Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

Lady Gaga’s Oscars necklace has a long Hollywood history

It almost overshadowed her performance of “Shallow.”

Lady Gaga, Bradley Cooper, and Lady Gaga’s necklace performing “Shallow.”
Lady Gaga, Bradley Cooper, and Lady Gaga’s necklace performing “Shallow.”
Lady Gaga, Bradley Cooper, and Lady Gaga’s necklace performing “Shallow.”
Ed Herrera via Getty Images
Rebecca Jennings
Rebecca Jennings was a senior correspondent covering social platforms and the creator economy. Her work has explored the rise of TikTok, internet aesthetics, and the pursuit of money and fame online.

Few things could upstage a performance by then–soon-to-be Oscar winner Lady Gaga for her then–soon-to-be Oscar-winning song “Shallow,” particularly one in which she and her co-star and rumored lover (okay, the rumors there are shaky, but whatever) shared one of the most sexually tense moments in awards show history. But if anything could, it’s a 141-year-old, $30 million rock.

When Lady Gaga arrived on the red carpet in a black Alexander McQueen gown and matching leather gloves, she was also wearing a striking yellow diamond — the kind of diamond that has, like, a name.

That name? The Tiffany Yellow Diamond, a 128.54-carat stone that was popularized in a publicity shoot for Breakfast at Tiffany’s on the neck of Audrey Hepburn, who was also the last person to wear it. It didn’t look the same, however — Gaga’s is a much more modern take on Hepburn’s version. Meanwhile, we can safely assume that its resemblance to Kate Hudson’s “Isadora” necklace in How to Lose a Guy in 10 Days was coincidental.

Audrey Hepburn wearing the Tiffany Yellow Diamond in 1961.
Audrey Hepburn wearing the Tiffany Yellow Diamond in 1961.
Paramount/Getty Images

According to the New York Times, it’s likely one of the biggest jewelry deals in red-carpet history. Gaga, however, is already a Tiffany spokesperson, so it’s not a total surprise that she was decked out in Tiffany diamonds. The thing that makes it special is that this is one of the largest diamonds in the world, and the Oscars are the crown jewel (pun intended) of Gaga’s awards circuit looks for A Star Is Born, which have harked back to old Hollywood glamour and the Audrey Hepburn era.

Watch the necklace sparkle in the clip of Gaga’s performance below.

More in Oscars

Culture
The Oscar was never really Timothée Chalamet’s to begin withThe Oscar was never really Timothée Chalamet’s to begin with
Culture

Why the actor’s Oscars defeat to Michael B. Jordan makes total sense.

By Kyndall Cunningham
Culture
Sinners never needed the Oscars to be greatSinners never needed the Oscars to be great
Culture

The movie was treated like it was crashing the very party it nabbed a historic number of invites to.

By Alex Abad-Santos
Culture
The 50-year struggle to get Best Casting into the OscarsThe 50-year struggle to get Best Casting into the Oscars
Culture

It’s one of the few female-dominated niches in Hollywood. They finally made it to the Academy Awards.

By Constance Grady
Culture
Diane Warren has been nominated 17 times for Best Original Song. Why hasn’t she won yet?Diane Warren has been nominated 17 times for Best Original Song. Why hasn’t she won yet?
Culture

Warren’s written iconic hits like “I Don’t Want to Miss a Thing.” But she’s historically bad at winning Oscars.

By Alex Abad-Santos
Culture
Why politics is ruining how we watch moviesWhy politics is ruining how we watch movies
Culture

How political does a political movie need to be?

By Kyndall Cunningham
Culture
4 winners and 3 losers from a madcap Oscars4 winners and 3 losers from a madcap Oscars
Culture

After Emilia Pérez’s award chances blew up, the Oscars seemed to be an open race. Then came Anora.

By Alex Abad-Santos, Kyndall Cunningham and 3 more