Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

How Technicolor changed movies

Glorious Technicolor was much more than groundbreaking movie technology.

Phil Edwards
Phil Edwards was a senior producer for the Vox video team.

You’ve probably heard about “glorious Technicolor” before. But Technicolor wasn’t just a groundbreaking technology — it was a powerful corporate influence in Hollywood and created an aesthetic that shaped the look of the 20th century.

Technicolor still exists today, but at its zenith, it was an inescapable part of the visual landscape. From Gone With The Wind to The Wizard of Oz, it shaped how our movies look. But, as the above video shows, that influence stretched far beyond technological trends.

If you want to learn more about Technicolor, visit The George Eastman Museum or Barbara Flueckiger’s fascinating website, which catalogs the many competing color technologies that emerged in the 1900s. Technicolor made the greatest impact, thanks to its revolutionary technology, staunch advocates like Technicolor supervisor Natalie Kalmus, and a look that was inimitable for decades.

You can find this video and all of Vox’s videos on YouTube. Subscribe for more episodes.

More in Movies

Culture
The Oscar was never really Timothée Chalamet’s to begin withThe Oscar was never really Timothée Chalamet’s to begin with
Culture

Why the actor’s Oscars defeat to Michael B. Jordan makes total sense.

By Kyndall Cunningham
Culture
Sinners never needed the Oscars to be greatSinners never needed the Oscars to be great
Culture

The movie was treated like it was crashing the very party it nabbed a historic number of invites to.

By Alex Abad-Santos
Podcasts
The man behind the Paramount-Warner Bros. mergerThe man behind the Paramount-Warner Bros. merger
Podcast
Podcasts

Is David Ellison Hollywood’s nepo baby king?

By Avishay Artsy and Sean Rameswaram
Culture
The 50-year struggle to get Best Casting into the OscarsThe 50-year struggle to get Best Casting into the Oscars
Culture

It’s one of the few female-dominated niches in Hollywood. They finally made it to the Academy Awards.

By Constance Grady
Culture
Diane Warren has been nominated 17 times for Best Original Song. Why hasn’t she won yet?Diane Warren has been nominated 17 times for Best Original Song. Why hasn’t she won yet?
Culture

Warren’s written iconic hits like “I Don’t Want to Miss a Thing.” But she’s historically bad at winning Oscars.

By Alex Abad-Santos
Video
Filming British romance is all about locationFilming British romance is all about location
Play
Video

From moors to manors, the key to adapting 19th-century romance on film is in Great Britain’s epic landscapes.

By Benjamin Stephen