show’s villain — willing to ask others for the ultimate sacrifice; not even loyal to the cause. You watch Adams, along with Price and Hughes, plan and execute acts that wound their enemies, their neighbors, their cities, and eventually themselves; you’re shown his rise, their fall; and over and over, you see his denial. But the only people who truly say nothing are the dead.&nbsp;</p>
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					</entry>
			<entry>
			
			<author>
				<name>Izzie Ramirez</name>
			</author>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<author>
				<name>Alex Abad-Santos</name>
			</author>
			
			<title type="html"><![CDATA[3 unexpected winners — and 1 predictable loser — from the Paris Olympics so far]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/olympics/364413/paris-winners-losers-sharpshooter-simone-biles-pommel-horse" />
			<id>https://www.vox.com/?p=364413</id>
			<updated>2024-08-01T19:36:29-04:00</updated>
			<published>2024-08-02T07:00:00-04:00</published>
			<category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Olympics" /><category scheme="https://www.vox.com" term="Sports" /><category scheme="https://www.vox.com" term="Today, Explained newsletter" />
							<summary type="html"><![CDATA[We all know the medal winners for the competitions that have taken place so far in the 2024 Paris Olympics (or, rather, they’re all a single click away).&#160; The US women’s gymnastics team reclaimed gold for the team all-around after a second-place finish in Tokyo, while the men’s team won its first medal in the [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="Stephen Nedoroscik celebrates his performance on the pommel horse during the Olympic Games in Paris, France." data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/2024/08/GettyImages-2163827551.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Stephen Nedoroscik celebrates his performance on the pommel horse during the Olympic Games in Paris, France.	</figcaption>
</figure>
<p class="has-text-align-none">We all know the medal winners for the competitions that have taken place so far in the 2024 Paris Olympics (or, rather, they’re all <a href="https://olympics.com/en/paris-2024/medals/medallists">a single click away</a>).&nbsp;</p>

<p class="has-text-align-none">The US women’s gymnastics team reclaimed gold for the team all-around after a second-place finish in Tokyo, while the men’s team won its first medal in the team event since 2008. Some of China’s swimming successes are <a href="https://www.si.com/olympics/china-swimming-success-deserves-doubt-pan-zhanle">being scrutinized</a>, given recent doping scandals. The triathlon finish line was incredibly impressive — and a reminder of <a href="https://www.marca.com/en/olympic-games/2024/08/01/66ab4ef9e2704e7d3e8b45a7.html">how intensely these athletes push themselves</a>.</p>

<p class="has-text-align-none">But the Games aren’t beloved just for the games themselves. We fall in love with athletes’ stories, and the stories we tell ourselves about them, too. With that in mind, here are some of the biggest winners (and one loser) of our hearts so far.</p>

<h2 class="wp-block-heading">Winner: America’s favorite pommel horse son&nbsp;</h2>

<p class="has-text-align-none">Not all heroes wear capes; some wear glasses and are very good at pommel horse.&nbsp;</p>

<p class="has-text-align-none">For nearly three hours, American gymnast and <a href="https://www.tiktok.com/@teamusa/video/7397596179477056814">part-time Rubik’s Cube solver</a> Stephen Nedoroscik waited for his turn. Sitting on the bench, the electrical engineer looked relatable; more like Clark Kent’s nerdier cousin than Superman.&nbsp;</p>

<p class="has-text-align-none">But Nedoroscik, like <a href="https://www.youtube.com/watch?v=2BmOov5mKzE">McKayla Maroney on the vault</a> in the 2012 Games, is an apparatus specialist — a “one and done” gymnast called in to do an event because they’re so exceptional at it.</p>

<p class="has-text-align-none">The pommel horse requires massive upper body and core strength as gymnasts use only their arms to glide up and down the body of the horse. At the same time, they flare their legs like breakdancers, whipping them in circles and intricate patterns. The pommel horse has, in some years, been a weak spot for American men.&nbsp;</p>

<figure class="wp-block-embed is-type-rich is-provider-tiktok wp-block-embed-tiktok"><div class="wp-block-embed__wrapper">
<blockquote class="tiktok-embed" cite="https://www.tiktok.com/@nbcolympics/video/7397245303386033439" data-video-id="7397245303386033439" data-embed-from="oembed"> <section> <a target="_blank" title="@nbcolympics" href="https://www.tiktok.com/@nbcolympics?refer=embed">@nbcolympics</a> <p>OUR FRIEND STEVE. 🇺🇸 <a title="parisolympics" target="_blank" href="https://www.tiktok.com/tag/parisolympics?refer=embed">#ParisOlympics</a> <a title="usagym" target="_blank" href="https://www.tiktok.com/tag/usagym?refer=embed">#usagym</a> <a title="mensgymnastics" target="_blank" href="https://www.tiktok.com/tag/mensgymnastics?refer=embed">#mensgymnastics</a> <a title="gymtok" target="_blank" href="https://www.tiktok.com/tag/gymtok?refer=embed">#gymtok</a> <a title="gymnastics" target="_blank" href="https://www.tiktok.com/tag/gymnastics?refer=embed">#gymnastics</a> <a title="stephennedoroscik" target="_blank" href="https://www.tiktok.com/tag/stephennedoroscik?refer=embed">#stephennedoroscik</a> <a title="teamusa" target="_blank" href="https://www.tiktok.com/tag/teamusa?refer=embed">#TeamUSA</a> </p> <a target="_blank" title="♬ som original - taina" href="https://www.tiktok.com/music/som-original-7085642820618324742?refer=embed">♬ som original &#8211; taina</a> </section> </blockquote> 
</div></figure>

<p class="has-text-align-none">It also just so happened to be the last event for USA’s men’s gymnastics team at the team final on Monday.&nbsp;</p>

<p class="has-text-align-none">As the final wound down, Team USA needed Nedoroscik’s pommel horse score to ensure that the team would be going home with Olympic hardware. With the pressure on and all eyes on him, the bespectacled athlete delivered. His champion performance earned the <a href="https://www.tiktok.com/t/ZTNXAN7Cb/">highest-ever US score on the horse</a> and gave the US team the bronze medal — the first medal for American male gymnasts in 16 years.&nbsp;<em>—Alex Abad-Santos, senior correspondent, culture</em></p>

<h2 class="wp-block-heading">Winner: Simone Biles’s social media</h2>

<p class="has-text-align-none">We all knew the <a href="https://www.vox.com/culture/363796/simone-biles-gold-medal-team-final-2024-olympics-result">gymnastics GOAT</a> was going to get the glory, but some out there (cough cough) were a little less certain about her teammates — who are now officially gold medal winners for the gymnastics team all-around competition. And Simone Biles has something to say about that.</p>

<p class="has-text-align-none">The original shade came from former Olympic vaulter and 2020 silver medalist MyKayla Skinner, in a now-deleted video on her own YouTube channel earlier this summer. Other than her former teammate Biles, Skinner <a href="https://x.com/gymguyri/status/1808619618010829261">claimed</a> that “the talent and the depth” of the US women’s Olympic team “just isn’t like what it used to be.” She went on to say, “Obviously a lot of girls don’t work as hard. The girls just don’t have the work ethic.”&nbsp;&nbsp;</p>

<p class="has-text-align-none">These comments appear to be what Biles was referring to when she <a href="https://www.instagram.com/p/C-ESNIFIQ8l/?img_index=1">posted</a> her celebratory Instagram after the team’s Tuesday win, pairing pictures of herself and teammates Suni Lee, Jordan Chiles, Jade Carey, and Hezly Rivera with the caption: &#8220;Lack of talent, lazy, olympic champions ❤️🥇🇺🇸.&#8221;&nbsp;</p>

<figure class="wp-block-embed is-type-rich is-provider-instagram wp-block-embed-instagram"><div class="wp-block-embed__wrapper">
<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/C-ESNIFIQ8l/?utm_source=ig_embed&#038;utm_campaign=loading" data-instgrm-version="14"><div> <a href="https://www.instagram.com/p/C-ESNIFIQ8l/?utm_source=ig_embed&#038;utm_campaign=loading" target="_blank"> <div> <div></div> <div> <div></div> <div></div></div></div><div></div> <div></div><div> <div>View this post on Instagram</div></div><div></div> <div><div> <div></div> <div></div> <div></div></div><div> <div></div> <div></div></div><div> <div></div> <div></div> <div></div></div></div> <div> <div></div> <div></div></div></a><p><a href="https://www.instagram.com/p/C-ESNIFIQ8l/?utm_source=ig_embed&#038;utm_campaign=loading" target="_blank">A post shared by SIMONE BILES (@simonebiles)</a></p></div></blockquote>
</div></figure>

<p class="has-text-align-none">The gag didn’t escape former Olympic gymnast and <a href="https://knowyourmeme.com/memes/mckayla-maroney-is-not-impressed">beloved meme</a>, McKayla Maroney, who unfortunately shares a version of Skinner’s first name.&nbsp;She commented, “It doesn’t get more iconic than this. She f’d around n found out fr. Feels like I need to apologize just to redeem my first name.”</p>

<p class="has-text-align-none">Skinner, who also happens to be the mom behind the viral <a href="https://www.distractify.com/p/baby-harmer-gender-reveal">“Baby Harmer”</a> gender reveal, previously disavowed the video in a July 3 Instagram story, saying it “wasn’t always necessarily about the current team, because I love and support all the girls that made it and I’m so proud of them.”&nbsp;</p>

<p class="has-text-align-none">Biles, who indicated she has since <a href="https://x.com/Simone_Biles/status/1818684539431981149">been blocked by Skinner</a>, last posted some pics of <a href="https://www.instagram.com/p/C-GcmeitktJ/?img_index=1">getting a well-earned rest</a>, before <a href="https://www.nytimes.com/live/2024/08/01/world/olympics-gymnastics-simone-biles?campaign_id=190&amp;emc=edit_ufn_20240801&amp;instance_id=130442&amp;nl=from-the-times&amp;regi_id=76220551&amp;segment_id=173847&amp;te=1&amp;user_id=182f712f716eea2570dff279c1743e9e">winning her second all-around gold on Thursday</a>.&nbsp;<em>—Meredith Haggerty, senior editor, culture</em></p>

<h2 class="wp-block-heading"><strong>Winner: Sharpshooters who have never looked cooler</strong></h2>

<p class="has-text-align-none">Apologies to my boyfriend, but I’m in love with two sharpshooters: South Korea’s <a href="https://www.cnn.com/2024/07/31/style/kim-yeji-pistol-shooter-paris-olympics-intl-hnk/index.html">Kim Yeji</a> and Turkey’s <a href="https://www.npr.org/2024/08/01/nx-s1-5060078/turkey-shooter-olympics-glasses-gear-silver">Yusuf Dikec</a>.&nbsp;</p>

<p class="has-text-align-none">Photos of the two have gone viral for completely opposite reasons. After she won silver in the 10-meter pistol event, a previous photo of Kim made the rounds on the internet. Dripped out in black athletic wear, futuristic eyeglasses customized for the sport, a backward hat, and boasting an ice-cold stance, Kim looked like someone had teleported her out of <em>Blade Runner.</em> </p>

<figure class="wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter"><div class="wp-block-embed__wrapper">
<blockquote class="twitter-tweet" data-dnt="true"><p lang="en" dir="ltr">Is this the hottest and coolest anyone has ever looked in history? Possibly.<br><br> <a href="https://t.co/CkJQbIinn0">pic.twitter.com/CkJQbIinn0</a></p>&mdash; 𝕯𝖎𝖑𝖉𝖔 𝕭𝖆𝖌𝖌𝖎𝖓𝖘 (@EmmaTolkin) <a href="https://twitter.com/EmmaTolkin/status/1818358941153386817?ref_src=twsrc%5Etfw">July 30, 2024</a></blockquote>
</div></figure>

<p class="has-text-align-none">Dikec, on the other hand, wasn’t in any particular gear. The 51-year-old, who’s been competing at the Olympics since 2008, showed up in a T-shirt, jeans, and no shooting glasses. He nonchalantly pointed his gun and got to the podium with a silver medal.&nbsp;</p>

<figure class="wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter"><div class="wp-block-embed__wrapper">
<blockquote class="twitter-tweet" data-dnt="true"><p lang="en" dir="ltr">The 51-year-old Turkish athlete Yusuf Dikeç makes a statement about going viral for competing at the Olympics without specialized equipment and winning a silver medal. <br><br>“I did not need special equipment. I&#039;m a natural, a natural shooter” <a href="https://t.co/cTF6dJ2yD5">pic.twitter.com/cTF6dJ2yD5</a></p>&mdash; kira 👾 (@kirawontmiss) <a href="https://twitter.com/kirawontmiss/status/1818924521757253828?ref_src=twsrc%5Etfw">August 1, 2024</a></blockquote>
</div></figure>

<p class="has-text-align-none">Can’t say that the US is bringing either style or skill when it comes to sharpshooting — deeply ironic that we have zero medals despite our gun culture — but I digress. It rules to see people stand on business. <em>—Izzie Ramirez, deputy editor of Future Perfect</em></p>

<h2 class="wp-block-heading"><strong>Loser: Paris’s eco-friendly approaches</strong></h2>

<p class="has-text-align-none">There are a lot of studies that indicate that “nudging” people toward certain behavioral choices works. If oat milk is the automatic choice for an iced latte, <a href="https://www.theclimatechangereview.com/post/oat-milk-defaults-as-corporate-climate-action">more people would default to oat milk</a>. That’s better for health and environment — and I’m inclined to agree in <a href="https://www.vox.com/future-of-meat">most cases</a>.&nbsp;</p>

<p class="has-text-align-none">But perhaps the one place where I wouldn’t do that is the Olympics, where routine is everything. Athletes — elite and amateur alike — are notorious for sticking to what they know during a competition: nothing new. The night before a big race isn’t the time to try lentils — or Impossible Meat or even normal chicken! — if you’ve never had them before. Naturally, athletes have been <a href="https://www.washingtonpost.com/sports/olympics/2024/07/30/paris-olympics-food-athletes-protein-meat/">complaining that they’re hungry</a> and that they can’t sleep because Paris <a href="https://www.washingtonpost.com/sports/olympics/2024/06/06/paris-olympics-no-air-conditioning-village-2024/">opted for no AC</a> and <a href="https://www.euronews.com/green/2024/07/31/not-anti-sex-but-backbreaking-olympic-athletes-review-eco-friendly-cardboard-beds">cardboard beds</a> as part of <a href="https://olympics.com/en/paris-2024/our-commitments/the-environment/organising-more-responsible-games">its commitment to a more sustainable Games</a>.&nbsp;</p>

