Hulu
Vox’s coverage of Hulu news, shows and movies, and streaming recommendations.
Livestreaming services like Sling and CBS are eroding the defenses of even the most avid cable stalwarts.
The man behind Hulu has a new pitch: Instead of watching TV shows for free, he wants you to pay to watch YouTube stars.
The guy who built Hulu is trying to make a second splash in Web video. He’ll tell us why, and how he plans to do it, live onstage next month. You should be there.
A worrisome theory from Wall Street: The TV networks have helped lower their own ratings by selling their shows to Reed Hastings’ streaming service.
Netflix does it. HBO says it’s going to do it. YouTube says it might. Now comes Barry Diller’s video site.
Remember when NBC didn’t want you to watch this stuff on the Web?
For $6 a month, you get almost all of the network’s shows, live and on-demand. No cable subscription required. And unlike HBO, you can get it today.
It’s one of several video sites that have gone on the market this year.
Tom Pickett, fresh from a top content job at YouTube, will handle subscription services for the joint venture. Virasb Vahidi will run the whole thing.
Oh no! Or, maybe -- oh, that makes sense.
Aereo offered a distinctive and revolutionary way for broadcast TV to remain relevant to younger viewers.
The next stop for the hairtastic Internet exec is undetermined.
The industry should foster new revenue solutions for existing games -- not just for months, but for years after launching.
How does consolidation help consumers? Let AT&T explain ...
What do the cable guys think about that?
“Tabletop” co-host Wil Wheaton talks about moving beyond YouTube and earning credibility online.
A pay TV guy explains the math behind Web TV.
A call for advertisers to shed their inhibitions and embrace a holistic approach.
Magazines? Yep. Magazines. Newspapers, too.
No one is throwing a block party to watch a Twitter feed anytime soon.
A bunch of L.A. startups have new employees, courtesy of the video site.
The cable industry must move from a place of reaction to one of action.
Ross Levinsohn’s No. 2 stayed less than a year.
Not just “dumb pipes” anymore.