Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

YouTube wants to be TV, but it’s not the same

Studio71 CEO Reza Izad explains the differences between YouTube and traditional TV on Recode Media.

Premiere Of Lionsgate’s ‘Power Rangers’ -  Arrivals
Premiere Of Lionsgate’s ‘Power Rangers’ -  Arrivals
Lilly Singh
Frederick M. Brown / Getty

YouTube is now selling traditional TV in a 50-channel bundle for $35 a month. But even though the old distribution walls are fading away, there’s still a big gulf in content, between “YouTube video” and “TV video,” which includes shows on platforms like Netflix and Amazon.

That’s where people like Studio71 CEO Reza Izad come in. Speaking on the latest episode of Recode Media with Peter Kafka, Izad discussed how he made a business out of bridging the digital video divide, working with YouTube stars like Fred, Lilly Singh and Roman Atwood.

“On YouTube, it’s coming directly at you in a vlog-type format, but it’s completely evolved when it goes on to Netflix,” he said. “It’s much more like a TV show, it’s fully produced.”

You can listen to the new podcast on iTunes, Google Play Music, TuneIn, Stitcher and SoundCloud.

Izad cited the example of “Fred,” the hyperactive YouTube celeb whose real name is Lucas Cruikshank. Izad’s previous company Collective Digital — which became Studio71 when it was bought by German TV company ProSieben 2015 — co-produced Fred’s three TV movies, which attracted critical scorn but millions of viewers on Nickelodeon.

“It’s had a really strong shelf life [on Netflix] because of two things,” Izad said. “One, [Cruikshank] created a really strong character that I think a lot of people related to; and two, we partnered with Brian Robbins and we made a real project. It wasn’t a half-baked idea that we were going to take to TV. YouTube-to-TV doesn’t work, but a lot of these personalities, developed the right way, definitely can work.”

He also argued that Facebook’s ascendancy to compete with YouTube in online video is a question of when and how — not if. He contrasted the current state of Facebook’s News Feed, where the content finds you, to YouTube’s search and subscription features, where superfans find the content.

“One’s a lean-forward, you’re going and getting and you’re a fan of,” Izad said. “I think, today, Facebook is still very much a lean-back. When I think about the videos I really watch, I tend to watch news videos on Facebook, or the funny thing everybody’s sharing at the moment, or the video of my cousin doing a dunk, that’s only in my family.”

“They’ve got this video tab in the app now, and I think that will be the place where they start to figure out how to develop an audience, where you’re coming back over and over,” he added.

If you like this show, you should also sample our other podcasts:

  • Recode Decode, hosted by Kara Swisher, is a weekly show featuring in-depth interviews with the movers and shakers in tech and media every Monday. You can subscribe on iTunes, Google Play Music, TuneIn, Stitcher and SoundCloud.
  • Too Embarrassed to Ask, hosted by Kara Swisher and The Verge’s Lauren Goode, answers all of the tech questions sent in by our readers and listeners. You can hear new episodes every Friday on iTunes, Google Play Music, TuneIn, Stitcher and SoundCloud.
  • And finally, Recode Replay has all the audio from our live events, such as the Code Conference, Code Media and the Code Commerce Series. Subscribe today on iTunes, Google Play Music, TuneIn and Stitcher.

If you like what we’re doing, please write a review on iTunes — and if you don’t, just tweet-strafe Peter. Tune in next Thursday for another episode of Recode Media!


This article originally appeared on Recode.net.

More in Technology

Technology
The case for AI realismThe case for AI realism
Technology

AI isn’t going to be the end of the world — no matter what this documentary sometimes argues.

By Shayna Korol
Politics
OpenAI’s oddly socialist, wildly hypocritical new economic agendaOpenAI’s oddly socialist, wildly hypocritical new economic agenda
Politics

The AI company released a set of highly progressive policy ideas. There’s just one small problem.

By Eric Levitz
Future Perfect
Human bodies aren’t ready to travel to Mars. Space medicine can help.Human bodies aren’t ready to travel to Mars. Space medicine can help.
Future Perfect

Protecting astronauts in space — and maybe even Mars — will help transform health on Earth.

By Shayna Korol
Podcasts
The importance of space toilets, explainedThe importance of space toilets, explained
Podcast
Podcasts

Houston, we have a plumbing problem.

By Peter Balonon-Rosen and Sean Rameswaram
Technology
What happened when they installed ChatGPT on a nuclear supercomputerWhat happened when they installed ChatGPT on a nuclear supercomputer
Technology

How they’re using AI at the lab that created the atom bomb.

By Joshua Keating
Future Perfect
Humanity’s return to the moon is a deeply religious missionHumanity’s return to the moon is a deeply religious mission
Future Perfect

Space barons like Jeff Bezos and Elon Musk don’t seem religious. But their quest to colonize outer space is.

By Sigal Samuel