TV
Vox’s coverage of television shows, from runaway hits to streaming content to obscure titles.


The nine-part Netflix series explores the stories of people freed from prison.


Social distancing has made late-night comedy — including the long-running sketch series — more experimental than ever.


“I think people have been starved for content ... we’re watching, like, reruns from the early 2000s.”


Schitt’s Creek started meh and ended great. Its finale is a triumph.


Endless repetition of the same handful of talking points is not helping the president seem substantive.


Everything Quibi does, other streaming services are already doing better.


Tiger King is just one bizarre story out of many of animal exploitation breeding chaos.


Netflix’s hit show invites us to gawk at its ridiculousness. Should it?


Across six seasons and two networks, the terrifically funny comedy took on nearly every genre and pop culture trope.


The playful reality baking show celebrates the joy of sugar, friendship, and messing up.


In the four-episode series, two drug testers go off the rails — and more than 47,000 criminal cases they were involved in get vacated.


The sci-fi series is one of the best TV shows ever made — and it’s finally streaming again.


Come for queer soulmates, stay for epic fantasy, families, demon flutes, and love triumphing amid censorship.


In the world of New Girl, spring 2020 still involves kissing, so the show has that going for it.


The four-episode miniseries, based on a bestselling memoir, tells the story of an ultra-Orthodox Jewish woman finding her own path.


Every day, he’s on TV, spreading misinformation that could contribute to the death of millions.


It’s a short, sweet watch about two women in a potentially toxic relationship.


The new docuseries has everything: exotic cats, murder, mullets, embezzlement, and a lot of welcome distraction.


The new show adapts Celeste Ng’s 2017 novel into a ham-handed melodrama about race and motherhood.


The series, set in the tech world of the ’80s and ’90s, has the hard-won optimism these times require.


What happened with Charlores? How many people is Jeffrey Wright playing again? Brain ... balls?


Jonathan Nolan and Lisa Joy talk about revolutions, algorithmic determinism, and horse piss.


Winner: Hannah Ann. Loser: #PilotPete.


The current season will continue airing as planned.


Love Is Blind gave us a reunion that was neat, tidy, and (mostly) everyone getting along.


The Netflix reality show was perfect, spectacular trash. Another season would ruin it.


Love Is Blind’s season finale isn’t the end of Love Is Blind.


The gaudy, toxic appeal of Netflix’s Love Is Blind.


How two huge twists in Hunters change the show.


They’re not here to make friends. They’re here to make lots of money. The latest episode of Reset explains.


Amazon’s new series tries to be a tale of Jewish identity — but it doubles as torture porn for neo-Nazis.


Edie Falco’s surprisingly ambitious new CBS show got her thinking about cops, queer identities, and LA.


It’s a brilliant series that contains what might be Dern’s finest performance.


Netflix saved Locke & Key from endless development limbo — but sanitized it into bland mediocrity.


Digital media companies were supposed to be sold to TV companies. Look what’s happening instead.


From Mulan to Sonic the Hedgehog to Marvel to Top Gun.


Jumbled timeline storytelling is becoming more and more popular, especially on TV.


Killer Inside: The Mind of Aaron Hernandez remains on the outside of its story.


Netflix’s fantasy series was met with mixed reviews. But it’s one of the streamer’s most successful shows to date.


The Good Place’s bet was that you would care about its characters more than its world. So did you?