Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

The Interview made over 5 times as much online as it did in theaters

The Interview made $15 million in online sales and rentals over the long weekend.
The Interview made $15 million in online sales and rentals over the long weekend.
The Interview made $15 million in online sales and rentals over the long weekend.
Sony Pictures
Emily St. James
Emily St. James was a senior correspondent for Vox, covering American identities. Before she joined Vox in 2014, she was the first TV editor of the A.V. Club.

Sony has announced that The Interview made $15 million from online sales and rentals since its Christmas Eve release on online platforms. The film also made $2.8 million in theaters over the long Christmas weekend. In all, Sony said, the film was either purchased or rented online 2 million times, reports Deadline.

The Interview was seen as an important test of whether movies can now sustain themselves with day-and-date releases in theaters and at home. And though that $15 million weekend was undoubtedly boosted by curiosity seekers drawn by the controversy around the film, it’s still an incredibly impressive number. A Marvel superhero movie, which requires a much larger opening weekend than that, probably won’t be using day-and-date releases soon, but it stands as an increasingly viable alternative for smaller budget projects.

The Interview was budgeted at $44 million. Whether or not it can make back its production budget will depend on how well it holds up in online sales (something that’s still relatively untested), but it has a much better shot at that number than you would think from its relatively paltry theatrical ticket sales. It would have to perform absurdly well to make back marketing costs (which are unknown to us) as well, but for it to even break even with its production budget would be an accomplishment and set a solid precedent for future online releases.

Of course, the big question in online releasing is how studios will balance the potential for money made there against the needs of movie theaters, which are still necessary to open big studio tentpole films, at least for the time being. And by so utterly outperforming theatrical sales with online sales, The Interview has also shown why theater owners are so worried.

See More:

More in Culture

Advice
What trainers actually think about the 12-3-30 workoutWhat trainers actually think about the 12-3-30 workout
Advice

Have we finally unlocked exercise’s biggest secret? Or is this yet another lie perpetrated Big Treadmill?

By Alex Abad-Santos
Technology
The case for AI realismThe case for AI realism
Technology

AI isn’t going to be the end of the world — no matter what this documentary sometimes argues.

By Shayna Korol
Podcasts
How fan fiction went mainstreamHow fan fiction went mainstream
Podcast
Podcasts

The community that underpins Heated Rivalry, explained.

By Danielle Hewitt and Noel King
Culture
Why Easter never became a big secular holiday like ChristmasWhy Easter never became a big secular holiday like Christmas
Culture

Hint: The Puritans were involved.

By Tara Isabella Burton
Culture
The sticky, sugary history of PeepsThe sticky, sugary history of Peeps
Culture

A few things you might not know about Easter’s favorite candy.

By Tanya Pai
The Highlight
The return of resistance craftingThe return of resistance crafting
The Highlight

Want to fight fascism? Join a knitting circle.

By Anna North