<p class="has-text-align-none">In a vacuum, plant-based foods, lower electricity, and less waste are good things. We should value that. But when athletes need peak performance for this one moment, and when some countries can entirely ignore the nudges (Team USA brought window-unit ACs!), it creates a divide in performance, opens the door to anti-green backlash that could have been avoided, and leaves a bad taste. <em>—IR</em></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<title type="html"><![CDATA[Why are Christmas movies all about kissing? A theory.]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/2023/12/19/24003237/christmas-romcom-love-story-hallmark-why" />
			<id>https://www.vox.com/2023/12/19/24003237/christmas-romcom-love-story-hallmark-why</id>
			<updated>2023-12-19T10:27:16-05:00</updated>
			<published>2023-12-19T07:00:00-05:00</published>
			<category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Movies" />
							<summary type="html"><![CDATA[This year alone, 116 new holiday movies were released to TV and streaming. Conservatively, I&#8217;m going to estimate that 115 of them were romantic comedies. Starting with Destined 2: Christmas Once More, which premiered on Great American Family back in October, the season saw cinematic offerings with titles like How to Fall in Love by [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="Hallmark’s Never Been Chris’d features a home-for-the-holidays love triangle. | Hallmark" data-portal-copyright="Hallmark" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/25166133/90_3.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Hallmark’s Never Been Chris’d features a home-for-the-holidays love triangle. | Hallmark	</figcaption>
</figure>
<p>This year alone, <a href="https://ew.com/tv/christmas-movies-2023-how-to-watch/">116 new holiday movies</a> were released to TV and streaming. Conservatively, I&rsquo;m going to estimate that 115 of them were romantic comedies. Starting with <em>Destined 2: Christmas Once More</em>, which premiered on Great American Family back in October, the season saw cinematic offerings with titles like <em>How to Fall in Love by the Holidays </em>and<em> Christmas Holidate </em>(not to be confused with <a href="https://www.vox.com/netflix" data-source="encore">Netflix</a>&rsquo;s 2020 film<em> Holidate</em>) and the impeccably named <em>Never Been Chris&rsquo;d.</em> It&rsquo;s time to stop and ask: When exactly did we decide that Christmas was the most romantic time of the year? And more importantly, why?</p>

<p>As a woman who lives in a big city, comes from a small town, and whose name could reasonably be shortened to &ldquo;Merry,&rdquo; Hallmark virtually promises that I should be meeting cute throughout the month of December. In reality, there&rsquo;s arguably no less sexy time of year. I don&rsquo;t know how you celebrate the holidays (or don&rsquo;t), but my main event is a week of shopping for things no one needs, eating enormous quantities of everything, and sitting around the house with my parents, uncles, aunts, and cousins. I see an exhausting number of people, but I am related to nearly all of them. Still, the prevailing genre of holiday film isn&rsquo;t &ldquo;family,&rdquo; it&rsquo;s resolutely &ldquo;kissing.&rdquo; What&rsquo;s going on?</p>

<p>I have a theory.&nbsp;</p>
<h2 class="wp-block-heading">Romantic Christmas isn’t a new idea, but Hallmark took it to a culturally dominant level</h2>
<p>The very first Christmas movie wasn&rsquo;t a rom-com; it was <a href="https://nerdist.com/article/first-ever-christmas-movie-1898-santa-claus/">1898&rsquo;s <em>Santa Claus</em></a>, a silent British short that shows St. Nick coming down the chimney in the house of two Victorian children. But by the time the <a href="https://www.vox.com/movies" data-source="encore">movies</a> were talking, more Christmas films started to trickle out, and a good chunk were explicitly romantic: 1939&rsquo;s <em>Bachelor Mother</em> sees Ginger Rogers as a temporary holiday shopgirl who picks up an orphaned baby, a permanent job, and eventually her playboy boss; at <em>The Shop Around The Corner </em>(1940) the staff is battling both the Christmas rush and each other in<em> </em>a classic enemies-to-lovers plot; in the 1942 musical <em>Holiday Inn, </em>four performers break up, make up, and eventually sing &ldquo;White Christmas.&rdquo;&nbsp;</p>

<p>In the 1990s through the 2010s, Christmas and true love were proud and frequent co-stars: <a href="https://www.vox.com/culture/22189822/love-actually-review-overrated-hugh-grant-liam-neeson-keira-knightley-christmas-holiday-movie"><em>Love Actually</em></a>, <em>The Holiday, The Family Stone, The Best Man Holiday, Four Christmases, While You Were Sleeping</em>. (Christmas also cameos throughout the god-tier Nora Ephron x Meg Ryan canon: <a href="https://screenrant.com/harry-met-sally-christmas-movie-debate-yes-no/"><em>When Harry Met Sally</em></a>, <a href="https://www.cinemablend.com/news/2558959/reasons-why-sleepless-in-seattle-is-a-perfect-christmas-movie"><em>Sleepless in Seattle</em></a><em>,</em> and <em>The Shop Around the Corner</em> remake <a href="https://www.bustle.com/articles/200153-youve-got-mail-is-the-90s-movie-you-need-to-watch-over-the-holidays"><em>You&rsquo;ve Got Mail</em></a>.)</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/25166321/l_intro_1636658958.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A woman, man, and two little girls in a holiday setting. One of the girls takes the woman’s bag." title="A woman, man, and two little girls in a holiday setting. One of the girls takes the woman’s bag." data-has-syndication-rights="1" data-caption="Cameron Diaz, right, is frankly not ready to be a stepmother to the adorable daughters of Jude Law in &lt;em&gt;The Holiday&lt;/em&gt;. | Sony Pictures" data-portal-copyright="Sony Pictures" />
<p>Once you start to look for it, there&rsquo;s plenty of romance even in classic holiday films that don&rsquo;t make it the main thrust of the plot. Is there anything swoonier than George Bailey telling Mary he&rsquo;ll lasso the moon for her in <em>It&rsquo;s a Wonderful Life</em>? In both versions of <em>Miracle on 34th Street</em>, Santa&rsquo;s lawyer marries his employer, to the delight of a formerly skeptical child. <em>National Lampoon&rsquo;s Christmas Vacation</em> ends with an affirming marital kiss. <em>The Santa Clause</em> might be loveless, but he gets a girlfriend in the sequel. It&rsquo;s even true of the expanded canon of reclaimed &ldquo;Christmas&rdquo; movies. Batman and Catwoman make eyes at each other all through <a href="https://www.vox.com/culture/2023/12/15/24002898/batman-returns-best-christmas-movie"><em>Batman Returns</em></a>. John McClane and his ex-wife Holly Gennaro reunite after the events of <em>Die Hard</em>. At the end of <a href="https://www.vulture.com/2020/12/watch-eyes-wide-shut-the-christmas-movie-2020-deserves.html"><em>Eyes Wide Shut</em></a>, Tom Cruise and Nicole Kidman &#8230; <a href="https://movieweb.com/eyes-wide-shut-ending/">stay married</a>.&nbsp;</p>

<p>All these big-screen hits are child&rsquo;s play, though, compared to the pure, uncut romantic action offered by the modern made-for-TV Christmas rom-com. As Emily St. James <a href="https://www.vox.com/culture/2017/12/14/16752012/hallmark-christmas-movies-explained">explained for Vox</a>, Hallmark first understood they were onto something here with 2006&rsquo;s <a href="https://www.hallmarkmoviesandmysteries.com/the-christmas-card"><em>The Christmas Card</em></a>, and since then they have released more and more entries to the canon every year: three in 2009, 12 by <a href="https://www.hallmarkchannel.com/christmas/12-new-movies#:~:text=12%20New%20Movies%20of%20Christmas%20%2D%202014">2014</a>, 26 in <a href="https://www.countryliving.com/life/a40440/hallmark-christmas-movie-schedule">2016</a>, 37 in <a href="https://www.usmagazine.com/entertainment/pictures/hallmark-channels-christmas-movie-lineup-2018-inside-the-37-holiday-flicks">2018</a>, 42 in <a href="https://www.housebeautiful.com/lifestyle/entertainment/a45875813/hallmark-christmas-movies-2023">2023</a> (it dipped to 21 in <a href="https://www.townandcountrymag.com/leisure/arts-and-culture/g13052076/hallmark-christmas-movies-2017-schedule/">2017</a>, but to be fair we were all pretty tired <a href="https://www.vox.com/world/2018/1/30/16924454/state-of-the-union-trump-democracy">that year</a>). The creation and <a href="https://screenrant.com/christmas-holiday-movie-memes-hilarious/">memeification</a> of these movies have practically changed the meaning of Christmas, specifically to &ldquo;that time of year when career women meet single dad lumberjacks and move to the woods forever.&rdquo;&nbsp;</p>

<p>With the rise of Hallmark, other networks and streamers followed suit and, for the most part, the formula: Lifetime, BET, UPTV, Netflix, <a href="https://www.vox.com/hulu" data-source="encore">Hulu</a>, <a href="https://www.vox.com/apple" data-source="encore">Apple</a> TV+, Freevee, Fox Nation, OWN, ALLBLK, and the Roku Channel all had Christmas originals in 2023, according to Entertainment Weekly&rsquo;s <a href="https://ew.com/tv/christmas-movies-2023-how-to-watch/">master list</a>. This year, QVC&rsquo;s streaming platform QVC+ has an original holiday movie; it&rsquo;s called <a href="https://plus.qvc.com/streams/the-recipe-files-a-qvc-original-holiday-movie-official-trailer/VmlkZW9fVmlkZW9TdHJlYW0KZDY1NDE3N2ZhNzU4NzFjN2ZlNTA3YjU2OQ=="><em>The Recipe Files</em></a> and co-stars Ashlee Simpson. The entire <a href="https://www.vox.com/culture/23507625/christmas-movie-christian-great-american-hallmark-candace-cameron">Great American Family</a> network was effectively founded as a response to Hallmark because Hallmark&rsquo;s offerings <a href="https://www.wsj.com/articles/candace-cameron-bure-great-american-family-11668205295">weren&rsquo;t Christian enough</a> for Candace Cameron Bure.</p>

<p>The glut has made an indelible mark on the American cultural perception of the holiday. This year, the New Jersey Expo Center again held ChristmasCon, giving exclusive photos of its many stars to <a href="https://people.com/christmas-con-2023-photos-of-celebrities-who-were-there-8414357">People Magazine</a>. (You can read about the 2019 con, which I also attended, <a href="https://www.vox.com/culture/2019/12/12/20984832/hallmark-christmas-movies-2019-christmascon-deck-the-hallmark">here</a>.) On any self-identifying Grinch&rsquo;s list of reasons to hate the holiday, &ldquo;romantic movie season for morons&rdquo; now has to come somewhere below &ldquo;nakedly and deliriously consumerist&rdquo; and &ldquo;garish and overly sentimental.&rdquo;&nbsp;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>At the very end, two hots are madly in love and looking like it’s for the long haul</p></blockquote></figure>
<p>A staggering number of these movies are romantic comedies, and they tend to follow a handful of narratives. There&rsquo;s the oft-discussed &ldquo;businesswoman goes country,&rdquo; but sometimes businesswoman goes artsy, or bake-y, or just soft. Sometimes it&rsquo;s the man who does business! One dedicated subgenre features royals; another time travel; another doppelgangers. Sometimes, two people have to pretend to date each other, or two people have to work together to save something humble, or two people don&rsquo;t like each other but they&rsquo;re both attractive. These days, the two people can be <a href="https://www.cosmopolitan.com/entertainment/movies/g37530401/lgbt-holiday-christmas-movies/">of the same sex</a>, but only in ways that look like being of the opposite sex (call it &ldquo;heteronormativity for the holidays&rdquo;). Most of these films star white people with whiter teeth. There are dozens of variations.&nbsp;</p>

<p>What&rsquo;s not up for tweaking is that it&rsquo;s December, decorations for trees and homes require a small army of set dressers, and at the very end, two hots are madly in love and looking like it&rsquo;s for the long haul.</p>
<h2 class="wp-block-heading">Love at the holidays means the beginning of something </h2>
<p>There are a lot of reasons Christmas is plausibly a romantic time: twinkly lights, warm vibes, mistletoe, the dangling possibility of receiving extremely expensive gifts. So the simple explanation for why romantic love beats out familial love on the Christmas movie scoreboard might well be &ldquo;because it&rsquo;s sexier.&rdquo;&nbsp;</p>

<p>That&rsquo;s categorically true, but I&rsquo;d argue it&rsquo;s also because in Christmas movies, they&rsquo;re the same thing. Romantic Christmas love is &mdash; I&rsquo;m so sorry &mdash; the sexiest phase of family.&nbsp;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Romantic Christmas love is — I’m so sorry — the sexiest phase of family</p></blockquote></figure>
<p>I don&rsquo;t want to get too technical here, but when two people really love each other (especially two heterosexual blondes who&rsquo;ve just learned that Santa&rsquo;s real), they might have some kids. In this way, holiday love stories are the origin story for a family, their <a href="https://screenrant.com/batman-begins-best-dark-knight-origin-story-movie/"><em>Batman Begins</em></a>.&nbsp;</p>

<p>There&rsquo;s a deeper recurring theme to these films, beyond just smooching: the reification of the American family unit. No wonder Candace Cameron Bure guards the idea so jealously! Often these relationships don&rsquo;t only come with a potential future spouse but a whole future clan (i.e. the preponderance of <a href="https://www.stylist.co.uk/entertainment/film/christmas-romcom-single-dead-dead-wife-trope/739606">widowed dads</a> as romantic leads, which extends to the <a href="https://modernloss.com/tis-the-season-for-hot-widower-movie-dads/">relatively higher-brow flicks</a>).&nbsp;</p>

<p>Starting way back with <em>Bachelor Mother, </em>which<em> </em>is literally about a found family, we see time and again that Christmas means making someone be related to you who previously wasn&rsquo;t. Full sets &mdash; by way of chosen children, surrogate parents, wacky adopted uncles, and others outside the nuclear family &mdash; are created in everything from <em>Miracle on 34th Street</em> to <em>While You Were Sleeping</em>. In <em>The Family Stone</em>, sisters Sarah Jessica Parker and Claire Danes become sisters-in-law by marrying brothers. Romantic love in this genre is decidedly long-term minded: <em>Four Christmases</em> ends with a baby, <em>The Santa Clause 2</em> with a wedding. In <em>Die Hard,</em> Holly Gennaro reclaims her ex-husband&rsquo;s last name.&nbsp;</p>

