Netflix
Vox’s coverage of Netflix news, shows, and streaming recommendations.
The finely-tuned Netflix drama about the co-writer of Citizen Kane is about the power of movies. But it’s not optimistic.
The new Netflix movie is about Hollywood politics and critical arguments that span decades.
Why we’re still talking about Princess Diana in 2020.
Three critics from rural places discuss Ron Howard’s Netflix adaptation of J.D. Vance’s bestseller.
The series turns New York City into a holiday scavenger hunt.
The Princess Switch is back, this time with more bad accents but less holiday charm.
The Crown makes the case that the queen and Margaret Thatcher can’t have it all.
It lacks even the conviction of the bestselling 2016 book on which it’s based.
The seven-episode miniseries shows why Anya Taylor-Joy is one of the most exciting actors working today.
The new adaptation plays like an eighth grader read the SparkNotes and badly misunderstood them.
The star-studded drama returns to the past with a purpose.
A drama, a documentary, and two filmed Broadway plays show a country at a crossroads.
It’s less haunting — and less haunted — than Hill House, but still a captivating saga of families, grief, and love.
From serious social commentary to truffle-hunting dogs, nonfiction movies are as vibrant and vital as ever.
The Forty-Year-Old Version and Dick Johnson Is Dead have both debuted on the streaming service, and they’re wonderful.
The director of Cameraperson returns with a stunning and moving new film.
The gripping new documentary is a harrowing portrait of a family prior to its own annihilation.
The new movie adaptation can feel more like a history lesson than urgent viewing. That’s not necessarily a bad thing.
From indie gems to (maybe) the greatest movie of all time.
A movie critiquing the sexualization of young girls is accused of doing the thing it criticizes. Here’s how the controversy started — and why it matters.
Where to start with the writer and director’s bizarre, bittersweet movies, including his latest: I’m Thinking of Ending Things.
How Tenet, Mulan, and I’m Thinking of Ending Things perform has broad implications for the future.
“If you know the system is vulnerable, then you can interrupt it,” says High Flying Bird screenwriter Tarell Alvin McCraney.
Steven Soderbergh’s unusual sports drama is a story of Black athlete empowerment.
And this weekend’s best new releases.
There’s a reason this summer’s films felt like they were made for quarantine, even though they weren’t.
The Avatar: The Last Airbender sequel brings its complex female hero, divided fandom, and fraught history to Netflix.
The beloved fantasy franchise has enjoyed a banner year on Netflix — until now.
The show finds the right mix of feelings and zippy superpowers in its stellar season two.
Netflix’s stunning rise wouldn’t have happened without unwitting help from the companies it now competes with.
The Song of Achilles is like if The Old Guard was just about Joe and Nicky.
The streaming service added another 10 million customers in the second quarter of the year.
On this episode of Land of the Giants: How does Netflix’s famous algorithm work? And how does Netflix use it?
It’s the newest chapter of our Land of the Giants podcast, out now.
It’s one of the stories in our new Land of the Giants podcast, out now.
The South Korean thriller is like if John Wick was in the Hunger Games.
It’s the biggest gift so far by any individual or couple for racial justice.
Park County hasn’t been able to figure out who is behind a 2,100-acre center for education reform. It’s Reed Hastings.
This season of Land of the Giants explores how Netflix disrupted Hollywood and changed the way we watch TV and movies.
The hit Japanese Netflix series won praise for its everyday authenticity. Then Hana Kimura’s death revealed a more complex truth.