Netflix
Vox’s coverage of Netflix news, shows, and streaming recommendations.
Trump’s involvement in the case — and refusal to change his mind — is just a cipher for America.
The four-part Netflix series is essential viewing to understand today’s America.
Audiences are fracturing, but the apparatus that made HBO’s megahit isn’t going away.
On the latest episode of Recode Media, former Amazon and Hulu employee Eugene Wei explains why Netflix and its competitors aren’t playing the same game.
All the big media companies want their own streaming service. Big question: Do you want to subscribe to lots of streaming services?
The more expensive Hulu No Commercials plan was announced in 2015, and almost four years later, the company is finally ready to start advertising that it exists.
The star-studded comedy is a little bland, but it gets the job done.
The streaming company has bought StoryBots, a kids’ brand made by the guys who made JibJab.
Redef CEO Jason Hirschhorn watches a lot of TV and he says Netflix has sucked him into watching less of everything else.
The TV guys want to keep selling you TV you don’t watch. It won’t work.
The new Netflix documentary is worth a watch, no matter your political persuasion.
It takes some help from your friends.
The streaming video company now has 155 million total subscribers globally.
The streaming company added 9.6 million subscribers last quarter — and it says it isn’t worried about Apple or Disney.
There’s no algorithm for creativity yet, Sapan says on the latest Recode Media.
All 335 PBS stations use federal funding, but the ones that depend on it are largely in Trump country.
Bob Iger in 2015: “We look at Netflix as more friend than foe.” Now it’s a very expensive war.
A new survey finds that 14 percent of US Netflix users are watching the service without paying for it.
Fishman is betting that young women who used to watch the CW or MTV will demand those sorts of shows from YouTube, too.
In other news: Turns out Netflix is not a tech company, Hastings says.
Dowd joins Kara Swisher on the latest episode, sitting in for Pivot’s regular co-host Scott Galloway.
Diller, the former CEO of Paramount and Fox, talks about the diminished power of movie studios and why “Netflix has won this game” on the latest Recode Decode.
The gonzo horror-comedy stars Jake Gyllenhaal, Rene Russo, John Malkovich, Daveed Diggs, Toni Collette, and more.
The moves come after a Netflix price hike.
The streaming service says it now accounts for 10 percent of TV viewing time.
Subscribers will now pay between $9 and $16 per month, depending on the service.
Even if, in private, they might really want to.
Bullock leads an all-star cast in a meandering movie with an intriguing premise.
Netflix’s hit horror flick about family bonding has inspired lots of real-life family bonding via memes.
Fortunately for the streaming giant, its own shows are popular too.
Platforms like YouTube and Netflix are at war, and Shots Studios CEO John Shahidi is happy to sell content to all of them.
Jennifer Aniston and Danielle Macdonald star in a Texas teen beauty pageant comedy, with original songs from Dolly herself.
This Jungle Book adaptation sat on a shelf for years. It’s pretty obvious why.
That’s a lotta podcast!
The streaming media pioneer could lose about a fifth of its content hours.
Netflix wanted it. So did Hulu. And WarnerMedia wants it back, soon. Probably. Here’s what that means.
They talk with Recode’s Kara Swisher about social media, video games and how we’ll use tech differently in 2019.
Reed Hastings wants to compete with YouTube overseas, and the only way it can do that is by offering a free-with-ads option, Green says on Recode Media.
Chris Pine reunites with Hell or High Water director David Mackenzie for an epic about Robert the Bruce fighting for Scotland’s independence.
Everything from selfies to YouTube has armed Generation Z with an “inherent” appreciation of film technique, Reitman says.