<p>Through Hallmark and their ilk&rsquo;s misty lens, markers of stability and &ldquo;forever love&rdquo; are turned up to 11. The <a href="https://www.greatamericanfamily.com/movie/our-christmas-wedding/">number</a> <a href="https://www.imdb.com/title/tt2334090/">of</a> <a href="https://www.imdb.com/title/tt7074092/">titles</a> <a href="https://www.imdb.com/title/tt10118110/">that</a> <a href="https://en.wikipedia.org/wiki/A_Christmas_Wedding">include</a> &ldquo;<a href="https://www.imdb.com/title/tt9217772/">wedding</a>&rdquo; (or &ldquo;<a href="https://www.rottentomatoes.com/m/we_wish_you_a_married_christmas">married</a>&rdquo;) nearly rivals those with the C-word in them. Even in direct-to-TV pap about the most innocent, early days, first-kiss-in-the-last-frame relationships, the act of falling in love is a teaser trailer for the couple&rsquo;s eventual kids. You know there&rsquo;s more to the story and, sight unseen, exactly what it is.&nbsp;</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/25166357/GettyImages_3227787.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A black and white still of a couple dancing enthusiastically at a 1920s-era party." title="A black and white still of a couple dancing enthusiastically at a 1920s-era party." data-has-syndication-rights="1" data-caption="George (Jimmy Stewart) and Mary Bailey (Donna Reed) forever. | Hulton Archive/Getty Images" data-portal-copyright="Hulton Archive/Getty Images" />
<p>The most cynical and formulaic of holiday movies are all signifiers and no substance, and consuming them mindlessly, like a plate of overly processed store-bought Santa cookies, will probably make you feel a little queasy. If the best big-screen pictures are, say, <a href="https://www.vox.com/the-highlight/2019/4/25/18512620/dooce-heather-armstrong-depression-valedictorian-of-being-dead">genuinely talented mommy bloggers</a>, then the worst of the small screen are, aesthetically and spiritually, the <a href="https://www.teenvogue.com/story/tradwife-influencers-politics">tradwives</a> of the rom-com influencer sphere. There&rsquo;s something indoctrinating, and therefore terrifying, about that. It&rsquo;s the &ldquo;Great&rdquo; &ldquo;American&rdquo; in Great American Family; often, there&rsquo;s more than just the cozy household <a href="https://www.vox.com/culture/2017/12/14/16752012/hallmark-christmas-movies-explained">being glorified</a>.&nbsp;</p>

<p>At Christmas love stories&rsquo; most insidious, they might convince you that the signifiers are the substance. Even at their most innocuous, they&rsquo;re still a decades-long, not-so-covert, sex-sells marketing campaign for Big Family.&nbsp;</p>

<p>But just because it&rsquo;s Christmas, and at Christmas <a href="https://www.youtube.com/watch?v=GJmhMPzlriI">you tell the truth</a> (even if no one does or believes this): I get it with that last bit, at least as an audience member. I can&rsquo;t deny the appeal of the thing at the heart of the matter, the warmth and vitality that makes us want to connect, to care for people, to continue the species. The best movies, from<em> It&rsquo;s a Wonderful Life</em> to &mdash; fight me &mdash; <em>While You Were Sleeping</em>, make you feel it. It&rsquo;s difficult to capture that kind of hope, not only on film but lately in our day-to-day <a href="https://www.vox.com/features/23979357/millennials-motherhood-dread-parenting-birthrate-women-policy">discourse</a>. It&rsquo;s not that hard to understand what&rsquo;s good about love, though, the rare times when you get to look right at it. I am glad we don&rsquo;t give up looking.&nbsp;</p>
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			<author>
				<name>Julia Rubin</name>
			</author>
			
			<author>
				<name>Lavanya Ramanathan</name>
			</author>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<author>
				<name>Alanna Okun</name>
			</author>
			
			<title type="html"><![CDATA[Everything old is new again]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/the-highlight/23698278/everything-old-is-new-again" />
			<id>https://www.vox.com/the-highlight/23698278/everything-old-is-new-again</id>
			<updated>2023-05-19T06:30:42-04:00</updated>
			<published>2023-05-19T06:30:40-04:00</published>
			<category scheme="https://www.vox.com" term="The Highlight" />
							<summary type="html"><![CDATA[We&#8217;re in a cultural moment where it feels like so much is being rehashed, repackaged, and resold to a captive audience. This is certainly the case in entertainment, where the Hollywood reboot machine is the driving force behind what makes it to our screens; even &#8220;original&#8221; programming is frequently built from familiar storytelling tropes and [&#8230;]]]></summary>
			
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<p>We&rsquo;re in a cultural moment where it feels like so much is being rehashed, repackaged, and resold to a captive audience. This is certainly the case in entertainment, where the Hollywood reboot machine is the driving force behind what makes it to our screens; even &ldquo;original&rdquo; programming is frequently built from familiar storytelling tropes and formats. The same kind of recycling &mdash; sorry, <em>remixing</em> &mdash; holds true in pop music.</p>

<p>This carries over into matters of business and politics with just as much resonance. And when it comes to lifestyle topics like dieting, parenting, and even sex, we wind up circling the drain and repackaging old trends and ideas as hot new fads, too.</p>

<p>What makes newness, or novelty, or originality, so important in the first place, particularly in a society that heavily prioritizes individual comfort and choices? Are we in a uniquely not-new moment, or has it actually always felt this way?</p>
<hr class="wp-block-separator" /><img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24630032/2Spot.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A cluster of mermaids drawn in various styles to show different iterations throughout history." title="A cluster of mermaids drawn in various styles to show different iterations throughout history." data-has-syndication-rights="1" data-caption="" data-portal-copyright="Cristina Spanò for Vox" /><h2 class="wp-block-heading"><a href="https://www.vox.com/the-highlight/23668199/fallacy-new-ideas-original-story-little-mermaid"><strong>The fallacy of new ideas, and why we want them anyway</strong></a></h2>
<p>Could we ever really tell a new story about a very old mermaid?</p>

<p><em>By Alissa Wilkinson</em></p>
<hr class="wp-block-separator" /><img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24630262/3Spot.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A cartoon drawing of two figures riding in battle tanks, facing each other, yelling at one another through bullhorns. A laptop sits in the background between them. The laptop screen reads “XXX.”" title="A cartoon drawing of two figures riding in battle tanks, facing each other, yelling at one another through bullhorns. A laptop sits in the background between them. The laptop screen reads “XXX.”" data-has-syndication-rights="1" data-caption="" data-portal-copyright="Cristina Spanò for Vox" /><h2 class="wp-block-heading"><a href="https://www.vox.com/the-highlight/23699724/pornography-wars-feminism-pornhub-andrea-dworkin-catharine-mackinnon-amia-srinivasan-kelsy-burke"><strong>The return of the porn wars</strong></a></h2>
<p>How today&rsquo;s fight over pornography is rooted in a 40-year-old feminist schism.</p>

<p><em>By&nbsp;Constance Grady</em></p>
<hr class="wp-block-separator" /><img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24630385/5Spot.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="Row of parents holding babies with speech bubbles above their heads. They are all offering the same advice to new parents." title="Row of parents holding babies with speech bubbles above their heads. They are all offering the same advice to new parents." data-has-syndication-rights="1" data-caption="" data-portal-copyright="Cristina Spanò for Vox" /><h2 class="wp-block-heading"><a href="https://www.vox.com/the-highlight/23700540/parenting-advice-endless-recycling-dr-spock-gentle-parenting"><strong>From banning hugs to gentle parenting, how are you supposed to raise kids, anyway?</strong></a></h2>
<p>The endless cycling &mdash; and recycling &mdash; of parenting advice.</p>

<p><em>By&nbsp;Anna North</em></p>
<hr class="wp-block-separator" /><img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24630061/4Spot.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A cartoon drawing of a large figure sitting proudly on top of several people, who are struggling to hold the weight. The scene looks like a king on a throne with two bitcoins in place of arm rests." title="A cartoon drawing of a large figure sitting proudly on top of several people, who are struggling to hold the weight. The scene looks like a king on a throne with two bitcoins in place of arm rests." data-has-syndication-rights="1" data-caption="" data-portal-copyright="Cristina Spanò for Vox" /><h2 class="wp-block-heading"><a href="https://www.vox.com/the-highlight/23678646/crypto-ftx-bitcoin-fraud-scams-capitalism-ethereum-sbf"><strong>Crypto: New. Fraud: Old.</strong></a></h2>
<p>When you democratize finance, you get the good and the bad.</p>

<p><em>By&nbsp;Emily Stewart</em></p>
<hr class="wp-block-separator" /><img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24635258/1Spot.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A figure stands on a stage, which looks like a $100 bill, surrounded by showy rays of light. Audience members below reach their hands toward the stage to show their fandom." title="A figure stands on a stage, which looks like a $100 bill, surrounded by showy rays of light. Audience members below reach their hands toward the stage to show their fandom." data-has-syndication-rights="1" data-caption="" data-portal-copyright="Cristina Spanò for Vox" /><h2 class="wp-block-heading"><a href="https://www.vox.com/the-highlight/23699172/self-help-ceo-money-advice-billionaires"><strong>The billionaire’s guide to self-help</strong></a></h2>
<p>Self-improvement is old. What&rsquo;s new is the bootstrapping mythos and toxic positivity of the very rich.</p>

<p><em>By&nbsp;Whizy Kim</em></p>
<hr class="wp-block-separator" />
<p><strong>CREDITS</strong></p>

<p><strong>Editors:&nbsp;</strong>Meredith Haggerty, Alanna Okun, Lavanya Ramanathan, Julia Rubin<br><strong>Copy editors/fact-checkers:</strong>&nbsp;Elizabeth Crane, Kim Eggleston, Tanya Pai, Caitlin PenzeyMoog<br><strong>Additional fact-checking: </strong>Anouck Dussaud, Matt Giles<br><strong>Art direction:&nbsp;</strong>Dion Lee, Paige Vickers<br><strong>Audience:</strong>&nbsp;Gabriela Fernandez, Shira Tarlo, Agnes Mazur<br><strong>Production/project editors:</strong>&nbsp;Lauren Katz, Nathan Hall</p>

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			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<title type="html"><![CDATA[What Magic Mike’s Last Dance gets right (and wrong) about female desire]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/culture/23593109/magic-mikes-last-dance-review-channing-tatum" />
			<id>https://www.vox.com/culture/23593109/magic-mikes-last-dance-review-channing-tatum</id>
			<updated>2023-02-09T15:46:55-05:00</updated>
			<published>2023-02-10T08:00:00-05:00</published>
			<category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Movies" /><category scheme="https://www.vox.com" term="Reviews" />
							<summary type="html"><![CDATA[There was something really satisfying about being able to say, straight-facedly, that the first Magic Mike movie is &#8220;about the economy, actually.&#8221; This was maybe the first thing the series really understood about female desire, the eventual subject of its trilogy, which concludes with Magic Mike&#8217;s Last Dance. Or, that&#8217;s not quite right. The Magic [&#8230;]]]></summary>
			
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<img alt="" data-caption="Salma Hayek Pinault and Channing Tatum in Magic Mike’s Last Dance. | Warner Bros." data-portal-copyright="Warner Bros." data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24421568/jlWBrDxY7ZchH8oD6pRacwNesNs.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	Salma Hayek Pinault and Channing Tatum in Magic Mike’s Last Dance. | Warner Bros.	</figcaption>
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<p>There was something really satisfying about being able to say, straight-facedly, that the <a href="https://www.youtube.com/watch?v=j4eqIV-XMnA">first <em>Magic Mike</em> movie</a> is &ldquo;about the economy, actually.&rdquo; This was maybe the first thing the series really understood about female desire, the eventual subject of its trilogy, which concludes with <a href="https://www.youtube.com/watch?v=pBIGdw-BRxw"><em>Magic Mike&rsquo;s Last Dance</em></a>. Or, that&rsquo;s not quite right. The <em>Magic Mike</em> trilogy is about the economics of female desire, actually.&nbsp;</p>

<p>In the first film, released in 2012, this is literal: We meet a group of male strippers working multiple jobs in the busted American capitalist system, men whose bills are paid by this notoriously finicky thing of &ldquo;what women want.&rdquo;&nbsp;</p>

<p>But that movie, through some let&rsquo;s-just-call-it magic, actually captured the finicky thing, possibly because it wasn&rsquo;t trying to be about it. It caught the audience off-guard, allowing them to be surprised and delighted, like a cop in tearaway pants banging on the door of a bachelorette party. Women who never would have imagined going to an all-male strip club were suddenly hooting and hollering in theaters and expressing a desire for more.&nbsp;</p>

<p>They got more. Today, the &ldquo;Magic Mike&rdquo; brand includes three films, a <a href="https://magicmikelivelasvegas.com/">Vegas live show</a>, a <a href="https://www.mmltour.com/">touring live show</a>, a short-lived <a href="https://www.vulture.com/2022/04/finding-magic-mike-competition-show.html">HBO Max reality program</a>, and the kind of immediate name recognition shared only by Iron Man and Daenerys Targaryen.</p>

<p>This shift was helped along by 2015&rsquo;s <a href="https://www.vox.com/2015/6/30/8870077/magic-mike-xxl-review"><em>Magic Mike XXL</em></a> (a stroke of titular genius), in which &ldquo;female desire&rdquo; comes to the fore, and explodes a bit, definitionally. The grit is gone. The gang, now more explicitly styled as a fun team of buddies, embarks on a road trip of multi-demographic proportions, bringing joy to hooting and hollering groups of older white women, Black women, and queer people &mdash; which is to say that &ldquo;female desire&rdquo; is best understood as a useful shorthand for something perhaps even more complicated and interesting, without pausing to get into the ins and outs of gender.&nbsp;</p>

<p>The third film takes these ideas and collides them, showing female desire (or whatever exactly we want to call it) to be a peculiar but compelling system that doesn&rsquo;t comport with what we know, i.e. the economics of capitalism. Supply and demand seem to be out of whack.&nbsp;</p>

<p>After all, don&rsquo;t we want, as emcee Hannah (Juliette Motamed) asks of her audience toward the end of the film, &ldquo;a little bit of everything all of the time?&rdquo;&nbsp;</p>

