Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

Hollywood trade TheWrap is adding a subscription business by buying a subscription business

Sharon Waxman’s free site has bought Jocelyn Johnson’s VideoInk.

TheWrap CEO Sharon Waxman
TheWrap CEO Sharon Waxman
TheWrap CEO Sharon Waxman
Emma McIntyre / Getty
Peter Kafka
Peter Kafka covered media and technology, and their intersection, at Vox. Many of his stories can be found in his Kafka on Media newsletter, and he also hosts the Recode Media podcast.

Add another name to the paywall list: TheWrap, journalist Sharon Waxman’s nine-year-old Hollywood publication, is building a subscription product by buying a subscription site.

TheWrap has acquired VideoInk, a niche pub covering the ins and outs of digital media, and the digital video business in particular. VideoInk, which currently sells subscriptions for $30 per month, will keep operating under its current brand for now, but Waxman plans on eventually morphing it into a new brand, which she’ll call Wrap Pro.

Jocelyn Johnson, who founded VideoInk five years ago and has turned it into a site that often generates industry scoops, will go to work for Waxman, along with writer Matt Lopez. Waxman won’t disclose the sale price, but says she paid for the purchase with stock.

Waxman says she’ll keep her main site free but will use Wrap Pro to offer exclusive content to readers who care about the entertainment industry, along with other goodies like free access to or discounted tickets to gatherings she is hosting as part of a growing events business.

Waxman’s logic for adding a subscription business to her free site, which she says attracts 10 million visitors a month, is a now-common refrain: She worries that the digital advertising business, now dominated by Google and Facebook, doesn’t work for sites her size, which has bulked up from its trade roots by generating lots of general-interest entertainment content.

The flip side of that argument: Now that it’s increasingly common for digital publications to sell subscriptions for their stuff, it will get harder to sell subscriptions for their stuff. Waxman’s commonsense answer: “It’s our job to make what we’re offering really worthwhile, really valuable, and really produce a benefit to our members.”

This article originally appeared on Recode.net.

More in Technology

Politics
The Supreme Court will decide when the police can use your phone to track youThe Supreme Court will decide when the police can use your phone to track you
Politics

Chatrie v. United States asks what limits the Constitution places on the surveillance state in an age of cellphones.

By Ian Millhiser
Future Perfect
The simple question that could change your careerThe simple question that could change your career
Future Perfect

Making a difference in the world doesn’t require changing your job.

By Bryan Walsh
Technology
The case for AI realismThe case for AI realism
Technology

AI isn’t going to be the end of the world — no matter what this documentary sometimes argues.

By Shayna Korol
Politics
OpenAI’s oddly socialist, wildly hypocritical new economic agendaOpenAI’s oddly socialist, wildly hypocritical new economic agenda
Politics

The AI company released a set of highly progressive policy ideas. There’s just one small problem.

By Eric Levitz
Future Perfect
Human bodies aren’t ready to travel to Mars. Space medicine can help.Human bodies aren’t ready to travel to Mars. Space medicine can help.
Future Perfect

Protecting astronauts in space — and maybe even Mars — will help transform health on Earth.

By Shayna Korol
Podcasts
The importance of space toilets, explainedThe importance of space toilets, explained
Podcast
Podcasts

Houston, we have a plumbing problem.

By Peter Balonon-Rosen and Sean Rameswaram