

HBO’s famous boss is going because the TV business is changing. Warner Bros.’ boss is staying because the movies aren’t going anywhere.


Dowd joins Kara Swisher on the latest episode, sitting in for Pivot’s regular co-host Scott Galloway.


Diller, the former CEO of Paramount and Fox, talks about the diminished power of movie studios and why “Netflix has won this game” on the latest Recode Decode.


The gonzo horror-comedy stars Jake Gyllenhaal, Rene Russo, John Malkovich, Daveed Diggs, Toni Collette, and more.


The moves come after a Netflix price hike.


The streaming service says it now accounts for 10 percent of TV viewing time.


Subscribers will now pay between $9 and $16 per month, depending on the service.


Even if, in private, they might really want to.


Twitter cut a streaming deal with the NBA to show you individual players, not full games.


Bullock leads an all-star cast in a meandering movie with an intriguing premise.


Netflix’s hit horror flick about family bonding has inspired lots of real-life family bonding via memes.


Fortunately for the streaming giant, its own shows are popular too.


Platforms like YouTube and Netflix are at war, and Shots Studios CEO John Shahidi is happy to sell content to all of them.


Jennifer Aniston and Danielle Macdonald star in a Texas teen beauty pageant comedy, with original songs from Dolly herself.


This Jungle Book adaptation sat on a shelf for years. It’s pretty obvious why.


That’s a lotta podcast!


The streaming media pioneer could lose about a fifth of its content hours.


Netflix wanted it. So did Hulu. And WarnerMedia wants it back, soon. Probably. Here’s what that means.


They talk with Recode’s Kara Swisher about social media, video games and how we’ll use tech differently in 2019.


Reed Hastings wants to compete with YouTube overseas, and the only way it can do that is by offering a free-with-ads option, Green says on Recode Media.


Chris Pine reunites with Hell or High Water director David Mackenzie for an epic about Robert the Bruce fighting for Scotland’s independence.


Skipper’s new goal is to make watching sports online a big business, starting in the U.S. with boxing.


Everything from selfies to YouTube has armed Generation Z with an “inherent” appreciation of film technique, Reitman says.


Corporate political action committees aren’t as motivated by partisan politics as individuals tend to be.


MJD tells Recode’s Kurt Wagner that the low success rate in tech investing scares him: “I grew up with no money, so it’s like, I got money, I’m gonna try to keep it as long as I can.”
The streaming service expects to add nine million new subscribers before the end of the year.


“My job isn’t to build another Netflix,” WarnerMedia chief John Stankey said.


Brett Kavanaugh’s Senate hearing was “not very joyful,” says Netflix content boss Ted Sarandos.


Sci-fi is very popular among video services, too.


That number will surprise some people, like the person typing up this article.


A normal studio wanted Holofcener to cast “six A-list stars” if they were going to put it out in theaters. Netflix said, “You can cast whoever you want.”


Another top staffer is leaving the social network after a tough year.


On Recode Media, Redef CEO Jason Hirschhorn calls it “the greatest land grab in the history of media ever.”


The music streaming service has been the target of public outrage for carrying Jones’s show.


Declines in traditional TV subscriptions are growing faster than expected.


Netflix lost more than $25 billion in value today. But that doesn’t solve any problems for the traditional media companies.


Wei worked at Amazon and Oculus, among others, but now he’s a “thinkfluencer.”


John Stankey had a lot to tell Richard Plepler and his team last month. You can read (almost) all of it here.


He and Kara discuss the media landscape in the wake of the AT&T/Time Warner decision.


He explains Vox’s new Netflix show, “Explained.”