<p><em>Magic Mike&rsquo;s Last Dance </em>provides that formally, being at various times: a romcom, a dance flick, a heist movie (briefly), a fairy tale, multiple types of novel (romance, modern literary fiction, a touch of YA but not in a weird way), the barn-burning rewrite of a nonexistent play with <em>Madame Bovary</em> undertones, that thing where you just gotta put on the show, an absurdly meta meditation on what it means to have a &ldquo;strong female heroine,&rdquo; and a movie about the economy, actually.</p>

<p>But at the same time, our hostess continues, isn&rsquo;t there something about being the only one? Don&rsquo;t we all crave focused attention, devotion, a type of oneness with the object of our attraction? Which is to say: Don&rsquo;t women value scarcity? Don&rsquo;t they want to be Magic Mike&nbsp;&mdash; as inspired, played, and created by <a href="https://www.racked.com/2015/7/1/8877761/channing-tatum-marilyn-monroe-beautiful-sex-idiots">Channing Tatum</a>, with help from director Steven Soderbergh and writer Reid Carolin &mdash; &rsquo;s last dance?</p>

<p>Now, maybe not. The one consistent complaint I&rsquo;ve heard from people who have seen the film: not enough boys. The old gang &mdash; Tito, Big Dick Richie, Ken, and Tarzan &mdash; appear only by glitchy Zoom call, and we never really get to know the dancers in Mike&rsquo;s new show. This flouts the script of the show-within-the-show of <em>Last Dance, </em>which very explicitly posits that one of the primary things a woman might want is &ldquo;not just one man.&rdquo; &ldquo;Lots of guys&rdquo; is a bedrock premise, employed by teen magazines, <a href="https://www.racked.com/2017/7/27/16046818/boys-charli-xcx-music-video-cast-names">Charli XCX&rsquo;s best video</a>, and every boy band in history. What if Mike&rsquo;s not your type? (I cannot relate, but it&rsquo;s possible.)</p>

<p>The movie is named after Magic Mike, though, and he&rsquo;s our sole focus here, even if that arguably creates a little bit of a supply issue. The trade-off is that, in many ways, we&rsquo;re his sole focus.&nbsp;</p>

<p>The movie brings Mike to London for reasons that you, like our hero, just kind of have to go with. See, there&rsquo;s a very, very rich woman and she wants things. Exactly what those things are is both staggeringly obvious (Mike) and obliquely approached (by declaring him the director and choreographer of a strip show named after and somewhat based on a nonexistent, long-running, apparently sexist play called <em>Isabel Ascendant</em>). Mike has lost his furniture business to the pandemic, he owes money to his friends, and Maxandra (Salma Hayek Pinault, playing a ridiculous role with a lot of fun, pathos, and magenta) is paying him an absurd amount of money to put on a show. There are those economics again.&nbsp;&nbsp;</p>

<p>The sheer breadth of things the movie is doing, plus that tricky little supply issue, require an awful lot from Mike, including acting as both our romantic hero and fish-out-of-water ingenue. It helps that Tatum is, as always, charming and goofy and handsome and fun. The last decade&rsquo;s other movie trilogies about female desire &mdash; <a href="https://www.vox.com/culture/2018/11/21/18096734/twilight-10-year-anniversary-stephanie-meyers">The <em>Twilight</em> Saga</a> and the <a href="https://www.vox.com/2015/2/14/8038261/50-shades-of-grey-movie-review"><em>Fifty Shades</em>iverse</a> &mdash; fulfill these same archetypes, if in discrete characters. Those movies each end with a kind of montage, and <em>Last Dance</em> does that too. Of course, those series also each spent three movies building up a couple&rsquo;s connection; we only just met Max. Whether or not the audience, or the film, really buys into her completely shifts around as much as female desire itself. The movie&rsquo;s strength is that it&rsquo;s comfortable with those shifts.</p>

<p>Inserting Max as Mike&rsquo;s love interest this late in the game isn&rsquo;t actually super comfortable, so the movie doesn&rsquo;t pretend it is. She&rsquo;s less character and more &ldquo;walking personification of female desire.&rdquo; She&rsquo;s tempestuous in unflattering ways. She doesn&rsquo;t finish things and throws her money around. Mike seems to be reasonably wary of her. Her own daughter calls her &ldquo;the queen of the first act.&rdquo; Max&rsquo;s clearest trait is simply that she wants it all. Her desire is voracious and cannot be contained, etc., etc.</p>

<p>This might sound absurd and even a little insulting, but after the <a href="https://www.vox.com/culture/23482221/fabelmans-trailer-armageddon-she-said">misleading trailer</a>, I was surprised (and delighted) by how well it landed. Even as Soderbergh, Carolin, and Tatum explore a system of want that is arguably illogical and likely impossible, it is respectful to that system. It knows there&rsquo;s something beautiful and even generous about wanting to have it all.</p>

<p>The movies have always understood that in this system, demand &mdash; desire &mdash; is actually the hard part. Public displays of female lust aren&rsquo;t traditionally encouraged. When they are, it&rsquo;s often to create desire in others. Or, as in the last decade&rsquo;s other big trilogies about women wanting, it looks like quiet yearning and unsmiling passion. What the Magic Mike movies have only leaned further and further into is that it can also be uniquely fun. I&rsquo;m under the impression there isn&rsquo;t nearly so much genuine giggling <a href="https://www.thecut.com/2015/12/hustlers-the-real-story-behind-the-movie.html#_ga=2.40122273.26114342.1675971627-1228235480.1672346251">at Scores</a>.&nbsp;</p>

<p>There&rsquo;s not just the trick of creating desire, there&rsquo;s the undertaking of maintaining it. The MMCU is necessarily preoccupied with how to stimulate (I&rsquo;m sorry!!) that demand through overlapping principles of permission, attention, connection, and respect, which are revisited and reestablished throughout the films. Like a dancer, the movie knows that once those elements are lost, they&rsquo;re harder to regain than they were to gain in the first place. It can feel recursive and silly; it also can feel reassuring.&nbsp;</p>

<p>At a certain point &mdash; somewhere between the stripper stakeout and the surprise bus flash mob &mdash; <em>Magic Mike&rsquo;s Last Dance</em> is holding so much that it really has no choice but to hold it very, very lightly, and then juggle it. This is where the film starts to take off. With so many elements in play for your affection and attention, the whole thing becomes something of a daring feat, like a man spinning up from the ground into a headstand. Part of the appeal is simply that he&rsquo;s trying to do it. Even if he stumbles a little, you might just be impressed.</p>
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			<entry>
			
			<author>
				<name>Marin Cogan</name>
			</author>
			
			<author>
				<name>Constance Grady</name>
			</author>
			
			<author>
				<name>Gabriela Fernandez</name>
			</author>
			
			<author>
				<name>Allie Volpe</name>
			</author>
			
			<author>
				<name>Aja Romano</name>
			</author>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<author>
				<name>Alissa Wilkinson</name>
			</author>
			
			<author>
				<name>Whizy Kim</name>
			</author>
			
			<title type="html"><![CDATA[What to watch this winter when there’s nothing to watch]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/culture/23578472/what-to-watch-winter-2023-underrated-underwatched" />
			<id>https://www.vox.com/culture/23578472/what-to-watch-winter-2023-underrated-underwatched</id>
			<updated>2023-02-13T10:32:05-05:00</updated>
			<published>2023-02-07T08:00:00-05:00</published>
			<category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="TV" />
							<summary type="html"><![CDATA[There&#8217;s a lot of TV to sift through these days. Like, way too much TV. Picking something to watch in a sea of discourse and endless options can feel daunting, but it&#8217;s even more difficult when you&#8217;ve already seen everything. Over at Vox, we love bunkering down with something bingeable to get us through the [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="Joe Pera in Joe Pera Talks With You streams on HBO Max. | IMDB" data-portal-copyright="IMDB" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24400170/Screen_Shot_2023_01_31_at_5.30.50_PM.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Joe Pera in Joe Pera Talks With You streams on HBO Max. | IMDB	</figcaption>
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<p>There&rsquo;s a lot of TV to sift through these days. Like, way too much TV. Picking something to watch in a sea of discourse and endless options can feel daunting, but it&rsquo;s even more difficult when you&rsquo;ve already seen everything.</p>

<p>Over at Vox, we love bunkering down with something bingeable to get us through the colder months, but we&rsquo;ve seen it all, too. So we gathered our favorite underwatched television shows to dive into this winter &mdash; the ones we loved but had no one else to talk to about &mdash; for those looking for a new obsession. These hidden and sometimes forgotten streaming gems will be your companion through the winter doldrums.</p>
<h3 class="wp-block-heading"><strong><em>Dead Like Me</em> (2003–2004)</strong></h3>
<p>There isn&rsquo;t a show I hold nearer or dearer to my heart than <em>Dead Like Me</em>. Not to be mistaken with Netflix&rsquo;s <em>Dead to Me</em>, this series ran on Showtime for an all-too-brief two seasons from 2003 to 2004. The show centers on Georgia Lass (Ellen Muth), an 18-year-old who meets her untimely death when a toilet from a space station falls on her from the sky. She then joins a group of modern-day Grim Reapers who are tasked with extracting the souls of people who are about to die, and escorting them to their afterlife. George&rsquo;s fellow reapers become her second family as they show her the ropes of the &ldquo;undead,&rdquo; along the way helping her process the time she failed to take advantage of while she was alive.</p>

<p>It&rsquo;s a brilliant series that masterfully grapples with the heaviness of coming of age, death, and the intricacies of grief, while simultaneously being hilarious and meditative. Two decades later, <em>Dead Like Me</em> withstands the test of time.</p>

<p>(Streaming on the <a href="https://www.roku.com/whats-on/tv-shows/dead-like-me?id=698cbef08cc0583b99f4758bb78cf809">Roku channel</a>, <a href="https://www.amazon.com/Dead-Like-Me/dp/B07HLK8KTC">Prime Video</a>, and <a href="https://tv.apple.com/us/show/dead-like-me/umc.cmc.46mq9jio1ur8oo8jr0zq1n14">Apple TV</a>.)</p>

<p><em>&mdash;Gabriela Fernandez, senior audience strategy editor</em></p>
<h3 class="wp-block-heading"><strong><em>Ink Master</em> (2012–present)</strong></h3>
<p>As a society, we do not lack for reality competition shows. As much mindless TV as it is art exhibition, <em>Ink Master</em> is inherently bingeable thanks to its spunk and integral dependence on visuals. Like its reality competition kin, <em>Ink Master</em> relies on a formula &mdash; two challenges, a critique, and an elimination &mdash; but the show&rsquo;s steady framework allows you to pay attention to what actually matters: the tattoos. <em>Ink Master</em> focuses less on the dynamics of the competitors (though alliances and feuds do play a minor role) and instead on each artist&rsquo;s creativity and ability &mdash; the design process, the technique of depositing ink into skin. The critiques sometimes feel like a thrilling attack on a competitor&rsquo;s artistry when they&rsquo;re going poorly, a delightful bit of schadenfreude for us non-artistic types. Plus, who doesn&rsquo;t want to see heavily inked adults arguing over who made the prettiest tattoo?&nbsp;</p>

<p>(<em>Streaming on </em><a href="https://www.paramountnetwork.com/shows/ink-master/byj35u/season-14"><em>Paramount+</em></a>.)</p>

<p><em>&mdash;Allie Volpe, senior reporter</em></p>

<p><strong><em>High Maintenance</em> (2012&ndash;2020)</strong></p>

<p>There is possibly no show more rewatchable than this beautiful, goofy, sly anthology series. The show loosely follows a single Brooklyn weed dealer (&ldquo;The Guy,&rdquo; played by co-creator Ben Sinclair), tracking his varied clientele across the borough and over the years, telling their stories and very, very, very slowly telling his. The episodes contain both sharp and loving satire of the most-talked-about region of the 2010s; some pure punchline, others deeply moving, most a delightful mix of funny and true. It also happens to be a who&rsquo;s who of then-rising and local New York actors: William Jackson Harper! Greta Lee! Peter Friedman! Zach Cherry! Kate Berlant! Even if you don&rsquo;t know those names, you&rsquo;ll recognize some of the faces. On a second or third watch there&rsquo;s only more to realize and notice, connecting the dots on how this big city is all haphazardly intertwined.</p>

<p>One note: It is imperative that you start with the <em>High Maintenance</em> webseries &mdash; also available on HBOMax, but as a separate entry &mdash; so that you can get the full impact of the stories, specifically my favorite arc, &ldquo;The Assholes,&rdquo; which starts in episode 5, &ldquo;Olivia.&rdquo;&nbsp;</p>

<p>(Streaming on HBOMax, under <a href="https://www.hbomax.com/series/urn:hbo:series:GV6szpA6I-7KCwgEAAAAL"><em>High Maintenance</em></a> and <a href="https://www.hbomax.com/series/urn:hbo:series:GV8A3fgFNJsMRrwEAAAAG"><em>High Maintenance: Web Series</em></a>.)</p>

<p><em>&mdash;Meredith Haggerty, senior editor</em></p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24399946/Screen_Shot_2023_01_31_at_4.35.39_PM.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="Ben Sinclair stars in &lt;em&gt;High Maintenance&lt;/em&gt; on HBO. | IMDB" data-portal-copyright="IMDB" /><h3 class="wp-block-heading"><strong><em>The Knick</em> (2014–2015)</strong></h3>
<p>Few shows haunt me like <em>The Knick</em>, which ran on Cinemax for two seasons beginning in 2014 and is so good that I&rsquo;m shocked it ever existed. The series centers on Dr. John Thackeray (Clive Owen), chief of surgery at the Knickerbocker Hospital in Manhattan. It&rsquo;s 1900, and Thackeray is both a talented surgeon determined to solve disease and death and, more or less, dethrone God himself. The series deals with all kinds of social and medical issues of the era, with a killer cast; Andr&eacute; Holland is particularly good as the new Black assistant chief surgeon who runs into deep-seated prejudice. Steven Soderbergh directed and shot every episode &mdash; he came out of &ldquo;retirement&rdquo; from filmmaking to do so &mdash; and if you love a good medical show but want something with some teeth, then the 20 episodes of <em>The Knick</em> is exactly what you&rsquo;re looking for.&nbsp;</p>

<p>(Steaming on <a href="https://play.hbomax.com/series/urn:hbo:series:GVyD7qQNv6oKWYQEAAAHj?source=googleHBOMAX&amp;action=play">HBO Max</a>.)</p>

