TV
Vox’s coverage of television shows, from runaway hits to streaming content to obscure titles.
It proves how effortlessly the comedy industry forgives racism.
Wendy Williams’s rise, reputation, and absence from her talk show, explained.
The hugely anticipated remake delivers on the drama, charm, and spectacle of the original.
The host’s return to The Daily Show is a coda to a golden age.
What True Detective’s fourth season gets wrong about True Detective.
Espionage and murder aren’t as risky as love and commitment.
What the Reality Von Tease bombshell on SLC means for Bravo.
Season 2 of the Peacock series has some of the worst people you know fail a whodunit.
Bradley Cooper’s turn as Leonard Bernstein in Maestro is just the latest role to stoke conversations about what Jewish representation means in Hollywood.
Doctor Who has to learn to let go of David Tennant.
The expelled rep used his time in Congress like a Real Housewife, and now he’s found his true calling making bank on Cameo.
Netflix struggled for years to land a mainstream anime hit. Enter Blue Eye Samurai.
Oops, they did it again (weaponized the desperation of the proletariat for fun).
Matt Rife’s one comedy rule: Be funny. The problem: He isn’t.
The Netflix hit faced backlash for being too fictional. Season 6 doubles down.
Escaping Twin Flames shows how a self-styled guru turned soul mates into a dangerous form of coercive control.
The New Yorker tried to pin the comedian down with facts. It didn’t work.
SAG-AFTRA and the AMPTP have reached a tentative agreement.
From Pain Hustlers to Dopesick to The Fall of the House of Usher, filmmakers are fascinated by the epidemic. But what are they saying?
What to know about the new collaboration between Nathan Fielder, Benny Safdie, and Emma Stone.
Entertainment isn’t frivolous. Walter Hickey’s new book You Are What You Watch explains why.
In its final episodes, the show becomes a case study in the pleasures and perils of the TV romantic comedy.
I’m not convinced any of these people have ever behaved inappropriately with a corpse!
The two big sticking points between SAG-AFTRA and the AMPTP, explained.
The best Bachelor yet is revitalizing a tired old franchise.
The former J.Crew president has no idea how to be on reality TV, and it’s fantastic reality TV.
Here’s what’s coming in the WGA’s new contract.
Savior Complex, The Mission, and the culture behind toxic missionary work.
Netflix’s hit reality dating series is back to ask: What is love? And baby, who hurt you?
On the AMPTP’s identity crisis, Drew Barrymore, the fall TV calendar, and whether this will ever end.
The new show’s hair and wardrobe team explain the significance of these seemingly small choices.
The former Real Housewife wants Bravo and other reality stars to come together and unionize. It’s not so simple.
Suits is half comfort watch, half reckoning — and America can’t stop streaming.
“A place to make fun of what you see on TV” is less compelling than “the global town square.” But it’s more accurate.
A look at how workers in and outside of Hollywood are being hit by the WGA and SAG-AFTRA strikes.
Can romance’s fantasy of wealth survive the labor rights movement? Let’s ask, uh, this frothy K-drama.
A chat with Charlie Brooker about AI, creativity, and why tech can be like growing an extra limb.
The healing powers of Netflix’s Heartstopper.
The Chosen’s Christian nepo baby roots — and other ways the hit drama might surprise you.