Skip to main content

The context you need, when you need it

When news breaks, you need to understand what actually matters — and what to do about it. At Vox, our mission to help you make sense of the world has never been more vital. But we can’t do it on our own.

We rely on readers like you to fund our journalism. Will you support our work and become a Vox Member today?

Join now

Little

The uneven but goofily fun comedy about learning your own worth is currently in theaters.

Alissa Wilkinson
Alissa Wilkinson covered film and culture for Vox. Alissa is a member of the New York Film Critics Circle and the National Society of Film Critics.

Metacritic score: 50

After Little, there will never be any doubt: Marsai Martin (who plays the younger daughter, a tiny sociopath, on Black-ish, and has an executive producing credit on this movie) is a stone-cold comic genius bound for greatness. In Little, she plays 13-year-old Jordan Sanders, who loves science and is bullied so much by her classmates that she vows to show everyone who’s boss.

Which she does, literally, when she grows up to be a successful tech entrepreneur (now played by Regina Hall), who nonetheless grinds her staff and assistant (Insecure’s Issa Rae) into the ground with her demands and lack of compassion. Then one day, she wakes up and discovers she’s 13 again — which means Martin is back, playing to perfection what it would be like for grown-up Jordan to be trapped in her 13-year-old body.

Hall, Rae, and Martin are all virtuosic comedians, and it’s great to see three black actresses in the middle of a big Hollywood comedy that takes for granted that it’s perfectly normal, not a signifier of “niche” entertainment, that they’re the leads. Unfortunately, the movie they’re in doesn’t quite reach the same heights. Combining ideas from movies like Big, 13 Going on 30, and Freaky Friday with some standard-issue studio comedy ideas about Being Your True Self and Learning To Accept Love, Little feels like it’s all over the place, and not in a good way. Still, it’s plenty entertaining, and worth seeing just to watch their performances.

More in Movies

Culture
The Oscar was never really Timothée Chalamet’s to begin withThe Oscar was never really Timothée Chalamet’s to begin with
Culture

Why the actor’s Oscars defeat to Michael B. Jordan makes total sense.

By Kyndall Cunningham
Culture
Sinners never needed the Oscars to be greatSinners never needed the Oscars to be great
Culture

The movie was treated like it was crashing the very party it nabbed a historic number of invites to.

By Alex Abad-Santos
Podcasts
The man behind the Paramount-Warner Bros. mergerThe man behind the Paramount-Warner Bros. merger
Podcast
Podcasts

Is David Ellison Hollywood’s nepo baby king?

By Avishay Artsy and Sean Rameswaram
Culture
The 50-year struggle to get Best Casting into the OscarsThe 50-year struggle to get Best Casting into the Oscars
Culture

It’s one of the few female-dominated niches in Hollywood. They finally made it to the Academy Awards.

By Constance Grady
Culture
Diane Warren has been nominated 17 times for Best Original Song. Why hasn’t she won yet?Diane Warren has been nominated 17 times for Best Original Song. Why hasn’t she won yet?
Culture

Warren’s written iconic hits like “I Don’t Want to Miss a Thing.” But she’s historically bad at winning Oscars.

By Alex Abad-Santos
Video
Filming British romance is all about locationFilming British romance is all about location
Play
Video

From moors to manors, the key to adapting 19th-century romance on film is in Great Britain’s epic landscapes.

By Benjamin Stephen