<p><em>&mdash;Alissa Wilkinson, senior culture reporter</em></p>
<h3 class="wp-block-heading"><strong><em>Detroiters</em> (2017–2018)</strong></h3>
<p>Before Tim Robinson became an internet legend with <em>I Think You Should Leave &mdash; </em>his highly particular, high-decibel brand of absurdist sketch comedy &mdash;&nbsp;and before Sam Richardson became That Guy From That One Show (<em>Ted Lasso, The Afterparty, Velma</em>) the two real-life besties created and starred in <em>Detroiters</em>, a sitcom about two plucky ad men trying to make their way in the Motor City. Part love letter to their city, part love letter to their friendship itself, Detroiters oozes authenticity, sands off some of the rougher edges of Robinson&rsquo;s wonderfully spiky comedy, and really showcases Richardson&rsquo;s talent. If we&rsquo;re lucky, someday we&rsquo;ll get a show all his own.</p>

<p>(Streaming on <a href="https://www.paramountplus.com/shows/detroiters/?searchReferral=google&amp;source=desktop-web">Paramount+</a>.)</p>

<p><em>&mdash;Marin Cogan, senior correspondent</em></p>
<h3 class="wp-block-heading"><strong><em>Joe Pera Talks With You</em> (2018–2021)</strong></h3>
<p><em>Joe Pera Talks With You</em> is one of those shows you either get or you don&rsquo;t. If you&rsquo;re from a small town, or the Midwest, you probably get it; it moves at the cadence of small-town life. And if you&rsquo;re not, but you happen to like small, quiet, quotidian joys, you might get it, too. Joe, a shuffling, guileless middle school band teacher who moves and speaks like a man many years older, walks you through the particulars of life in the Upper Peninsula of Michigan: In one episode, he offers a taxonomy of breakfast in a local diner; in another, he narrates you through a summer thunderstorm; in a third, you watch him joyously discover the song &ldquo;Baba O&rsquo;Riley&rdquo; by The Who. There&rsquo;s no hint of snark or condescension here, toward Joe or any of the small-town residents &mdash; just sweet, unpretentious, generous, and gentle humor.</p>

<p>(Streaming on<a href="https://play.hbomax.com/series/urn:hbo:series:GXup_aQMBwgq_tgEAAAGp?source=googleHBOMAX&amp;action=play"> HBO Max</a>.)</p>

<p><em>&mdash;Marin Cogan, senior correspondent, and Alanna Okun, senior editor</em></p>
<h3 class="wp-block-heading"><strong><em>Servant</em> (2019–present)</strong></h3>
<p>M. Night Shyamalan&rsquo;s <em>Servant</em> answers the question: What if you bottled the kind of unspeakable, abject grief played to perfection by Toni Collette in <em>Hereditary</em> and turned it into a four-season TV show? Like the infamous Ari Aster horror film, <em>Servant</em> becomes more unhinged and more supernatural as the story unravels &mdash; but at its core remains a tale about a parent trying and failing to reckon with a tragedy so enormous that it consumes her, and the family fallout that results from it. The show captures the suffocating nature of repressed sorrow to a tee, taking place largely inside a dark, claustrophobic townhouse. It&rsquo;s creepy, funny, and deeply nonsensical. But what&rsquo;s truly underrated is Lauren Ambrose as mother and wife Dorothy Turner. She&rsquo;s not a ghost, or a demon, or anything occult (I don&rsquo;t think), but her increasingly whale-eyed anguish terrorizes absolutely everyone around her.&nbsp;</p>

<p>(Streaming on <a href="https://tv.apple.com/us/episode/reborn/umc.cmc.6ooshiy96qegjvtnzpmhqwyq6?action=playSmartEpisode">Apple TV+</a>.)</p>

<p><em>&mdash;Whizy Kim, senior reporter</em></p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24399977/Screen_Shot_2023_01_31_at_4.38.55_PM.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="Toby Kebbell, Rupert Grint, and Nell Tiger Free star in &lt;em&gt;Servant &lt;/em&gt;on Apple TV+. | IMDB" data-portal-copyright="IMDB" /><h3 class="wp-block-heading"><strong><em>All Creatures Great and Small</em> (2020–present)</strong></h3>
<p>Have you ever thought to yourself, &ldquo;Wow, I love the retro British charm of <em>Call the Midwife</em>, but I wish I could watch a version of this show without all the blood and screaming and childbirth&rdquo;? Then, friend, I have the solution for you. It&rsquo;s called <em>All Creatures Great and Small</em>.</p>

<p>Based on a beloved book series by James Herriot, <em>All Creatures Great and Small</em> focuses on a quirky little veterinarian practice in rural Yorkshire in the 1930s. In this&nbsp;farming community, sick animals can disrupt someone&rsquo;s livelihood, but nothing is ever so pressing as to disrupt the cozy details that make <em>All Creatures</em> such a joy to watch. Characters are forever donning thick knitted sweater vests and fixing a nice pot of tea in front of a window box overflowing with crocuses, and then heading out to tend to an animal.</p>

<p>&ldquo;I didn&rsquo;t turn my back on the horrors of labor on <em>Call the Midwife</em> only to replace them with sad sick animals,&rdquo; you say. My friend, I can assure you: No one has ever looked less pathetic than the animals on <em>All Creatures Great and Small</em>. Every single time they appear, they lie contentedly on the ground, secure in the knowledge that they are doing a good job, while the actors pet them and look concerned and post-production pipes in vague noises of distress over the footage. The result is thoroughly, blissfully charming.</p>

<p>(Streaming on <a href="https://www.thirteen.org/programs/all-creatures-great-and-small/?gclid=Cj0KCQiAw8OeBhCeARIsAGxWtUzJhLgZzt5CsWvhPQSLvwbxc0xHxoiQJI6Z7p0L47LmEWjJyfprINoaAnX9EALw_wcB">PBS Passport</a> and <a href="https://www.amazon.com/gp/video/detail/B0B8NNST7W/ref=atv_dp_season_select_s3?gclid=Cj0KCQiAw8OeBhCeARIsAGxWtUxPPD9fB9KG9NvFk4eYOLggBTPLP5VQlhqTKJlcJEIlmgDDwfFCRRMaArZUEALw_wcB&amp;gclsrc=aw.ds">Amazon Prime</a>.)</p>

<p><em>&mdash;Constance Grady, senior correspondent</em></p>

<p><strong><em>Love Between Fairy and Devil</em> (2022)</strong></p>

<p>It&rsquo;s easy for xianxia fantasies &mdash; China&rsquo;s popular fantasy genre, blending magical worlds with historical Chinese culture and folklore &mdash; to get lost in the familiarity of their own tropes: If you&rsquo;ve seen one <a href="https://www.vox.com/2020/3/27/21192718/the-untamed-netflix-review-rec-mdzs-cql">plucky magic cultivator on a quest</a>, you&rsquo;ve seen them all, right? But the lively romance <em>Love Between Fairy and Devil</em> was a surprise hit last summer, mainly thanks to the quirky chemistry between its two breakout stars, Dylan Wang (Wang Hedi) and Esther Yu (Yu Shuxin).</p>

<p>The story follows the titular fairy and devil, she a lowly flower spirit, he a fabled demon who&rsquo;s been sealed in another dimension for centuries, after they form an accidental soul-bond. Now he has all these inconvenient human emotions, and one very inconvenient fairy, getting in the way of his plans to take over the world. It&rsquo;s a very fun, very cute show, enhanced by heavily animated CGI backgrounds that feel a bit like Lisa Frank doing anime.</p>

<p>(Streaming on <a href="https://www.netflix.com/browse?jbv=81622849">Netflix</a> and <a href="https://www.viki.com/tv/38664c-love-between-fairy-and-devil">Viki</a>.)</p>

<p><em>&mdash;Aja Romano, culture reporter</em></p>
<h3 class="wp-block-heading"><strong><em>Paul T. Goldman</em> (2023–present)</strong></h3>
<p>I&rsquo;m not sure I feel good about having watched <em>Paul T. Goldman</em>, but I&rsquo;d like for you to watch it and talk to me about it.&nbsp;</p>

<p>This is definitely a &ldquo;the less you know, the better&rdquo; situation, but one thing you might want to be aware of regarding the relatively new Peacock documentary is that maybe it shouldn&rsquo;t exist at all. The six-part series follows the creation of the Paul T. Goldman Cinematic Universe, based on what the man at the center &mdash; whose name is in fact Paul &mdash; says is a true story. Over the course of 10 years, and with the help of real stars like Dennis Haysbert and Rosanna Arquette, director Jason Woliner (a former child actor-turned-director of the joyously sick <a href="https://www.vox.com/culture/21528751/borat-2-subsequent-moviefilm-rudy-giuliani-review-cohen-white-noise"><em>Borat Subsequent Moviefilm</em></a>) worked with Paul to create splashy depictions of his life story, raising questions about truth, complicity, anger, misogyny, guilt, and the human need to create our own narratives. It&rsquo;s been compared to <em>The Rehearsal</em>, but here the real trouble comes with the problem of opening night.&nbsp;</p>

<p>(Streaming on <a href="https://www.peacocktv.com/watch-online/tv/paul-t.-goldman/8543433662905608112/seasons/1">Peacock</a>.)</p>

<p><em>&mdash;Meredith Haggerty, senior editor</em></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<author>
				<name>Alissa Wilkinson</name>
			</author>
			
			<author>
				<name>Aja Romano</name>
			</author>
			
			<title type="html"><![CDATA[Our mixed feelings about The Trial of the Chicago 7 and Aaron Sorkin, explained]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/22363939/trial-chicago-7-aaron-sorkin-oscars-best-picture-roundtable" />
			<id>https://www.vox.com/22363939/trial-chicago-7-aaron-sorkin-oscars-best-picture-roundtable</id>
			<updated>2021-04-15T14:44:43-04:00</updated>
			<published>2021-04-12T12:10:00-04:00</published>
			<category scheme="https://www.vox.com" term="Awards Shows" /><category scheme="https://www.vox.com" term="Culture" /><category scheme="https://www.vox.com" term="Movies" /><category scheme="https://www.vox.com" term="Oscars" />
							<summary type="html"><![CDATA[This year, eight films are in the running for Best Picture, the most prestigious award at the Oscars. That&#8217;s a lot of movies to watch, analyze, and enjoy! So in the days before the ceremony on April 25, Vox staffers are looking at each of the nominees in turn. What makes this film appealing to [&#8230;]]]></summary>
			
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<img alt="" data-caption="The Trial of the Chicago 7 is up for six Oscars, including Best Picture. | Netflix" data-portal-copyright="Netflix" data-has-syndication-rights="1" src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/22438087/chicago71.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	The Trial of the Chicago 7 is up for six Oscars, including Best Picture. | Netflix	</figcaption>
</figure>
<p>This year, <a href="https://www.vox.com/22374044/oscars-2021-best-picture-nominees-reviews-roundtables">eight films are in the running for Best Picture</a>, the most prestigious award at the <a href="https://www.vox.com/oscars">Oscars</a>. That&rsquo;s a lot of movies to watch, analyze, and enjoy! So in the days before the <a href="https://www.vox.com/22213752/oscars-2021-coronavirus-date-streaming">ceremony on April 25</a>, Vox staffers are <a href="https://www.vox.com/22374044/oscars-2021-best-picture-nominees-reviews-roundtables">looking at each of the nominees in turn</a>. What makes this film appealing to Academy voters? What makes it emblematic of the year? And should it win?</p>

<p>Below, Vox film critic Alissa Wilkinson, The Goods editor Meredith Haggerty, and culture writer Aja Romano discuss&nbsp;<a href="https://www.vox.com/culture/21515051/trial-of-the-chicago-7-review-sorkin-netflix"><em>The Trial of the Chicago 7</em></a>, Aaron Sorkin&rsquo;s courtroom drama based on real events from 1968 and 1969.</p>
<h2 class="wp-block-heading">For better or worse, <em>The Trial of the Chicago 7 </em>is peak Sorkin</h2>
<p><strong>Alissa Wilkinson:</strong> I think <em>The Trial of the Chicago 7</em> may be the most &ldquo;Hollywoody&rdquo; of this year&rsquo;s Best Picture nominees &mdash; to the point that I would have expected it to land in this category no matter when it came out. Partly that&rsquo;s because there seems to be some cosmic rule that if Aaron Sorkin makes a thing, it gets nominated for awards.</p>

<p>But there&rsquo;s something else going on here. I personally liked watching <em>The Trial of the Chicago 7</em>, whatever its flaws are, because it taps into a very particular cultural moment and crafts it into a story. (At times it messes with the particulars to make the story fit more of a classic inspirational courtroom drama mold; sometimes that works and sometimes, as with the ending, it does not.) And it feels to me that the world we live in today echoes the time they were living through, but in a way that&rsquo;s digestible to the large sector of the Academy that actually remembers that time.</p>

<p>When you were watching the film, what were you thinking about? What stuck out to you?</p>

<p><strong>Meredith Haggerty: </strong>This is not in the cinema spirit, but all I was thinking about during this film was what Aaron Sorkin was getting right and wrong, factually. I&rsquo;m terrible at watching works about history without spending the whole runtime on Google trying to figure out what really happened &mdash; I cannot watch <em>The Crown</em> at all, for this reason. And since <em>The Trial of the Chicago 7</em> debuted on Netflix during a pandemic and<strong> </strong>didn&rsquo;t have the advantage of being a theater film, and <em>The Newsroom</em> created in me a particular frustration with Sorkin&rsquo;s smug approach to the past, I was especially on my fact-checker horse.</p>

<p>I was particularly obsessed with the prosecutor Richard Schultz, played by Joseph Gordon-Levitt, who was slotted into the Sorkin classic role of principled opposition. (Turns out, he doesn&rsquo;t need or want <a href="https://www.chicagotribune.com/news/criminal-justice/ct-chicago-7-prosecutor-dick-schultz-seminar-20201020-xlabkrtwrfgk3mezgraswhqkxq-story.html">the hero edit</a>.)</p>

