Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

YouTube says its software let content owners make $1 billion in the last year — so the music labels should stop complaining

Now it’s your turn to respond, Taylor Swift.

Taylor Swift The 1989 World Tour Live In Los Angeles - Night 3
Taylor Swift The 1989 World Tour Live In Los Angeles - Night 3
Christopher Polk / Getty
Peter Kafka
Peter Kafka covered media and technology, and their intersection, at Vox. Many of his stories can be found in his Kafka on Media newsletter, and he also hosts the Recode Media podcast.

Here’s the latest salvo in the back and forth between YouTube and the music industry: A report from Google that says its video site’s copyright software has allowed content owners to generate $1 billion in the last year or so.

Or, in other words: Hey, music guys! Stop moaning about money — we’re making plenty of it for you.

Google’s formal message comes via “How Google Fights Piracy,” a 62-page mega-pamphlet it is releasing today.

Google has published the report before. The new part is that it says its Content ID tool, which lets copyright owners “claim” videos users upload to YouTube so they can get some of the ad revenue those clips generate, has created $2 billion for copyright owners since 2007.

The last time Google put out the report, in late 2014, it pegged that number at $1 billion. So that’s a rapid, significant increase.

Not all of that money gets distributed to music owners, since Content ID works for any kind of video.

But a blog post that accompanies the report makes it quite clear that Google is responding to the music industry, which has spent the past few months complaining that YouTube doesn’t pay them enough and that Content ID isn’t a solution.

“Half of the music industry’s YouTube revenue comes from fan content claimed via Content ID,” writes Katie Oyama, a Google policy lawyer.

So what do you want to say about that, Taylor Swift?

This article originally appeared on Recode.net.

More in Technology

Technology
The case for AI realismThe case for AI realism
Technology

AI isn’t going to be the end of the world — no matter what this documentary sometimes argues.

By Shayna Korol
Politics
OpenAI’s oddly socialist, wildly hypocritical new economic agendaOpenAI’s oddly socialist, wildly hypocritical new economic agenda
Politics

The AI company released a set of highly progressive policy ideas. There’s just one small problem.

By Eric Levitz
Future Perfect
Human bodies aren’t ready to travel to Mars. Space medicine can help.Human bodies aren’t ready to travel to Mars. Space medicine can help.
Future Perfect

Protecting astronauts in space — and maybe even Mars — will help transform health on Earth.

By Shayna Korol
Podcasts
The importance of space toilets, explainedThe importance of space toilets, explained
Podcast
Podcasts

Houston, we have a plumbing problem.

By Peter Balonon-Rosen and Sean Rameswaram
Technology
What happened when they installed ChatGPT on a nuclear supercomputerWhat happened when they installed ChatGPT on a nuclear supercomputer
Technology

How they’re using AI at the lab that created the atom bomb.

By Joshua Keating
Future Perfect
Humanity’s return to the moon is a deeply religious missionHumanity’s return to the moon is a deeply religious mission
Future Perfect

Space barons like Jeff Bezos and Elon Musk don’t seem religious. But their quest to colonize outer space is.

By Sigal Samuel