<p>All that, and Sacha Baron Cohen&rsquo;s absolutely hurtful Boston accent.</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/22438080/chicago7.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="Two men in hippie garb stride through a courtroom rotunda." title="Two men in hippie garb stride through a courtroom rotunda." data-has-syndication-rights="1" data-caption="Sacha Baron Cohen and Jeremy Strong as Abbie Hoffman and Jerry Rubin in &lt;em&gt;The Trial of the Chicago 7.&lt;/em&gt; | Netflix" data-portal-copyright="Netflix" />
<p><strong>Aja Romano: </strong>Mer, you just went straight for the jugular regarding the Aaron Sorkin treatment, so I might as well unload it all upfront. I had the typical seesaw experience with this film that I feel for every Sorkin film: an initial begrudging admiration for the sheer craft and quality of the writing and the deftness with which he presents characters, careening ever more steadily into unease at the Sorkiny Sorkinness of it all, and ending up somewhere between contempt for Aaron Sorkin&rsquo;s entire method of Sorkinese and self-loathing because I fell for it once more.</p>

<p>He&rsquo;s an expert by now &mdash; has been since <em>The West Wing</em> &mdash; at manipulating the audience by structuring his writing as a series of set-ups for feel-good speeches that always make it seem like you and the characters are triumphantly winning a game. But it&rsquo;s a game whose stakes he&rsquo;s entirely constructed and controlled from the start. He doesn&rsquo;t <em>just</em> give you these dramatic, monologic scenes of grandstanding and proselytizing, he also does so alongside his personalized smug condescending version of the narrative &mdash; in this case, his version of the historical narrative.</p>

<p>When I wasn&rsquo;t sure what part of the narrative was false or not, I decided to assume false &mdash; and so much of <em>The Trial of the Chicago 7</em> is so classically Sorkin (like the &ldquo;I did it all for a hot girl&rdquo; theme, the noble opponent, etc.) that it ceases to be about history at all. The film isn&rsquo;t even purely the <a href="https://www.vox.com/culture/21305967/hamilton-debate-controversy-historical-accuracy-explained"><em>Hamiltonian</em></a> refraction of history through a modern lens &mdash; although I think Sorkin wanted it to be. I think he <em>wanted</em> this film to be a reframing of the civil protests and civil disobedience of 1968 through the lens of the civil protests of the 2010s (<em>The Trial of the Chicago 7</em> was filmed in 2019, before the 2020<strong> </strong>protests that followed the death of George Floyd, but after the <a href="https://www.vox.com/2015/5/31/17937764/ferguson-missouri-protests-2014-michael-brown-police-shooting">2014 Ferguson protests</a> and subsequent movements around the country).</p>

<p>Yet to have that kind of truly effective framing, you&rsquo;d have to have a writer/director less self-aggrandizing, less front-and-center, less sure of yourself and your absolutist version of the narrative than Sorkin. Sorkinese as a worldview is basically a precursor to the flattening of nuanced political arguments into a series of viral &ldquo;gotcha!&rsquo; tweets, where the goal is smug point-scoring that validates the audience in the moment, but the result is the skewing and gamification of political discourse. And with a narrative as malleable as the Chicago 7 trial, that entire setup ultimately feels like a cheapening of the facts and an insultingly simplified version of the real thing.</p>

<p>And even with all that said I&rsquo;m pretty sure I liked it. Ugh. <em>Sorkin!</em></p>

<p><strong>Alissa:</strong> I have a strong affection for Sorkin&rsquo;s particular brand of silliness; I think a lot of this may be because I never got into <em>The West Wing</em>, so everything I&rsquo;ve seen from him has been acknowledged as goofy right off the bat. (Yes, I know there are critics who didn&rsquo;t like <em>The West Wing</em>! Don&rsquo;t send me email!) What I think of as Sorkinese, when he swerves into politics, is the phrase &ldquo;right side of history,&rdquo; in the sense that he thinks he knows what it is and that being on it absolves one of all kinds of other evils, including berating or humiliating female colleagues.</p>

<p>Then again, the man can write a zinger. I love a zinger.</p>

<p>I think maybe this movie is best watched as, like, a &#8230;. mood? I think that&rsquo;s the right word. It sort of evokes a time and a feeling without actually accurately recounting it. I did really feel the panic and strangeness of what happened and the frustration of the weird band of defendants who are kind of all on the same side, and kind of not.</p>
<h2 class="wp-block-heading">Does <em>The Trial of the Chicago 7 </em>have a real shot at winning Best Picture?</h2>
<p><strong>Alissa: </strong>I think this is why I can easily imagine the Academy going for this movie: It&rsquo;s zippy, it feels like a movie, and it definitely leaves the audience feeling like they too are on the right side of things, even if they aren&rsquo;t, or wouldn&rsquo;t be, or even weren&rsquo;t at the time. (There are a lot of people in the Academy who remember these events!)</p>

<p>What would it say to you if this movie were to win Best Picture? Would you be surprised? And, if there&rsquo;s one thing you could change about it to feel better about that Best Picture win, what would it be? (I would remove that triumphantly swelling theme song from the end!)</p>

<p><strong>Aja:</strong> It wouldn&rsquo;t surprise me at all if this film won. It&rsquo;s like so many films before it, like an <em>English Patient</em> or a <em>King&rsquo;s Speech</em> that almost seem algorithmically calculated to punch voter buttons even though everyone knows they&rsquo;ll basically vanish from the cultural landscape within a few years, and be replaced by the much more culturally significant films from that year that often never even got nominated. In previous Oscar eras, I&rsquo;d have said that the only thing keeping <em>The Trial of the Chicago 7</em> from winning is that <em>Mank</em> is even <em>more</em> likely to win, because the only thing the Academy loves more than a stirring &ldquo;right side of history&rdquo; political drama is a navel-gazing &ldquo;right side of history&rdquo; political drama about Hollywood.</p>

<p>There are so many things I&rsquo;d change, Alissa! Find some more real women who were impacted by the trial and actually make them characters, instead of resorting to the Sorkin stock character of the Exasperated Woman Who Shows Up Long Enough to Yell At A Quirky Man before promptly disappearing from the film.</p>

<p>Tell the whole story from Bobby Seale&rsquo;s perspective. Retitle it <em>The Chicago 8th</em>. Why not just end the film the moment he finally walks out of the courtroom, because what better way to show how clearly everything else about this trial was window-dressing for a political bitchfight that ultimately marginalized all the protesters and accomplished nothing?</p>

<p>However, I wouldn&rsquo;t change a thing about lovely Joseph Gordon-Levitt and his pained morally conflicted little face. Historically accurate or not, what matters here is my heart.</p>
<img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/21961827/C7_02675_r2.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="A set for The Trial of the Chicago 7." title="A set for The Trial of the Chicago 7." data-has-syndication-rights="1" data-caption="Bobby Seale gets short shrift in &lt;em&gt;The Trial of the Chicago 7.&lt;/em&gt; | Niko Tavernise/Netflix" data-portal-copyright="Niko Tavernise/Netflix" />
<p><strong>Meredith: </strong>The Bobby Seale stuff, as I frantically Googled, really got me. You know what could be cinematic, if done correctly? Not half a scene of Seale bound and gagged in the courtroom wherein everyone &mdash; but mostly JGL &mdash; immediately realizes How Wrong This Is, but the truth of him bound and gagged <em>for several days</em> while supposedly upstanding people looked on, <a href="https://www.loc.gov/exhibitions/drawing-justice-courtroom-illustrations/about-this-exhibition/political-activists-on-trial/bobby-seale-bound-and-gagged/">which is what actually happened</a>.<strong> </strong>To take a pass on the drama and gravity of that actual historical detail in favor of a big fake Tom Hayden moment at the end of the film &#8230; sometimes I think Aaron Sorkin would just be a better trial consultant than filmmaker.</p>

<p>There&rsquo;s a question that runs under the movie &mdash; &ldquo;What is this trial all for?&rdquo; &mdash; and I don&rsquo;t feel like Sorkin had a good and satisfying answer, because life didn&rsquo;t have a good and satisfying answer. I agree with Aja that it would have been preferable to admit as much, rather than pretend that Tom Hayden made one final brave gesture, reading the names of the dead, that moved everyone in the courtroom. Nothing against Hayden, I&rsquo;m interested in all of Jane Fonda&rsquo;s exes! I just don&rsquo;t think reality made for a very good Aaron Sorkin movie, which means Aaron Sorkin didn&rsquo;t have something specific to say about reality.</p>

<p>It might surprise me if this movie won Best Picture, but I have proven through many an Oscar pool that I have no sense of the Academy. I would say I think <em>Judas and the Black Messiah</em> might be a more stylish and affecting pick about the same time period that speaks to the current moment without such hammy fists. I don&rsquo;t know how anyone types with two balled-up hands, slick with old pork juice, but Sorkin really does it.</p>

<p>Also, I&rsquo;ll note: I did still cry, when David Dellinger punched the bailiff. But I&rsquo;m easily manipulated!</p>

<p>The thing I would change to make me happy with the prospect of this movie winning Best Picture would be what year it is now. Make it 2007 and I am really quite bowled over with the revolutionary politics here.</p>

<p><strong>Alissa Wilkinson: </strong>I totally agree on the politics! (Worth noting that Bobby Seale makes a cameo &mdash; by way of being mentioned, not actually appearing &mdash; in <em>Judas and the Black Messiah</em>, which is just terrific.)</p>

<p>By the way, shout-out to John Carroll Lynch as Dellinger, who absolutely steals my particular heart &mdash; especially with that punch.</p>
<h2 class="wp-block-heading">So, you’ve watched <em>The Trial of the Chicago 7</em>. What should you watch next?</h2>
<p>So given everything we&rsquo;ve said about <em>The Trial of the Chicago 7</em>: if someone really loved this movie, what would you tell them to watch next? What has the same vibe, or scratches the same itch, or covers similar territory &mdash; other than <em>Judas and the Black Messiah</em> &mdash; but is a little less hamfisted?</p>

<p><strong>Aja: </strong>Is it too clich&eacute; to say something like <em>Mr. Smith Goes to Washington</em>? I guess it really depends on what you&rsquo;re coming for. If you want the stirring courtroom drama then there&rsquo;s always <em>12 Angry Men</em>, <em>A Few Good Men</em>, or <em>And Justice For All</em> (&ldquo;No, <em>you&rsquo;re</em> out of order!&rdquo;). If you want the counterculture vibe, there&rsquo;s always <em>Taking Woodstock</em>, <em>Almost Famous</em>, or <em>Hair</em>. And if you want to learn more about the radical revolutionists at the heart of this moment in history, try the excellent documentaries <em>Black Power Mixtape</em> and <em>The Chicago 10</em>.</p>

<p><strong>Meredith:</strong> If you want see Sacha Baron Cohen do a voice <em>and</em> a woman having more than two lines, there&rsquo;s always<em> </em><a href="https://www.vox.com/culture/21528751/borat-2-subsequent-moviefilm-rudy-giuliani-review-cohen-white-noise"><em>Borat Subsequent Moviefilm</em></a>. (Which, truly, I loved.)</p>

<p><em>A Few Good Men</em> is really the standard of Sorkin courtroom drama, and he does work so much better for me when he&rsquo;s not taking on history. I&rsquo;m personally more of a <em>My Cousin Vinny </em>girl, or even a <em>Legally Blonde</em>, but when I want courtroom drama I turn to TV (especially <em>The Goods </em>both<em> Wife</em> and <em>Fight</em>). There&rsquo;s always the Grishams, I suppose &mdash; especially <em>The Firm</em>, which is crazy long but enjoyable. They do satisfy in their way.</p>

<p>And if you enjoy revisionist history by well-regarded white male auteur types, there&rsquo;s always <a href="https://www.vox.com/culture/2019/5/23/18633841/once-upon-time-hollywood-tarantino-review-cannes-pitt-dicaprio-robbie"><em>Once Upon a Time in Hollywood</em></a>. Not to spoil it, but <a href="https://www.vox.com/culture/2019/7/25/8906839/tarantino-once-upon-time-in-hollywood-spoilers-ending-manson">Tarantino tweaks the ending, too</a>.</p>

<p><strong>Alissa Wilkinson: </strong>Oh, I love all of these suggestions &mdash; what great films, a veritable education in movies right there. I&rsquo;d throw in Agnes Varda&rsquo;s half-hour film <a href="https://www.amazon.com/Black-Panthers-H-Rap-Brown/dp/B077YVDD9N"><em>Black Panthers</em></a>, and I quite liked the documentary <a href="https://www.vox.com/2016/10/3/13081784/best-of-enemies-gore-vidal-william-buckley-pbs"><em>Best of Enemies</em></a>, which gets at the ideas animating (and exploding at) the political conventions that summer of 1968. And if what you really want is more Sorkin, then there are better films: <a href="https://www.imdb.com/title/tt0472062/"><em>Charlie Wilson&rsquo;s War</em></a>, for instance, is one of my favorites, and he also worked on the screenplay for <a href="https://www.imdb.com/title/tt1210166/"><em>Moneyball</em></a>.</p>

<p>But the best courtroom drama of the last year is <em>Mangrove</em>, the first installment in <a href="https://www.vox.com/culture/21563837/small-axe-review-amazon-mangrove-lovers-rock-red-white-blue-mcqueen">Steve McQueen&rsquo;s <em>Small Axe</em> quintet of films</a> (which are all streaming on Amazon Prime Video). Hits all the same notes but is far better in every way. Just watch it. You&rsquo;ll see.</p>

<p>The Trial of the Chicago 7 <em>is</em> <a href="https://www.netflix.com/title/81043755"><em>streaming on Netflix</em></a><em>. Find our </em><a href="https://www.vox.com/22374044/oscars-2021-best-picture-nominees-reviews-roundtables"><em>discussions of the other 2021 Best Picture nominees here</em></a><em>. </em></p>
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			<author>
				<name>Meredith Haggerty</name>
			</author>
			
			<title type="html"><![CDATA[The impact of inheritance]]></title>
			<link rel="alternate" type="text/html" href="https://www.vox.com/the-highlight/22320272/inheritance-money-wealth-transfer-estate-tax" />
			<id>https://www.vox.com/the-highlight/22320272/inheritance-money-wealth-transfer-estate-tax</id>
			<updated>2021-04-06T17:33:47-04:00</updated>
			<published>2021-03-23T08:00:00-04:00</published>
			<category scheme="https://www.vox.com" term="Business &amp; Finance" /><category scheme="https://www.vox.com" term="Money" /><category scheme="https://www.vox.com" term="Personal Finance" /><category scheme="https://www.vox.com" term="Politics" /><category scheme="https://www.vox.com" term="The Highlight" />
							<summary type="html"><![CDATA[Technically, Megan is a farming heiress.&#160; Her mom grew up on a wheat farm, and for years, the government had been paying her family $15,000 a year to not farm. It was an attempt to keep land from being overused, and that money was basically the extent of Megan&#8217;s relationship with agriculture: the source of [&#8230;]]]></summary>
			
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<p>Technically, Megan is a farming heiress.&nbsp;</p>

<p>Her mom grew up on a wheat farm, and for years, the government had been paying her family $15,000 a year to not farm. It was an attempt to keep land from being overused, and that money was basically the extent of Megan&rsquo;s relationship with agriculture: the source of a yearly gift, the money she and her mom would wait for before, say, buying furniture or making home repairs. Now Megan, who asked to be referred to by a pseudonym to speak freely about her finances, receives that money directly.&nbsp;</p>

<p>In 2019, at the age of 64, Megan&rsquo;s mother died. It was expected and unexpected. Her mom had been a cancer survivor for 20 years. But chemotherapy had damaged her heart, and two years ago, she went into cardiac arrest.</p>

<p>On the phone, Megan, 38, runs me through the process of settling her mother&rsquo;s estate. It was a ton of bureaucracy: so many phone calls, so much paperwork. After paying her mom&rsquo;s bills and taxes, selling off her house and possessions, and handling lawyers&rsquo; fees &mdash; setting aside for just a second the small piece of land that makes her an agricultural scion &mdash; it came to just under $50,000.&nbsp;</p>

<p>Something else Megan says she inherited from her mom, who worked for years in medical billing, was &ldquo;not really a great sense of money management.&rdquo;</p>

<p>So Megan used that money to pay off her own formidable credit card bills. She&rsquo;d been in &ldquo;a decent amount of debt&rdquo; since 2008, and for the first time, she says, she was out from under Visa and even able to add to her savings. Today, she&rsquo;s at something like breaking even; she&rsquo;s found a balance between her outstanding graduate school debt, her expenses, her income, and the money she receives from the USDA to let her family land lie fallow.&nbsp;</p>

<p>Megan is grateful, and amazed that her mother was able to leave anything after a life of financial struggle. Ultimately, though, we&rsquo;re talking about $50,000 in 2020s America, set against a person whom she loved deeply.&nbsp;</p>

<p>&ldquo;I&rsquo;d obviously much rather have my mom,&rdquo; she says.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">Inheritance is a tricky thing<strong> </strong>to talk about, a subject that wraps up money, family, and death in one impossible package. For those who receive it, or stand to, it&rsquo;s wealth that comes at a terrible moment; a boon and bureaucratic puzzle; and a reminder of someone you lost. For those who won&rsquo;t be seeing any family money &mdash; which is to say, most people, but more on that later &mdash; it can feel deeply unfair. Millions of people lose loved ones and suffer greatly and only find their lives, and paying off their own debts, that much more difficult.<strong>&nbsp;</strong></p>

<p>But inheritance is a conversation we need to have, because a great wealth transfer is upon us, coming soonish. A large amount of cash is expected to move from the pockets of boomers to everyone younger, though guesses at just how much and when vary: Forbes reports <a href="https://www.forbes.com/sites/markhall/2019/11/11/the-greatest-wealth-transfer-in-history-whats-happening-and-what-are-the-implications/?sh=4142b0634090">$30 trillion</a> over &ldquo;many years,&rdquo; PNC says <a href="https://www.pnc.com/en/about-pnc/topics/pnc-pov/economy/wealth-transfer.html">$59 trillion</a> by 2061, CNBC mentions <a href="https://www.cnbc.com/2019/10/21/what-the-68-trillion-great-wealth-transfer-means-for-advisors.html">$68 trillion</a> and 25 years, and the New York Times confirms the variety of these assessments but puts it at around <a href="https://www.nytimes.com/2019/12/18/arts/design/great-wealth-transfer-art.html">$15 trillion</a> over the next decade.&nbsp;</p>
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<p>Wealth transfers, as an economic force, are more than just the money a person receives when someone dies &mdash; they also include tuition payments from a loved one, or loans for a house, or large monetary gifts from one living person to another. But a big, generational transfer is on the horizon, and while part of it is precipitated by possible <a href="https://www.nytimes.com/2021/01/15/your-money/estate-tax-biden.html">changes</a> to the generous inheritance laws the Trump administration put in place, as the baby boomers tick up in age, part of it is just the cycle of life.&nbsp;&nbsp;&nbsp;</p>

<p>Who&rsquo;s getting this money, how are they getting it, and what&rsquo;s it going to do? In &ldquo;<a href="https://www.thedriftmag.com/not-all-millennials/">Not All Millennials</a>,&rdquo; published in the Drift, Kiara Barrows noted that &ldquo;the distribution of this inheritance will fall along the lines of existing inequalities, deepening the fractures in any millennial program of economic solidarity.&rdquo; And that&rsquo;s certainly true &mdash; the nation&rsquo;s top 1 percent have received more than 35 percent of the inherited wealth, according to Edward Wolff, a professor at New York University and the author of <em>Inherited Wealth in America: Future Boom or Bust?</em>&nbsp;</p>

<p>But Wolff also says, surprisingly, that inherited wealth isn&rsquo;t a huge driver of inequality in America &mdash; it actually has had an equalizing effect. And there&rsquo;s no indication that the next decades will be any different.&nbsp;</p>

<p>The reason is deceptively simple: While much (much!) more money flows among the rich, for middle- and low-income people who receive gifts or inheritance, they represent a larger percentage of wealth. So large, in fact, that for some people, a gift from mom or dad is the thing that will keep them middle class.&nbsp;</p>

<p>But recipients-wise, we&rsquo;re not talking about a lot of people.&nbsp;Twenty-two percent of American households receive a wealth transfer, Wolff says in a phone interview &mdash; a significant figure but certainly not a majority.</p>

<p>When Wolff, who studies inequality, dives deeper into whom those inheritances go to and how, the picture looks a little different than you might expect. He says that for some middle- or low-income people, inherited assets can represent up to one-third of a person&rsquo;s wealth. And Black families who do receive transfers, he says, actually rely more on those inheritances than white families do.</p>

<p>The majority of people who inherit aren&rsquo;t getting millions, either; less than one-fifth of inheritances are more than $500,000. The most common inheritance is between $10,000 and $50,000.</p>

<p>None of this can quite explain the sum total of inherited wealth&rsquo;s effect.</p>

<p>While it&rsquo;s incontrovertible that anyone who receives an inheritance is plainly fortunate in at least one large respect &mdash; this isn&rsquo;t a story about why you should feel bad for people who inherit &mdash; my conversations with those who have or expect to receive a sum from their families after death indicate that a transfer of wealth can be a lot of things: freeing and stifling, a relief and a burden, a windfall and a pitfall. It depends on one&rsquo;s circumstances, which is really just to say that it depends on a person&rsquo;s family, and their money.</p>

<p>For Megan, it meant months steeped in legalese, and freedom from (some of) her debt. For Dhruv, who expects to receive a large inheritance, the promise of future wealth has been a source of both privilege and internal conflict. Mindi, a returning student, found that her inheritance screwed up her financial aid and brought up complicated feelings about her relationship with her dad. Emily came into a sum she expected to spend on a parent&rsquo;s medical care, and found her life changed. Jackie inherited her mother&rsquo;s house 15 years ago but fears losing it to proposed changes to the tax code. (Megan and Dhruv asked to be referred to by pseudonyms to protect their financial privacy; the others who spoke with Vox asked that their last names be withheld.)</p>

<p>The wealth transfer, in increments of $20,000 or $30,000, has the potential to make a select few stable for the first time, to shore up some people on the shrinking island of the middle class. But these stories create a picture even more complex than a group of uncomfortably lucky mourners; they illustrate a country with byzantine and punishing legal and financial systems, mediocre financial education, and a culture of having and not having that doesn&rsquo;t benefit very many people at all.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">In 2018, Emily came into an amount of money she doesn&rsquo;t hesitate to call &ldquo;life-changing.&rdquo;</p>

<p>When I reach her via video call to talk about inherited wealth, she has her meticulous personal budgets at the ready. She feels strongly about financial management, explaining that she gives all of her money a job &mdash; say, this $40 works for &ldquo;hobbies&rdquo; and that $100 goes to &ldquo;pet care.&rdquo; It&rsquo;s a system that takes time and foresight and spreadsheets, but she&rsquo;s passionate about financial education and the work it takes to be prepared for anything life throws at you.&nbsp;</p>

<p>Emily, 38, had been prepared for the eventuality of paying for the long-term care facility that her mother lived in once her mother&rsquo;s money ran out. The facility cost $4,600 a month, which would have meant $2,300 each for Emily and her brother. It&rsquo;s a price tag she calls &ldquo;bananas,&rdquo; but after her mother was diagnosed with early-onset Alzheimer&rsquo;s, the siblings wanted care they could rely on.&nbsp;</p>

<p>When Emily was growing up, her family was poor. Her dad was not so good with money or employment, and her mom worked at an oil company, in the kind of job you get when you&rsquo;re a woman with no college degree in the 1970s. The company did give her a pension, though, and after Emily&rsquo;s mom got divorced and retired, she started to invest her money. With her kids&rsquo; help, she turned it into an impressive little nest egg, earmarked for her long-term care. It was enough to cover about three years at the facility. &ldquo;We fully expected her to outlive the money,&rdquo; Emily says.</p>

<p>Instead, in 2018, at 66, her mother fell and died six weeks later, leaving Emily and her brother $350,000 in assets. Emily and her husband had been living paycheck to carefully planned paycheck, and now, just like that, she has a financial safety net.</p>

<p>If her mother had lived to, say, 78, the average life span for an American woman, Emily would not have seen an inheritance. Instead, she&rsquo;d likely be facing a sizable debt. Even for a planner, the change in fortune is hard to account for.</p>

<p>&ldquo;It also feels incredibly guilty all the time,&rdquo; she tells me.&nbsp;</p>
<hr class="wp-block-separator" /><img src="https://platform.vox.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/22363424/210308_fciccolella_voxmedia_inheritance_secondaryillustration.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="" data-portal-copyright="Francesco Ciccolella for Vox" />
<p class="has-drop-cap">The first time I speak to Jackie, 54, she tells me about the seemingly tangled situation she is in with her mother&rsquo;s home, which she inherited along with her siblings in 2006. The second time, I have good news to give her. At least, I hope I do.</p>

<p>Jackie has lived in the house in Los Angeles for years and needs to move on now, but two newish tax proposals seem to have her in a bind. One would make it expensive to rent out the home; the other might make it expensive to sell, unless she does so very fast. Jackie&rsquo;s mother purchased the home back in the &rsquo;90s for $150,000, and it&rsquo;s likely worth over $800,000 today. It should be a fortune, but after all these years, the house and the money have suddenly started to feel like a time bomb.</p>

<p>The bedrock of Jackie&rsquo;s fears is a new California law that changes how inherited rental properties are assessed for tax. The concern that motivated this change was the subject of an <a href="https://www.latimes.com/politics/la-pol-ca-california-property-taxes-elites-201808-htmlstory.html">LA Times piece</a> that used Jeff and Beau Bridges to show how the elite had benefited from tax loopholes. Separately but simultaneously, President Joe Biden <a href="https://www.cnbc.com/2020/03/13/this-is-how-joe-biden-will-tax-generational-wealth-transfer.html">has a proposal</a> that would change capital gains taxes.&nbsp;</p>

<p>Maybe you&rsquo;re adept at tax law and already see the punchline here, but as Jackie explained her concerns to me over the phone, all I could do was take notes.</p>

<p>Then I brought Jackie&rsquo;s story to a very kind tax professional, who agreed to speak with me on background, to see if we had a handle on her stressful position.</p>

<p>As it happens, we did not.</p>

<p>These laws don&rsquo;t apply to Jackie for a very simple reason: Taxes are not applied retroactively.</p>

<p>I explained more, in greater detail than I will bother you with, but his answer was the same.&nbsp;</p>

<p>As the very kind tax professional told me, this is what happens when people are working with incomplete knowledge. Complete knowledge, it turns out, is incredibly important when you&rsquo;re dealing with the tax code.&nbsp;</p>

<p>Meanwhile, incomplete knowledge is kind of the human condition. Tax professionals cost money, which can be prohibitive for many people, especially those who&rsquo;ve received a windfall but worry they&rsquo;re about to be staring down some enormous bills.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">When I was in high school, my dad and I used to fight about the estate tax, among other things. (I&rsquo;d latched onto the topic at debate club, and one of our shared interests is arguing; my mom hates it.)</p>

<p>Like all arguments between fathers and daughters, this was actually a fight about everything: our worldviews, our expectations of each other, our ideas about what the future should look like.</p>

<p>I was (and remain) philosophically in favor of the tax, which might mean that I wouldn&rsquo;t inherit every penny that he wanted to give me but also that perhaps the wealth gap wouldn&rsquo;t yawn open further. (Spoiler: It did.) I saw my dad&rsquo;s opposition as shortsighted and selfish; worse, selfish on my behalf. These loud conversations would usually end with him saying, &ldquo;No one&rsquo;s going to tell me what I can leave you!&rdquo;</p>

<p>I&rsquo;m an only child, and for as long as I can remember, my parents have been trying to impart to me that everything they have would someday be mine.</p>

<p>My dad&rsquo;s favorite joke is that he&rsquo;s spending money that&rsquo;s somehow mine. The idea of a coming bequest is always present, whispered over my grandmother&rsquo;s crystal glasses or intoned as we survey their recently renovated house from afar: &ldquo;All of this is for you; this will be yours someday.&rdquo;</p>

<p>According to a <a href="https://money.usnews.com/money/personal-finance/family-finance/articles/where-do-i-fall-in-the-american-economic-class-system#:~:text=For%20high%20earners%2C%20a%20three,middle%20class%2C%22%20he%20says.">US News &amp; World Report</a> breakdown, my parents are upper middle class by earnings. They&rsquo;re well-off and have always been upwardly mobile, out-earning my grandparents by a good margin. They&rsquo;re tremendously hard-work-oriented and at one point owned multiple businesses together &mdash; including a popcorn store and a Hallmark store &mdash; while holding other jobs.&nbsp;</p>

<p>According to the same breakdown (and cross-checked with <a href="https://www.pewresearch.org/fact-tank/2020/07/23/are-you-in-the-american-middle-class/">Pew&rsquo;s Class Calculator</a>), I&rsquo;m middle class. Which is to say that I&rsquo;m downwardly mobile, despite a good job and a great and paid-off education. I&rsquo;m massively (<em>massively</em>) fortunate, but the idea that I&rsquo;ll ever, say, buy a home without my parents&rsquo; assistance seems impossible.&nbsp;</p>

<p>Fighting about the estate tax, one of my go-to talking points was, &ldquo;We don&rsquo;t even have that much money!&rdquo; In 2003, a very big year for my dad and me yelling about this, the exemption was $1 million, meaning everything under that was free and clear, and the top rate over that was <a href="https://taxfoundation.org/federal-estate-and-gift-tax-rates-exemptions-and-exclusions-1916-2014/">49 percent</a>.</p>

<p>I absolutely could not conceive that my parents might have a million dollars. I couldn&rsquo;t, at the time, imagine what I would do with that much money (I didn&rsquo;t have a great sense of value, and Zillow hadn&rsquo;t been invented yet). My dad would talk about our house, which he built himself in the early &rsquo;80s, and I would zone out and then say, &ldquo;Whatever, I&rsquo;m not going to <em>live</em> in&rdquo; the small, quaint town my parents had chosen for the excellent school system. Secretly, the thought of selling the home I grew up in broke my heart, and the idea of doing it because my parents were, in this scenario, dead made me feel sick.&nbsp;</p>

<p>They sold the house themselves last year. It went for $1,055,000. If my parents had died, instead of retiring and heading to Florida, <em>and</em> the tax still applied at that exemption level, I would have owed thousands. This likely would have forced my hand in exactly the way my dad feared.</p>

<p>It&rsquo;s a moot point, though, because in 2021, the estate tax exemption isn&rsquo;t a million bucks. It&rsquo;s $11.7 million, and double that for couples, with anything over that amount taxed at as much as 40 percent. The exemption rose over the years that Trump was in office, starting at $5.49 million in 2017. I can confidently say my family is in the clear.</p>

<p>Still, even broadly very generous to those receiving a gift or inheritance, the estate tax is no more popular with voters now than it was with my dad two decades ago. According to a <a href="https://www.filesforprogress.org/datasets/2021/3/dfp-vox-estate-tax-toplines.pdf">new poll</a> of registered voters conducted for Vox by Data for Progress, only 40 percent of the 1,234 respondents support an estate tax.&nbsp;</p>

<p>Wolff chalks it up to a fairly human reaction: &ldquo;People feel that they&rsquo;re gonna win the lottery,&rdquo; he says.&nbsp;</p>

<p>On some level, they&rsquo;re aware that &ldquo;they depend to a large extent on these bequests,&rdquo; he says, &ldquo;And they don&rsquo;t want to see it gobbled up by taxes.&rdquo; They don&rsquo;t want to give up the safety net.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">The effect money has on life is a complex calculation.</p>

<p>Dhruv, 30, has not yet received an inheritance, but he knows it&rsquo;s coming. His parents &mdash; his mom and stepdad, who raised him &mdash; are still alive, and he&rsquo;s received financial gifts from them in various forms over the years, but the inheritance sort of looms.</p>

<p>He doesn&rsquo;t know the specifics of their estate, but he says he has been told where and how to access it when the time comes. He estimates that it&rsquo;s around $7 million, based on what he knows and from looking at their large, lovely house in Southern California, where he currently lives. He says the family doesn&rsquo;t go more than a month without some reference to wealth being passed down, although often in slightly obscure ways, like when his mother mentions that this or that piece of jewelry would be nice for a granddaughter to have. (Neither Dhruv nor his brother has children yet.)</p>

<p>Dhruv&rsquo;s family wasn&rsquo;t always well off, not at all. When Dhruv was a baby, and his mom was still married to his biological father, they struggled. And when he was around 5 and she married his stepdad, a mechanic, they also struggled. It was a few years later that the couple launched a business that became a huge success.&nbsp;</p>

<p>His mom is &ldquo;tough, because she had to be for a while,&rdquo; and &ldquo;intense&rdquo; with money, Dhruv says. She&rsquo;s worked to secure this inheritance for him and his brother, including handling the paperwork to ensure that they will receive property in India, where she grew up.&nbsp;</p>

<p>Her story isn&rsquo;t all that unusual. The people most interested in allocating money for their kids, say some of the financial professionals I spoke with, are often those who come from a less affluent background.</p>

<p>Shala Walker, a certified financial planner with Stavis &amp; Cohen in Houston, Texas, says in her experience, it&rsquo;s higher-net-worth individuals who are less likely to want to leave assets to their kids. &ldquo;I don&rsquo;t know if it&rsquo;s a realization of the opportunities that their kids have had, or even &hellip; the fact that they don&rsquo;t necessarily need it.&rdquo;&nbsp;</p>

<p>Sometimes, Dhruv says, his mom &ldquo;tries to make all the financial decisions.&rdquo; He has developed a very different personality; he describes himself as the &ldquo;opposite of a micromanager.&rdquo;</p>

<p>The money has affected him in other ways. When Dhruv was in college, he heard an economics professor say that job scarcity is a feature of most economies, and the fact that there isn&rsquo;t enough work to go around is &ldquo;unavoidable.&rdquo; Currently unemployed but trained as a psychiatric researcher, he thinks of that when he looks at the job market. He wonders whether it&rsquo;s okay for him to have a certain job when that job could go to someone who needs it more.</p>

<p>He&rsquo;s worked a variety of jobs &mdash; at McDonald&rsquo;s as a teen, as a teacher in Asia, in psychiatric hospitals and with nonprofits &mdash; but for his teenage and adult life, he&rsquo;s always known that if he needed to, he could get a bailout. It&rsquo;s allowed him to take risks, like moving to Asia with no employment, and to be secure in situations that would be devastating to other people. Out of work, he was still comfortable, living at home, with plenty in savings, eligible for unemployment.&nbsp;</p>

<p>&ldquo;I always know I have a safety net of sorts &mdash; a lot of people do, but, like, I <em>definitely</em> have one,&rdquo; he says.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">Money can mean security,<strong> </strong>no question. It can also represent something more like control.&nbsp;</p>

<p>Mindi grew up with a very wealthy father and not a lot of money. Her parents were divorced, and while she was raised in an apartment with two of her siblings and her mom, her dad had a big house, drove nice cars, and carried a lot of cash. &ldquo;I don&rsquo;t mean $100 or $200,&rdquo; she says. &ldquo;I mean, like, he had $5,000 in his pocket at all times.&rdquo;</p>

<p>He used that money as a carrot, dangling 50 percent of the cost of whatever she wanted, insisting she or her mother pay the rest. He refused to help her pay for design school when she was young. But he promised, often, that she would be taken care of when he died.&nbsp;</p>

<p>So when he did, in 2018, when Mindi was 46, she was surprised at the size of her inheritance. It came to around $112,000 each for her and her four siblings. From her father&rsquo;s big talk, from his big job with Hughes Aircraft (Hughes as in Howard), from his big wad of cash, Mindi had expected something very different.</p>

<p>The settling of the will, she says, was difficult and prolonged, with recriminations between siblings and half-siblings, their stepmother, stepsiblings, estate lawyers, seemingly everyone around. The actual total value of the estate remains unclear to her, and she says that many of the relationships will never recover.&nbsp;</p>

<p>But when the money came in, she purchased a Chanel bag, and then a vacation with her fianc&eacute; and kids. She bought a car with cash, and paid off every bill she had, except for student loans. At the time, she was a returning student, finally studying design. Then she was hit with a curveball: Her windfall&nbsp;&ldquo;completely screwed up&rdquo; her financial aid. And then Covid-19 happened, putting her fianc&eacute; out of work.&nbsp;Mindi says the money &ldquo;evaporated.&rdquo; In the end, she couldn&rsquo;t even pay the taxes on it.&nbsp;</p>

<p>Before he died, Mindi&rsquo;s father was in the habit of changing his will, or at least telling his kids that he had, after a fight with this or that child. Mindi was out, or her sister was. He&rsquo;d put cars in their names and take them off again. She never knew quite where she stood.</p>

<p>Today, Mindi says she&rsquo;s grateful for what she received, happy to be remembered. She wishes, though, that her dad would have spent more time with her when he was alive; that their&nbsp;relationship had been better. She hopes her kids never fight about money.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">If you&rsquo;re going to talk substantively about the impact of inherited wealth, you can&rsquo;t focus only on the impact on one-fifth of people. The fact of inheritance reverberates among the other 80 percent, often in big ways.</p>

<p>Among that group is Ivie, a multimedia journalist based in New York, who says that all she ever wanted was to be comfortable.&nbsp;</p>

<p>Last month, Cherrell Brown, a community organizer and educator who tweets under the handle @awkward_duck, <a href="https://twitter.com/awkward_duck/status/1357414034274996224">tweeted</a>, &ldquo;S/o to the folks with no security net. Who won&rsquo;t inherit any wealth or property from any family. Those who are their parent(s) only retirement plan. The grind, the pressure, the stakes are different.&rdquo;&nbsp;</p>

<p>The hundreds of replies illuminate what it means to live without financial underpinnings. Mostly young people of color, they had taken in a family member&rsquo;s kids, were caring for their own parents, or were otherwise navigating a world where others don&rsquo;t share their economic stresses.&nbsp;</p>

<p>Ivie is one of the many people who responded to Brown&rsquo;s post, writing that the lack of generational wealth is what keeps her motivated. Ivie tells me later that she&rsquo;s never really had a choice about how hard she works, because she knew she didn&rsquo;t have a safety net.&nbsp;</p>

<p>Ivie&rsquo;s family emigrated from Nigeria, and she grew up in the Bronx. She went to NYU, known for its <a href="https://www.theatlantic.com/national/archive/2013/08/the-expensive-romance-of-nyu/278904/">wealthy student body and high cost</a>. While other students (like me) took internships, Ivie worked a series of jobs, running around the city collecting textbooks, telemarketing, working at Forever 21. Her classmates could call home for money if they needed; she didn&rsquo;t have that option.&nbsp;</p>

<p>&ldquo;Even when you are thriving,&rdquo; she says, you&rsquo;re still &ldquo;a million steps behind&rdquo; someone who has any kind of generational wealth or even structure. Even with no foreseeable inheritance, inheritance looms over her life.&nbsp;&nbsp;</p>

<p>She doesn&rsquo;t want the big money; she just wants to be comfortable. The greatest thing money can provide seems to be steadiness, and freedom from fear.</p>

<p>&ldquo;I think the biggest inheritance that I have received has been being born in America,&rdquo; she says. &ldquo;If I&rsquo;m being honest, that&rsquo;s an advantage. And I just had to take that and run with it.&rdquo;</p>

<p>Like these other inheritances, it&rsquo;s a tangled one.&nbsp;</p>
<hr class="wp-block-separator" />
<p class="has-drop-cap">It&rsquo;s an indictment of the US<strong> </strong>that one of the best ways for a middle-class American to hold onto that status is to have someone who loves them a lot die.&nbsp;</p>

<p>I called my dad recently to ask how much money he made before he retired two years ago, seized with a realization that, like Dhruv and just about everyone else in this story, I&rsquo;d never had a clear understanding of my own safety net. It was a weird call: I stammered, he explained his finances readily. They still felt like none of my business.</p>

<p>Before I could hang up, he stopped me, &ldquo;It&rsquo;s really about family, though,&rdquo; he says, meaning this story.</p>

<p>He&rsquo;s right, although maybe not exactly in the way that he means. He&rsquo;s thinking of family as a symbol of&nbsp;self-sacrifice, a promise from parent to child. But it&rsquo;s family, and so it&rsquo;s complicated; we affect each other in great and lamentable ways.</p>

<p>There are parents who leave their children something not out of a deep want, but out of obligation, or tradition, or ideas about legacy, or lack of a better option. There are low-income parents who would love to be able to give their children something but can&rsquo;t, and there are wealthy parents who could give their children a lot but choose not to &mdash; out of a desire to see them succeed on their own, or out of a deep lack of generosity, or out of 47,000 other reasons I can&rsquo;t even conceive of. Whatever the reason, it is deeply personal.&nbsp;</p>

<p>If the fundamental problem, though, is that some people have security and others don&rsquo;t, there might be some hope. It is possible to build a bigger safety net without spooking people that you&rsquo;re going to tear a hole in theirs. It&rsquo;s possible to create a system that doesn&rsquo;t depend on coming from a stable, fortunate, generous family.</p>

<p>Wolff is in favor of policies that might combat inequality. He sees solutions in boosting incomes, which will in turn boost the savings rate, a major concern; and aiding unions, which will push for keeping wages high. He also likes <a href="https://www.vox.com/future-perfect/2019/3/6/18249290/child-poverty-american-family-act-sherrod-brown-michael-bennet">Biden&rsquo;s child tax credit</a>, which offers a $3,000 yearly allowance to parents, and the plan to <a href="https://www.vox.com/future-perfect/2019/11/20/20952151/should-minimum-wage-be-raised">raise the minimum wage</a>, which he says will likely have an &ldquo;escalator effect&rdquo; (like trickle-down economics, but the opposite, and real). He&rsquo;s enthusiastic about <a href="https://www.vox.com/22268500/baby-bonds-black-white-wealth-gap-booker-pressley">baby bonds</a>, which would guarantee everyone $1,000 in a tax-free savings account. And there&rsquo;s always the various proposals to levy a <a href="https://www.npr.org/2019/12/05/782135614/how-would-a-wealth-tax-work">wealth tax</a>; he&rsquo;s even <a href="http://bostonreview.net/archives/BR21.1/wolff.html">written one</a> of his own.</p>

<p>Ultimately, inheritance &mdash; money of any kind, really &mdash; is most vital in its role as a solid foundation. Everyone deserves that. We&rsquo;d be better off if America wanted it for Americans as much as some Americans want it for their own kids.&nbsp;</p>

<p>For now, we&rsquo;re stuck with this piecemeal system, one that works only for some people, and only sometimes. Intermingled as it is with complication and grief, there are small moments of grace.&nbsp;</p>

<p>During Megan&rsquo;s mom&rsquo;s life, she and Megan were both plagued by debt. Now, alone, Megan has a solid foundation. &ldquo;I think she knew that when she died, my life, with whatever I inherited, would be a little bit better off,&rdquo; Megan tells me.&nbsp;</p>

<p>It is, and it isn&rsquo;t. Death is inevitable, though; security is a rare and precious gift.&nbsp;</p>

<p><em>Meredith Haggerty is a senior editor at The Goods by Vox. She edits reported stories and occasionally rails against capitalism. Previously, she edited books and hosted a podcast.</em></p>
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